The 'Powers' of Personification


Book Description

While scholars have often found value in comparing Wisdom and Romans, a comparison of the use of personification in these works has not yet been made, despite the striking parallels between them. Furthermore, while scholars have studied many of these personifications in detail, no one has investigated an individual personification with respect to the general use of the trope in the work. Instead, most of this research focuses on a personification in relation to its nature as either a rhetorical device or a supernatural power. The “Powers” of Personification seeks to push beyond this debate by evaluating the evidence in a different light – that of its purpose within the overall use of personification in the respective work and in comparison with another piece of contemporaneous theological literature. This book proposes that the authors of Wisdom and Romans employ personification to distance God from the origin of evil, to deflect attention away from the problem of righteous suffering to the positive sides of the experience, or to defer the solution for the suffering of the righteous to the future.







Personification


Book Description

Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.




The Poetics of Personification


Book Description

Literary personification has long been taken for granted as an important aspect of Western narrative; Paul de Man has given it still greater prominence as 'the master trope of poetic discourse'. James Paxson here offers a much-needed critical and theoretical appraisal of personification in the light of poststructuralist thought and theory. The poetics of personification provides a historical reassessment of early theories, together with a sustained account of how literary personification works through an examination of narratological and semiotic codes and structures in the allegorical texts of Prudentius, Chaucer, Langland and Spenser. The device turns out to be anything but an aberration, oddity or barbarism, from ancient, medieval or early modern literature. Rather, it works as a complex artistic tool for revealing and advertising the problems and limits inherent in narration in particular and poetic or verbal creation in general.




Personification and the Feminine in Roman Philosophy


Book Description

A literary approach to Roman philosophy demonstrating the relevance of gender, feminism and rhetoric to the history of the self.




The Personification of Wisdom


Book Description

This book examines the personification of Wisdom as a female figure - a central motif in Proverbs, Job, Sirach, Wisdom and Baruch. Alice M. Sinnott identifies how and why the complex character of Wisdom was introduced into the Israelite tradition, and created and developed by Israelite/Jewish wisdom teachers and writers. Arguing that by personifying Wisdom the authors of Proverbs responded to Israel's defeat by Babylon and the loss of Davidic monarchy, and by retrieving and transforming the Wisdom figure the authors of Sirach, Baruch and Wisdom responded to the spread of Hellenism and the potential loss of identity for Jews. Sinnott concludes that personified Wisdom functioned to reinterpret and transform the Israelite/Jewish tradition.




Personification and the Sublime


Book Description

Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions "sublime." This has always seemed mysterious, since the same readers so often expressed a feeling that there was something wrong with turning ideas into people--or, worse, turning people into ideas. In this wide-ranging, carefully argued study, Steven Knapp explains the connection between personification and the aesthetics of the sublime. Personifications, such as Milton's controversial figures of Sin and Death in Paradise Lost, were seen to embody a unique combination of imaginative power and overt fictionality, and these, Knapp shows, were exactly the conflicting requirements of the sublime in general. He argues that the uneasiness readers felt toward sublime personifications was symptomatic of broader ambivalences toward archaic beliefs, political and religious violence, and poetic fiction as such. Drawing on recent interpretations of Romanticism, allegory, and the sublime, Knapp provides important new readings of Coleridge, Wordsworth, Kant, and William Collins. His provocative thesis sheds new light on the relationship between Romanticism and the eighteenth century.







Against the Personification of Democracy


Book Description

Against the Personification of Democracy offers a new theory of political subjectivity that puts the dilemma of desire into the forefront. By using Lacan to read key figures in political philosophy, the book demonstrates why democratic theory -- representative or radical - is not only ineffective when it comes to the best form of political cohabitation, but also productive of destructive and self-defeating forces. The book begins with the debate between Hobbesian and Lockeian notions of subjectivity to argue that the nature of political subjectivity is a function of the problem of desire. It then considers the question of the proper structure of political cohabitation in light of Hannah Arendt's insights into what happened to the stateless in World War II, leading to a distinction between the person in a bare and unadorned form and the public persona that is represented in most forms of democracy. Lacan is used to reread the question of political subjectivity, but, unlike radical democratic theory, the book argues against agonistic, representative, and thus endless democracy. Such a political formation is seen as an instigation and ultimate disappointment to desire (the persona), which leads to general negative outcomes, including genocide, concentration camps, and the removal of rights. Arguing against Zizek's proposal that a radical Act can save us politically, the book proposes a universal political formation as the only way out of the dilemma of political desire. This formation is not dependent on public personas, but rooted in actual persons meeting in their locality and sovereign to no one. An indispensable text for anyone interested in political theory, political philosophy, and democratic theory, Against the Personification of Democracy critiques positive theories of sovereignty through its analysis of political subjectivity and the problem of desire. More importantly, it provides a truly universal theory of democratic cohabitation that escapes political desire and thus the scapegoats of democratic failure, not to mention the anxiety of the impossibility of the democratic promise.




Personification in the Greek World


Book Description

Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.