The Origins of the World


Book Description

* At the crossroads of science and art, this catalogue compares the main milestones of scientific discoveries with their parallels in the collective imagination* Featuring 300 works which testify on the influence of scientific discoveries on the imagination and art of the 19th century* Accompanies an exhibition at Musée d'Orsay in Paris: December 2020 - May 2021. The exhibition has been organized with the Montréal Museum of Fine Arts, Canada, which will take place from June - 27 September 2021The 19th century saw an unprecedented development of the natural sciences. Darwinian theory questions the origins of man, his place in Nature, his links with animals and his own animality in a world now understood as an ecosystem. This upheaval in the sciences, as well as the public debates throughout the century, deeply influenced the artists. The Musée d'Orsay and the Musée des Beaux-Arts de Montréal are devoting an exhibition to the intersection of science and the arts for the first time, in partnership with the National Museum of Natural History in Paris, which will retrace the themes of this questioning and will confront the main milestones of scientific discoveries with their parallel in the art.










Novel Science


Book Description

Novel Science is the first in-depth study of the shocking, groundbreaking, and sometimes beautiful writings of the gentlemen of the “heroic age” of geology and of the contribution these men made to the literary culture of their day. For these men, literature was an essential part of the practice of science itself, as important to their efforts as mapmaking, fieldwork, and observation. The reading and writing of imaginative literatures helped them to discover, imagine, debate, and give shape and meaning to millions of years of previously undiscovered earth history. Borrowing from the historical fictions of Walter Scott and the poetry of Lord Byron, they invented geology as a science, discovered many of the creatures we now call the dinosaurs, and were the first to unravel and map the sequence and structure of stratified rock. As Adelene Buckland shows, they did this by rejecting the grand narratives of older theories of the earth or of biblical cosmogony: theirs would be a humble science, faithfully recording minute details and leaving the big picture for future generations to paint. Buckland also reveals how these scientists—just as they had drawn inspiration from their literary predecessors—gave Victorian realist novelists such as George Eliot, Charles Kingsley, and Charles Dickens a powerful language with which to create dark and disturbing ruptures in the too-seductive sweep of story.




The Progress of Invention in the Nineteenth Century


Book Description

From the preface: "For a work of such scope as this, the first word of the author should be an apology for what is doubtless the too ambitious effort of a single writer. A quarter of a century in the high tide of arts and sciences, an ardent interest in all things that make for scientific progress, and the aid and encouragement of many friends in and about the Patent Office, furnish the explanation. The work cannot claim the authority of a text-book, the fullness of a history, nor the exactness of a technical treatise. It is simply a cursory view of the century in the field of invention, intended to present the broader bird's eye view of progress achieved. In substantiation of the main facts reliance has been placed chiefly upon patents, which for historic development are believed to be the best all authorities, because they carry the responsibility of the National Government as to dates, and the attested signature and oath of the inventor as to subject matter. Many difficulties and embarrassments have been encountered in the work. The fear of extending it into a too bulky volume has excluded treatment of many subjects which the author recognizes as important, and issues in dispute as to the claims of inventors have also presented themselves in perplexing conflict. A discussion of the latter has been avoided as far as possible, the paramount object being to do justice to all the worthy workers in this field, with favor to none, and only expressing such conclusions as seem to be justified by authenticated facts and the impartial verdict of reason in the clearing atmosphere of time. For sins of omission a lack of space affords a reasonable excuse, and for those of commission the great scope of the work is pleaded in extenuation. It is hoped, however, that the volume may be find an accepted place in the literature of the day, as presenting in compact form some comprehensive and coherent idea of the great things in invention which the Nineteenth Century has added to the world's wealth of ideas and material resources."




The Progress of Invention in the Nineteenth Century


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.