The Prison Book Club


Book Description

A daring journalist goes behind bars to explore the redemptive power of books with bikers, bank robbers, and gunmen. An attack in London left Ann Walmsley unable to walk alone down the street, and shook her belief in the fundamental goodness of people. A few years later, when a friend asked her to participate in a bold new venture in a men's medium security prison, Ann had to weigh her curiosity and desire to be of service against her anxiety and fear. But she signed on, and for eighteen months went to a remote building at Collins Bay, meeting a group of heavily tattooed book club members without the presence of guards or security cameras. There was no wine and cheese, no plush furnishings. But a book club on the inside proved to be a place to share ideas and regain a sense of humanity. From The Grapes of Wrath to The Cellist of Sarajevo, Outliers to Infidel, the book discussions became a springboard for frank conversations about loss, anger, redemption, and loneliness. The books changed the men and the men changed Walmsley. Written with compassion and humour, The Prison Book Club is an eye-opening look at inmates and the penal system, and the possibilities of redemption.




America Is the Prison


Book Description

In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. Lee Bernstein explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's revolutionary Soledad Brother to Miguel Pinero's acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade. By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them.




Prison Nation


Book Description

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.




The Artists' Prison


Book Description

The Artists' Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of the prison's warden, written by Alexandra Grant, and powerfully allusive images by Eve Wood, the prison is a brutal, Kafkaesque landscape where creativity can be a criminal offence and sentences range from the allegorical to the downright absurd. In The Artists' Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations--sometimes dubious, sometimes oddly sentimental--that the book's critical edge is sharpest. In structural terms, The Artists' Prison represents a unique visual and literary intersection, in which Wood's drawings open spaces of potential meaning in Grant's text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.




The Prison


Book Description

In this haunting tale of terror set at a prison that was formerly an asylum for the mentally ill, the spirits of the dead patients, possessing the bodies of the inmates, seek restitution for the inhumane "therapy" treatments they received years before. Original.




Inside Private Prisons


Book Description

When the tough-on-crime politics of the 1980s overcrowded state prisons, private companies saw potential profit in building and operating correctional facilities. Today more than a hundred thousand of the 1.5 million incarcerated Americans are held in private prisons in twenty-nine states and federal corrections. Private prisons are criticized for making money off mass incarceration—to the tune of $5 billion in annual revenue. Based on Lauren-Brooke Eisen’s work as a prosecutor, journalist, and attorney at policy think tanks, Inside Private Prisons blends investigative reportage and quantitative and historical research to analyze privatized corrections in America. From divestment campaigns to boardrooms to private immigration-detention centers across the Southwest, Eisen examines private prisons through the eyes of inmates, their families, correctional staff, policymakers, activists, Immigration and Customs Enforcement employees, undocumented immigrants, and the executives of America’s largest private prison corporations. Private prisons have become ground zero in the anti-mass-incarceration movement. Universities have divested from these companies, political candidates hesitate to accept their campaign donations, and the Department of Justice tried to phase out its contracts with them. On the other side, impoverished rural towns often try to lure the for-profit prison industry to build facilities and create new jobs. Neither an endorsement or a demonization, Inside Private Prisons details the complicated and perverse incentives rooted in the industry, from mandatory bed occupancy to vested interests in mass incarceration. If private prisons are here to stay, how can we fix them? This book is a blueprint for policymakers to reform practices and for concerned citizens to understand our changing carceral landscape.




Running the Books


Book Description

Avi Steinberg is stumped. After defecting from yeshiva to attend Harvard, he has nothing but a senior thesis on Bugs Bunny to show for himself. While his friends and classmates advance in the world, Steinberg remains stuck at a crossroads, his “romantic” existence as a freelance obituary writer no longer cutting it. Seeking direction (and dental insurance) Steinberg takes a job running the library counter at a Boston prison. He is quickly drawn into the community of outcasts that forms among his bookshelves—an assortment of quirky regulars, including con men, pimps, minor prophets, even ghosts—all searching for the perfect book and a connection to the outside world. Steinberg recounts their daily dramas with heartbreak and humor in this one-of-a-kind memoir—a piercing exploration of prison culture and an entertaining tale of one young man’s earnest attempt to find his place in the world.




A Country Called Prison


Book Description

Weaving together sociological and psychological principles, theories of political reform, and real-life stories from experiences working in prison and with at-risk families, Looman and Carl form a foundation of understanding to demonstrate that prison is a culture, not purely an institution made up of fences, building, and policies.




About Prison


Book Description

In this unique and extraordinary text, Michael G. Santos helps others learn about the abnormal way of life behind the walls and fences of prisons. To provide readers with a more complete and realistic picture of the growing subculture that exists in prison, the author provides both his own experiences and observations of living as a prisoner, as well as dialogues, vignettes, and profiles of other prisoners and workers within the prison environment. This text addresses the unprecedented growth in the prison system over the past two decades, and asks future correctional professionals to critically examine the current prison system.




This Is Not My Life


Book Description

From the Governor General’s Award winning author of Forms of Devotion, Our Lady of the Lost and Found and By the Book “Never once in my life had I dreamed of being in bed with a convicted killer.” For almost six turbulent years, award-winning writer Diane Schoemperlen was involved with a prison inmate serving a life sentence for second-degree murder. The relationship surprised no one more than her. How do you fall in love with a man with a violent past? How do you date someone who is in prison? This Is Not My Life is the story of the romance between Diane and Shane—how they met and fell in love, how they navigated passes and parole and the obstacles facing a long-term prisoner attempting to return to society, and how, eventually, things fell apart. While no relationship takes place in a vacuum, this is never more true than when that relationship is with a federal inmate. In this candid, often wry, sometimes disturbing memoir, Schoemperlen takes us inside this complex and difficult relationship as she journeys through the prison system with Shane. Not only did this relationship enlarge her capacity for both empathy and compassion, but it also forced her to more deeply examine herself.