The Psychic Hold of Slavery


Book Description

What would it mean to “get over slavery”? Is such a thing possible? Is it even desirable? Should we perceive the psychic hold of slavery as a set of mental manacles that hold us back from imagining a postracist America? Or could the psychic hold of slavery be understood as a tool, helping us get a grip on the systemic racial inequalities and restricted liberties that persist in the present day? Featuring original essays from an array of established and emerging scholars in the interdisciplinary field of African American studies, The Psychic Hold of Slavery offers a nuanced dialogue upon these questions. With a painful awareness that our understanding of the past informs our understanding of the present—and vice versa—the contributors place slavery’s historical legacies in conversation with twenty-first-century manifestations of antiblack violence, dehumanization, and social death. Through an exploration of film, drama, fiction, performance art, graphic novels, and philosophical discourse, this volume considers how artists grapple with questions of representation, as they ask whether slavery can ever be accurately depicted, trace the scars that slavery has left on a traumatized body politic, or debate how to best convey that black lives matter. The Psychic Hold of Slavery thus raises provocative questions about how we behold the historically distinct event of African diasporic enslavement and how we might hold off the transhistorical force of antiblack domination.




My Soul: Enslaved


Book Description




Slavery


Book Description




Slavery


Book Description







Dissociative States


Book Description

This manuscript is an attempt to attend to the dead and dying, to Black people who are always already socially dead and living out their dying alone---whether on or off camera---in the US and Africa. I question the libidinal demands placed on Black cultural producers, revolutionary figures, and Black folks who simply want to 'be'---which is to say, Black bodies turned to flesh---as I ask, what fantasies must be harnessed to obscure racial violence into narratives of possibility, of redemption?Dissociative States: The Metaphysics of Blackness and the Psychic Afterlife of Slavery elaborates what I call a metaphysics of Blackness: a psychic, ontological, and political architecture marked by what I've termed temporal aphasia and onto-thanatology. Enumerated by the Black female body as its nodal point, the metaphysics of Blackness reveals an ontology catalyzed by violence as its sole cohering agent. For to speak of the psyche---and the psychic afterlife of slavery, in particular---is to speak of metaphysics. And to speak of the metaphysics of Blackness is to broach the mining of the Black psyche and the location of Blackness within metaphysics as psychoanalysis.In pursuit of such reading, I break radically from the scholarly tradition of theorists of Black life, as well as comparative scholarship on Africa and its diaspora, to argue that ontological death comprises the metaphysics of Blackness. Tracing a raced psychic plane engendered by the trans-Atlantic slave trade, I demonstrate the inadequacy of a comparative analysis to account for the continuum of psychic violence imposed by racial slavery upon African descended people. Rather than the cultural continuity experienced through social practices, performative gestures, or racial identification, I contend that a rupture in the fabric of speech, comprehension, and thus, figuration suspends Blackness in general and the Black female imago in particular within a series of dissociative states. Through an exploration of the relationship between Blackness and ontological death, my manuscript reflects the (im)possible project of elaborating agential possibility when the evidence betrays the contrary---Black (non)ontology as a site of irremediable absence.




A Documentary History of Slavery in North America


Book Description

Documenting multiple aspects of slavery and its development in North America, this collection provides more than one hundred excerpts from personal accounts, songs, legal documents, diaries, letters, and other written sources. The book assembles a remarkable portrayal of the day-to-day connections between, and among, slaves and their owners across more than two centuries of subjugation and resistance, despair and hope. Beginning with a chronicle of the origins of slavery in the British colonies of North America, the collection traces the growth of the system to the antebellum period and includes accounts of slave revolts, auctions, slave travel and laws, and family life. Intimate as well as comprehensive, the documents reveal the individual views, goals, and lives of slaves and their masters, making this engaging work one of the most respected catalogs of firsthand information about slavery in North America.




