The Great Bonanza


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The Great Bonanza


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The Jews of Kurdistan


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Following World War II, members of the sizable Jewish community in what had been Kurdistan, now part of Iraq, left their homeland and resettled in Palestine where they were quickly assimilated with the dominant Israeli-Jewish culture. Anthropologist Erich Brauer interviewed a large number of these Kurdish Jews and wrote The Jews of Kurdistan prior to his death in 1942. Raphael Patai completed the manuscript left by Brauer, translated it into Hebrew, and had it published in 1947. This new English-language volume, completed and edited by Patai, makes a unique ethnological monograph available to the wider scholarly community, and, at the same time, serves as a monument to a scholar whose work has to this day remained largely unknown outside the narrow circle of Hebrew-reading anthropologists. The Jews of Kurdistan is a unique historical document in that it presents a picture of Kurdish Jewish life and culture prior to World War II. It is the only ethnological study of the Kurdish Jews ever written and provides a comprehensive look at their material culture, life cycles, religious practices, occupations, and relations with the Muslims. In 1950-51, with the mass immigration of Kurdish Jews to Israel, their world as it had been before the war suddenly ceased to exist. This book reflects the life and culture of a Jewish community that has disappeared from the country it had inhabited from antiquity. In his preface, Raphael Patai offers data he considers important for supplementing Brauer's book, and comments on the book's values and limitations fifty years after Brauer wrote it. Patai has included additional information elicited from Kurdish Jews in Jerusalem, verified quotations, correctedsome passages that were inaccurately translated from Hebrew authors, completed the bibliography, and added occasional references to parallel traits found in other Oriental Jewish communities.




Adventure, Sport and Travel on the Tibetan Steppes


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"... Mainly an account of two journeys taken through China and Tibet by the late Lieutenant Brooke, F. R. G. S. ... Of [Mr. Brooke's diary and photographs] ... and my own and Mr. Meares's observations ... I hope to make something which shall commemorate the real begetter of this volume, and interest the general reader ..."--Prefatory.




Rafts and Other Rivercraft


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The raft that carries Huck and Jim down the Mississippi River is often seen as a symbol of adventure and freedom, but the physical specifics of the raft itself are rarely considered. Peter Beidler shows that understanding the material world of Huckleberry Finn, its limitations and possibilities, is vital to truly understanding Mark Twain’s novel. He illustrates how experts on Twain’s works have misinterpreted important aspects of the story due to their unfamiliarity with the various rivercraft that figure in the book. Huck and Jim’s little raft is not made of logs, as it is often depicted in illustrations, but of sawn planks, and it was originally part of a much larger raft. Beidler explains why this matters and describes the other rivercraft that appear in the book. He gives what will almost certainly be the last word on the vexed question of whether the lengthy “raft episode,” removed at the publisher’s suggestion from the novel, should be restored to its original place.




National Review


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The Horace Mann Readers


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Fourth Reader


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Thin Ice


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Hockey is a dangerous game, but it’s what happens off the ice that can get you killed ... Curtis Ritchie is the only news in town when Ottawa takes the young hockey sensation first overall in the annual spring draft. But on the eve of Ritchie’s rookie season, the media frenzy over the signing and the controversial trades that secured the young star are eclipsed by news of his murder. As Ottawa Major Crimes Unit investigator Jack Smith reassembles Ritchie’s life, he is surprised by how much it differs from the fledgling star’s clean-cut image. A long list of suspects soon emerges, any one of whom had good reasons to want Ritchie dead. But there’s something else about the young phenom — a secret so profound that its revelation to the wrong person could only have meant Ritchie’s end.