The Potters' Quarter


Book Description

The long-awaited final part of the publication of the Corinth Potters' Quarter is based on the work of the excavator, A. N. Stillwell, edited and supplemented after her death by J. L. Benson. The pottery, although frequently fragmentary, can often be assigned to known painters or workshops, and the deposits, especially in view of the defective pieces in them, can be argued to contain material almost exclusively of local manufacture. A brief introduction serves to explain the organization of the catalogue and to characterize the principal deposits, most of which contained material from several periods; a summary of represented painters and workshops concludes the chapter. The catalogue presents over 2,300 examples from more than 4,000 inventoried pieces. Almost all are illustrated with photographs, frequently supplemented with detail line drawings of motifs; selected profile drawings represent the principal shapes. A new foldout plan of the Potters' Quarter is included.




Corinth, the Centenary, 1896-1996


Book Description

Twenty-five papers presented at the December 1996 symposium held in Athens to celebrate the 100th anniversary of the American School of Classical Studies excavations at ancient Corinth. The papers are intended to illustrate the range in subject matter of research currently being undertaken by scholars of ancient Corinth, and their inclusion in one volume will serve as a useful reference work for nonspecialists. Each of the topics (which vary widely from Corinthian geology to religious practices to Byzantine pottery) is presented by the acknowledged expert in that area. The book includes a full general bibliography of articles and volumes concerning material excavated at Corinth. As a summary of one hundred years' research it will be useful to generations of scholars to come.




Potters at Work in Ancient Corinth


Book Description

An unparalleled assemblage of Archaic black-figure painted pinakes (plaques) was uncovered near Penteskouphia, a village west of ancient Corinth, over a century ago. The pinakes-represented by over 1,200 fragments-and their depictions of gods, warriors, animals, and the potters themselves, provide a uniquely rich source of information about Greek art, technology, and society. In this volume, the findspot of the pinakes is identified in a contribution by Ioulia Tzonou and James Herbst, and the assemblage as a whole is fully contextualized within the Archaic world. Then, by focusing specifically on the images of potters at work, the author illuminates the relationship between Corinthian and Athenian art, the technology used in ancient pottery production, and religious anxiety in the 6th century B.C. The first comprehensive register of all known Penteskouphia pinakes complements the well-illustrated discussion.




The Red-figure Pottery


Book Description

Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century B.C., Corinthian potters tried to imitate the Athenian fashion and this book catalogues 186 pieces of their work. The author discusses the reasons for the production of Corinthian red figure even in limited quantities. Six painters are identified as responsible for at least half the known pieces. Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. All items in the catalogue are illustrated in photographs; line drawings are used to demonstrate details of technique.




Art and the Early Greek State


Book Description

A contribution to recent debates on emerging Greek city states in the first millennium BC.




The Sanctuary of Demeter and Kore


Book Description

About 24,000 figurines and fragments have been found on Acrocorinth, and this study greatly increases our understanding of the way in which this artform developed over the centuries.




Studies in Archaic Corinthian Vase Painting


Book Description

Two important contributions to Greek pottery studies. Aftermath, by D. A. Amyx, is a catalogue of material supplementing his work in Corinth VII.2 but found after the cutoff of 1969 or omitted for some other reason. This article and Corinth VII.2 together stand as a full compilation of painters at present represented in the collection of the Corinth Excavations. The Chimaera Group at Corinth and Dodwellians in the Potters' Quarter are both by Patricia Lawrence. The first is a thoughtful analysis of this group of painters, based on a close examination of material found in the excavations at Corinth but including attributed pieces from other sites. The second studies 15 new fragments and reexamines material previously published in Corinth XV.3, demonstrating that the Geladakis Painter, as well as several Dodwellians, are represented there.




The Origins and Use of the Potter’s Wheel in Ancient Egypt


Book Description

Despite many years work on the technology of pottery production it is perhaps surprising that the origins of the potter's wheel in Egypt have yet to be determined. This volume seeks to rectify this situation by determining when the potter's wheel was introduced into Egypt.




Hellenistic Pottery


Book Description

Using deposits recently excavated from the Panayia Field, this volume substantially revises the absolute chronology of Corinthian Hellenistic pottery as established by G. Roger Edwards in Corinth VII.3 (1975). This new research, based on quantitative analysis of over 50 deposits, demonstrates that the date range for most fine-ware shapes should be lowered by 50-100 years. Contrary to previous assumptions, it is now possible to argue that local ceramic production continued in Corinth during the interim period between the destruction of the city in 146 B.C. and when it was refounded as a Roman colony in 44 B.C. This volume includes detailed shape studies and a comprehensive catalogue. With its presentation of this revised "Panayia Field chronology," Corinth VII.7 is a long-awaited and much-needed addition to the Corinth series.




Pottery in the Archaeological Record


Book Description

Archaeologist are increasingly focusing on the transformation of artifacts from their use in the past to their appearance in the archaeological record, trying to identiy the natural and cultural processes that created the archaeological record we study today. In Classical Archaeology, attention to these processes received an impetus by J. Theodore Pena's 2007 monograph, Roman Pottery in the Archaeological Record, which considered how ceramic vessels were made, used and stayed in use serving various secondary purposes, before finally being discarded. Pena relied mainly on evidence from Roman Italy, which raises the question of the impact of similar cultural forces on pottery from other periods and places. His work accentuates the need to continue the process of building and developing explicit interpretive models of ceramic life-histories in Mediterranean archeology. With a view to beginning to address these challenges, the editors invited a group of specialists in the pottery of Greece and the rest of the Eastern Mediterranean to a colloquium in Athens in June 2008, asking the contributors to recondiser Pena's general models, approaches and examples from their own particular geographic and cultural perspectives. This publication constitutes the proceedings of this colloquium.