Trusting Records


Book Description

A trustworthy record is one that is both an accurate statement of facts and a genuine manifestation of those facts. Record trustworthiness thus has two qualitative dimensions: reliability and authenticity. Reliability means that the record is capable of standing for the facts to which it attests, while authenticity means that the record is what it claims to be. This study explores the evolution of the principles and methods for determining record trustworthiness from antiquity to the digital age, and from the perspectives of law and history. It also examines recent efforts undertaken by researchers in the field of archival science to develop methods for ensuring the trustworthiness of records created and maintained in electronic systems. Audience: The target audience for this study is legal scholars working in the field of evidence law, historians working in the field of historical methodology, and recordkeeping professionals (records managers, information technology specialists, archivists) working on the design and implementation of contemporary organizational recordkeeping systems.




In Search of Ancient Roots


Book Description

Perceiving a disconnect between their Protestant tradition and ancient Christianity, younger generations are abandoning evangelicalism for traditions that appear more rooted in the early church. Surveying five centuries church history, Ken Stewart argues for the rich Protestant connections to the Reformation and early Christianity.




Italian Literature before 1900 in English Translation


Book Description

Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors – Dante Alighieri, Machiavelli, and Boccaccio – and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.




The Renaissance in Italy


Book Description

The Italian Renaissance has come to occupy an almost mythical place in the popular imagination. The outsized reputations of the best-known figures from the period—Michelangelo, Niccolo Machiavelli, Lorenzo the Magnificent, Pope Julius II, Isabella d'Este, and so many others—engender a kind of wonder. How could so many geniuses or exceptional characters be produced by one small territory near the extreme south of Europe at a moment when much of the rest of the continent still labored under the restrictions of the Middle Ages? How did so many of the driving principles behind Western civilization emerge during this period—and how were they defined and developed? And why is it that geniuses such as Leonardo, Raphael, Petrarch, Brunelleschi, Bramante, and Palladio all sustain their towering authority to this day? To answer these questions, Kenneth Bartlett delves into the lives and works of the artists, patrons, and intellectuals—the privileged, educated, influential elites—who created a rarefied world of power, money, and sophisticated talent in which individual curiosity and skill were prized above all else. The result is a dynamic, highly readable, copiously illustrated history of the Renaissance in Italy—and of the artists that gave birth to some of the most enduring ideas and artifacts of Western civilization.




The A to Z of the Renaissance


Book Description

Few periods have given civilization such a strong impulse as the Renaissance, which started in Italy and then spread to the rest of Europe. During its brief epoch, most vigorously from the fourteen to the sixteenth centuries, Europe reached back to Ancient Greece and Rome, and pushed ahead in numerous fields: art, architecture, literature, philosophy, banking, commerce, religion, politics, and warfare. This era is inundated with famous names (Da Vinci, Michelangelo, Raphael, Petrarch, Machiavelli, Cervantes, and Shakespeare), and the heritage it left can hardly be overestimated. The A to Z of the Renaissance provides information on these fields through its chronology, which traces events from 1250 to 1648, and its introduction delineating the underlying features of the period. However, it is the dictionary section, with hundreds of cross-referenced entries on famous persons (from Adrian to Zwingli), key locations, supporting political and social institutions, wars, religious reformations, achievements, and failures, which is the heart of this book. Further research is facilitated by the bibliography.




Godly Magistrates and Church Order


Book Description




Whether Secular Government Has the Right to Wield the Sword in Matters of Faith


Book Description

By the beginning of the 1530s, the governments of many German territories that had abolished Catholicism and established the Reformation had begun to impose strict uniformity of doctrine and worship on their subjects. In some communities, individuals who felt threatened by the impending orthodoxy raised their voices in protest. The texts in this volume record one such protest and the responses that it evoked. The individual making the protest was a prominent citizen of Nürnberg whose name is unknown. In the spring of 1530 he submitted to the secretary of the Nürnberg city council a skilfully argued memorandum in which he maintained that secular governments have no authority in matters of faith and must therefore tolerate Anabaptists, Jews, and any other religious dissidents whose conduct is peaceful. Since this called into question the basic assumption of the Protestant reformers and their governmental allies that the Christian magistrate has the divinely imposed obligation to establish and maintain true religion and remove error, three theologians -- Andreas Osiander and Wenceslaus Linck in Nürnberg and their colleague Johannes Brenz in Schwäbisch Hall -- wrote learned memoranda in response to the memorandum of the anonymous Nürnberger. While the anonymous memorandist's arguments in favour of toleration are in striking harmony with our latter-day view of the matter, the counter-arguments of the three theologians demonstrate why the most learned and respectable people in the sixteenth century thought that religious intolerance was the solemn duty of every Christian magistrate and that toleration was wicked, inhuman, and dangerous.




Sacrilege and Redemption in Renaissance Florence


Book Description

In Florence, in the summer of 1501, a man named Antonio Rinaldeschi was arrested and hanged after throwing horse dung at an outdoor painting of the Virgin Mary. His punishment was severe, even for the times, and the crimes with which he was formally charged, gambling, blasphemy and attempted suicide, did not normally warrant the death penalty. Sacrilege and Redemption in Renaissance Florence unveils a series of newly discovered sources concerning this striking episode. The authors show how the political and religious context of Renaissance Florence resulted both in Rinaldeschi's death sentence and in the creation by the followers of Savonarola of a new religious devotion, in the heart of the city, commemorating the event. -- Amazon.com.




The Premodern Teenager


Book Description