The Cinematic Novel and Postmodern Pop Fiction


Book Description

Décio Torres Cruz approaches connections between literature and cinema partly through issues of gender and identity, and partly through issues of reality and representation. In doing so, he looks at the various ways in which people have thought of the so-called cinematic novel, tracing the development of that genre concept not only in the French ciné-roman and film scenarios but also in novels from the United States, England, France, and Latin America. The main tendency he identifies is the blending of the cinematic novel with pop literature, through allusions to Pop Art and other postmodern cultural trends. His prime exhibits are a number of novels by the Argentinian writer Manuel Puig: Betrayed by Rita Hayworth; Heartbreak Tango; The Buenos Aires Affair; Kiss of the Spider Woman; and Pubis angelical. Bringing in suggestive sociocultural and psychoanalytical considerations, Cruz shows how, in Puig’s hands, the cinematic novel resulted in a pop collage of different texts, films, discourses, and narrative devices which fused reality and imagination into dream and desire.




Psychoanalysis and Narrative


Book Description

Psychoanalysis and Narrative analyzes narrative in literary fiction, film, and autobiography through different psychoanalytic lenses including gender and socio-cultural perspectives. This book aims to demonstrate how fictionists and film makers have intuitively developed – through their own creativity – many of the psychoanalytic discoveries about the human mind. Subverting the usual direction of “applied psychoanalysis,” the book goes from creativity to psychoanalysis, and focuses on four internationally known Argentine writers: Jorge Luis Borges, Julio Cortázar, Manuel Puig, and Luisa Valenzuela; two Argentine women filmmakers, Lucrecia Martel and Lucía Puenzo; and French essayist and writer Serge Doubrovsky. This volume will be of interest to students and academics interested in autobiography and autofiction.







Comparative Literature: Sharing Knowledges for Preserving Cultural Diversity - Volume II


Book Description

Comparative Literature: Sharing Knowledges for Preserving Cultural Diversity theme is a component of Encyclopedia of Social Sciences and Humanities in the global Encyclopedia of Life Support Systems (EOLSS), which is an integrated compendium of twenty one Encyclopedias. The Theme on Comparative Literature: Sharing Knowledge's for Preserving Cultural Diversity provides six different topics: 1. Language, literature and human sustainability; 2. Relationships among literature and other artistic activities and discourses ; 3. Comparative literature and other fields of knowledge; 4. Comparative literature, criticism and media ; 5. Comparative literature in the age of global change; 6. Translatio studii and cross-cultural movements or Weltverkehr. These three volumes are aimed at a wide spectrum of audiences: University and College Students, Educators and Research Personnel.




Manuel Puig (WAS)


Book Description

A critical study of the innovative Argentine's major writings, highlighted by discussion of his personal life and career.




Manuel Puig and the Spider Woman


Book Description

Manuel Puig & The Spider Woman tells the life story of the innovative and flamboyant novelist and playwright himself. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book, the first biography of the inimitable writer. Manuel Puig (1932-1990), Argentinian author of Kiss of the Spider Woman and pioneer of high camp, stands alone in the pantheon of contemporary Latin American literature. Strongly influenced by Hollywood films of the thirties and forties, his many-layered novels and plays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. When his first two novels were published in the late 1960s, they delighted the public but were dismissed as frivolous by the leftist intellectuals of the Boom; his third novel was banned by the Peronist government for irreverence. His influence was already felt, though-even by writers who had dismissed him-and by the time the film version of Kiss of the Spider Woman became a worldwide hit, he was a renowned literary figure. Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favorite movie stars, referred to his young male devotees as "daughters," and, as a perennial expatriate, lived (often with his mother) everywhere from Rome to Rio de Janeiro.







World Literature Today


Book Description