Anders Zorn


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Accompanying a major retrospective of Anders Zorn’s work, this is the first volume in English to explore the Swedish Impressionist’s entire career in depth. Anders Zorn (1860–1920) is one of Sweden’s most accomplished and beloved artists. Renowned for his light, expressive watercolors, he attained mastery of the genre at an early age and later applied his techniques to oil painting. Zorn is often compared with the artists John Singer Sargent and Joaquín Sorolla y Bastida, contemporaries who also were known for their portraits of high-society figures. Taking up residence in London and then in Paris, Zorn established himself as an international portrait painter, depicting fashionable clients in a style both elegant and relaxed. He became a favorite among wealthy American collectors, bankers, and industrialists who sat for him, including art collector Isabella Stewart Gardner and three U.S. presidents. Although perhaps best known for his portraits, Zorn brought equal skill to painting genre scenes and views of nature. This handsome volume provides a thorough introduction to the artist and his works, from portraiture to landscapes and his famous nudes. Four illustrated essays are accompanied by a chronology, selected bibliography, an exhibition checklist, and an index.




Zorn in America


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Zorn - A Swedish Superstar


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Anders Zorn's life and career are almost unparalleled in Swedish art history.




The Salon of 1891


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Etchings


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The Prints of Anders Zorn


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The Darker Side of Light


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For many today, the art of the late nineteenth century is dominated by Impressionism and Post-impressionism. By explicating a range of highly engaging, often mysterious and beautiful prints, drawings and small sculptures, The Darker Side of Light evokes the shadowed interiors and private introspections that compose a far less familiar history of late nineteenth century art.




Anders Zorn, 101 Etchings


Book Description

The "painters' painter," Anders Zorn (1860–1920) studied at the Stockholm Royal Academy of Art and took up residence in London and Paris, where he established an international roster of high-society clients. His striking portraits rivaled those of his contemporary John Singer Sargent in their popularity. Zorn excelled at both watercolor and oil painting, and his etchings are of the highest quality. Uninhibited by the limitations of the medium, the Swedish artist exhibited complete mastery of the plate, bending the art form to suit his own direction. His etchings display the same characteristics and likeness of his paintings, consisting chiefly of portraits and genre scenes. This collection of Zorn's finest etchings, which date from 1883 to 1918, features art from the 1922 Verlag Ernst Arnold edition. An ideal showcase of Zorn's artistic style and technical ability, this book provides a captivating gallery of people in repose and in motion—making music, riding horses, boating, and swimming. Some of the etchings are nude, others depict the fashions of the day. This new edition is enriched by a Foreword by James Gurney, author of Color and Light: A Guide for the Realist Painter and Imaginative Realism.




Kitsch, More Than Art


Book Description

Kitsch is Odd Nerdrum's luxuriously produced apologia for the enduring relevance of the old master style. Containing writings and interviews by and with Nerdrum alongside hefty plate sections of both Nerdrum's own paintings and those by painters he sees as exemplars of a certain kind of figurative art, it is a bold attack on the foundations of modernism. In Nerdrum's view, what we call "kitsch" art is a consequence of modernism's "make it new" ethic. For Nerdrum, this insistence on novelty has permeated the thinking of institutions, critics, artists and the public, and has effectively suppressed what Nerdrum most values in a work of art: sentimentality, passion, pathos and the self-evident skill and emotion of sheer craft. By this latter value in particular, the kitsch painter is able to work according to knowable standards that painting prior to modernism has established--standards that are "more than art," for, as Nerdrum puts it, "the kitsch painter commits himself to the eternal: love, death and the sunrise." Kitsch is a manifesto that recruits figurative painters both old and new, such as William Dyce, Paul Fenniak, Sampo Kaikkonen, Isaac Levitan, Osiris Rain, Ilya Repin, Giovanni Segantini, Valentin Serov, George Tooker, George Frederick Watts and Anders Zorn, and situates their work alongside more than 70 of Nerdrum's recent paintings. Alongside essays, poems and plays by the artist, Kitsch contains an extended dialogue on the topic between Nerdrum and Maria Kreyn.




A Is for Art


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