The Posthumous Dramatick Works of the Late Richard Cumberland, Esq., Vol. 2 of 2 (Classic Reprint)


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Excerpt from The Posthumous Dramatick Works of the Late Richard Cumberland, Esq., Vol. 2 of 2 Night. The Entrance of a Prison. Augusta enters, attended by Sameas, with a Guard bearing Torches. Aug. Advance your torches to the dungeon's mouth - And is it here my beauteous rival dwells? Is it within these melancholy walls That Mariamne, Herod's matchless queen, Once the bright wonder of the gazing world, Ambition's victim, now despairing pines? Sam. Such was the will of Herod, and, though dead, Yet, whilst his stern decree; stands unrevok'd, Here she must dwell, nor view the light of heaven, Till mercy beams upon her. Aug. I would see How gracefully the heroine wears her chains: Twice seven long years she triumph'd on my throne. I would fain see, if those all-conquering eyes, Whose fires extinguish'd mine, maintain their lustre. Sam. Is this a triumph worthy of Augusta? What joy can it reflect on Judah's queen To mark the faded cheek, the languid eye. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Posthumous Dramatick Works of the Late Richard Cumberland, Esq., Vol. 1 of 2 (Classic Reprint)


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Excerpt from The Posthumous Dramatick Works of the Late Richard Cumberland, Esq., Vol. 1 of 2 Returning my sincere acknowledgments, [to those who have favoured this undertaking. It has given me real gratification, to have it at length in my power, to fulfil the intentions and wishes of my late beloved Parent, towards his Sub scribers. Indeed I may truly say to be able to do so, has shed the brightest beam of comfort that has cheered my heart, during the many dark hours of severe suffering and affliction, which I have experienced, since it pleased. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Hereditary Genius


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The Works of Lord Byron


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U.S. Marines In Vietnam: Fighting The North Vietnamese, 1967


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This is the fourth volume in an operational and chronological series covering the U.S. Marine Corps’ participation in the Vietnam War. This volume details the change in focus of the III Marine Amphibious Force (III MAF), which fought in South Vietnam’s northernmost corps area, I Corps. This volume, like its predecessors, concentrates on the ground war in I Corps and III MAF’s perspective of the Vietnam War as an entity. It also covers the Marine Corps participation in the advisory effort, the operations of the two Special Landing Forces of the U.S. Navy’s Seventh Fleet, and the services of Marines with the staff of the U.S. Military Assistance Command, Vietnam. There are additional chapters on supporting arms and logistics, and a discussion of the Marine role in Vietnam in relation to the overall American effort.




Slavery and the British Country House


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The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.




The Originality of the Avant-Garde and Other Modernist Myths


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Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.