Post Traumatic Slave Syndrome


Book Description

From acclaimed author and researcher Dr. Joy DeGruy comes this fascinating book that explores the psychological and emotional impact on African Americans after enduring the horrific Middle Passage, over 300 years of slavery, followed by continued discrimination. From the beginning of American chattel slavery in the 1500’s, until the ratification of the Thirteenth Amendment in 1865, Africans were hunted like animals, captured, sold, tortured, and raped. They experienced the worst kind of physical, emotional, psychological, and spiritual abuse. Given such history, Dr. Joy DeGruy asked the question, “Isn’t it likely those enslaved were severely traumatized? Furthermore, did the trauma and the effects of such horrific abuse end with the abolition of slavery?” Emancipation was followed by another hundred years of institutionalized subjugation through the enactment of Black Codes and Jim Crow laws, peonage and convict leasing, and domestic terrorism and lynching. Today the violations continue, and when combined with the crimes of the past, they result in further unmeasured injury. What do repeated traumas visited upon generation after generation of a people produce? What are the impacts of the ordeals associated with chattel slavery, and with the institutions that followed, on African Americans today? Dr. DeGruy answers these questions and more as she encourages African Americans to view their attitudes, assumptions, and emotions through the lens of history. By doing so, she argues they will gain a greater understanding of the impact centuries of slavery and oppression has had on African Americans. Post Traumatic Slave Syndrome is an important read for all Americans, as the institution of slavery has had an impact on every race and culture. “A masterwork. [DeGruy’s] deep understanding, critical analysis, and determination to illuminate core truths are essential to addressing the long-lived devastation of slavery. Her book is the balm we need to heal ourselves and our relationships. It is a gift of wholeness.”—Susan Taylor, former Editorial Director of Essence magazine




The Slave Power


Book Description

Excerpt from The Slave Power: Its Character, Career, and Probable Designs, Being an Attempt to Explain the Real Issues Involved in the American Contest "The vastness," he continues, "of the interests at stake in the American contest, regarded under this aspect, appears to me to be very inadequately conceived in this country, and the purpose of the present work is to bring forward this view of the case more prominently than has yet been done." Accordingly, in the first place, Mr. Cairnes expounds the economic necessities under which the Slave Power is placed by its fundamental institution. Slavery, as an industrial system, is not capable of being everywhere profitable. It requires peculiar conditions. Originally a common feature of all the Anglo-Saxon settlements in America, it took root and became permanent only in the Southern portion of them. What is the explanation of this fact? Several causes have been assigned. One is, diversity of character in the original founders of these communities; New England having been principally colonized by the middle and poorer classes, Virginia and Carolina by the higher. The fact was so, but it goes a very little way towards the explanation of the phenomenon, since "it is certain the New Englanders were not withheld from employing slaves by moral scruples;' and if slave labor had been found suitable for the requirements of the country, they would, without doubt, have adopted it in fact, as they actually did in principle. Another common explanation of the different fortune of slavery in the Northern and Southern States is, that the Southern climate is not adapted to white laborers, and that negroes will not work without slavery. The latter half of this statement is opposed to fact. Negroes are willing to work wherever they have the natural inducements to it, inducements equally indispensable to the white race. The climate theory is inapplicable to the Border Slave States, Kentucky, Virginia, and others, whose climate "is remarkably genial, any perfectly suited to the industry of Europeans.' Even in the Gulf States, the alleged fact is only true, as it is in all other parts of the world, of particular localities. The Southern States, it is observed by M.de Tocqueville, "are not hotter than the south of Italy and Spain." In Texas itself there is a nourishing colony of free Germans, who carry on all the occupations of the country, growth of cotton included, by white labor; and "nearly all the heavy out-door work in the city of New Orleans is performed by whites." What the success or failure of slavery as an industrial system depends on, is the adaptation of the productive industry of the country to the qualities and defects of slave labor. There are kinds of cultivation which even in tropical regions cannot advantageously be carried on by slaves; there are others in which, as a mere matter of profit, slave labor has the advantage over the only kind of free labor which Ah a matter of fact, comes into competition with it- the labor of peasant proprietors. The economic advantage of slave labor is, that it admits of complete organization: "it may be combined on an extensive scale, and directed by a controlling mind to a single end." Its defects are, that it is given reluctantly; it is unskilful; it is wanting in versatility. Being given reluctantly, it can only be depended on as long as the slave is watched; but the cost of watching is too great if the workmen are dispersed over a widely extended area; their concentration, or, in other words, the employment of many workmen at the same time and place, is a condition sine qua non of slavery as an industrial system; while, to enable it to compete successfully with the intense industry and thrift of workmen who enjoy the entire fruits of their own labor, this concentration and combination of labor must be not merely possible, but also economically preferable.




Slavery and the Post-Black Imagination


Book Description

From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book