The Rastaman Vibration


Book Description




Wailing Blues: The Story of Bob Marley's Wailers


Book Description

This full-blooded story of The Wailers puts the life, music and death of the legendary Bob Marley into a razor-sharp new perspective. The Wailers played with Marley on all of the hit singles and albums that made him a legend, yet their story since his death is a little-known saga of betrayal, greed and murder that is told here in its entirety for the first time. Written in collaboration with Aston 'Family Man' Barrett and other surviving band members, the book explores Marley's colourful journey from downtown Kingston onto the world stage. It covers the assassination attempt on Marley's life, his exile in London, the kidnapping and decapitation of the Barretts' father, and the death by gunfire of both Peter Tosh and drummer Carlton Barrett. Bitter acrimony followed Marley's own death from cancer as the iconic singer's legacy was parlayed into a multi-million dollar industry.




Bob Marley and the Golden Age of Reggae


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"’Reggae got soul,’ Toots Hibbert sang in one of his best-known songs, and Kim Gottlieb-Walker's remarkable photographs coax that soul out of shadow and light. Her images from Jamaica capture the rough environment that shaped and challenged these artists, and the unquenchable joy that filled their music. They're the next-best thing to listening.” — Richard Cromelin During 1975 and 1976, renowned underground photo-journalist Kim Gottlieb, and her husband, Island publicity head Jeff Walker, documented what is now widely recognized as the Golden Age of reggae. Over two years of historic trips to Jamaica and exclusive meetings in Los Angeles, Kim took iconic photographs of the artists who would go on to define the genre and captivate a generation. Bob Marley and the Golden Age of Reggae features candid and intimate photographs of all of the musicians, artists and producers who brought the reggae sound to the international stage, including Peter Tosh, Bunny Wailer, Toots Hibbert, Burning Spear, Jacob Miller, Third World, Lee “Scratch” Perry and, of course, Bob Marley. Kim’s photographs include never-before-seen performance shots, candid behind-the-scenes footage of Bob’s home in Jamaica, and exclusive records of key moments in reggae history, such as Bob’s first US television appearance, the historical Dream Concert with Stevie Wonder in Jamaica, and Bob meeting George Harrison backstage at the Roxy in 1975. Acclaimed rock journalist and director Cameron Crowe (Almost Famous) introduces this volume with a rousing foreword describing the time he accompanied Jeff and Kim to Jamaica to witness the burgeoning music scene there. Reggae historian Roger Steffens writes lucidly about the significance of those early years in reggae, and describes the pivotal moments documented in Kim’s photographs, many of which have not been seen in over 30 years, and many more of which have never been released to the public. Intimate and revealing, Bob Marley and the Golden Age of Reggae is a rare and beautiful record of one of the most exciting moments in music history, told through the photographs of a true artist.




Reggae Wisdom: Proverbs in Jamaican Music


Book Description

In "Reggae Wisdom: Proverbs in Jamaican Music" Swami Anand Prahlad looks at the contexts and origins of these proverbs, using them as a cultural sheet music toward understanding the history of Jamaican culture, Rastafari religion, and the music that isthat culture's worldwide voice.




So Much Things to Say: The Oral History of Bob Marley


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“Reggae’s chief eyewitness, dropping testimony on reggae’s chief prophet with truth, blood, and fire.” —Marlon James, Man Booker Prize–winning author Renowned reggae historian Roger Steffens’s riveting oral history of Bob Marley’s life draws on four decades of intimate interviews with band members, family, lovers, and confidants—many speaking publicly for the first time. Hailed by the New York Times Book Review as a “crucial voice” in the documentation of Marley’s legacy, Steffens spent years traveling with the Wailers and taking iconic photographs. Through eyewitness accounts of vivid scenes—the future star auditioning for Coxson Dodd; the violent confrontation between the Wailers and producer Lee Perry; the attempted assassination (and conspiracy theories that followed); the artist’s tragic death from cancer—So Much Things to Say tells Marley’s story like never before. What emerges is a legendary figure “who feels a bit more human” (The New Yorker).




Why School Anti-Bullying Programs Don't Work


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This book serves as a guide for readers interested in improving school climate. Using 15 years of consultation and research in a variety of United States and foreign schools, the authors strip down the elements needed to create a healthy and productive school climate. The book challenges many commonly held notions about violence prevention and outlines a simple and inexpensive formula for creating sustained change in any school. The book stresses understanding of the underlying processes involved in the bully-victim-bystander power dynamics, the value of altruism, and the use of natural leaders to begin and sustain change in a school climate. A note on the book's cover: Positive vibrations is taken from a Bob Marley song: 'Rastaman vibration positive, you can't live that negative way.' The song rallies people to be positive and strong, and to speak honestly and stand up for their rights, while taking care of themselves. Although jamaican in origin, it has universal application to be a gentle warrior in one's personal life for the good of self and others.




Brother Man


Book Description

Originally published in 1954, this is the tragic story of an honest Rastafarian healer caught up in a web of intrigue and betrayal in Jamaica's tough West Kingston slums. It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.




Rastafari: A Very Short Introduction


Book Description

Rastafari has grown into an international socio-religious movement, with adherents of Rastafari found in most of the major population centres and outposts of the world. This Very Short Introduction provides a brief account of this widespread but often poorly understood movement, looking at its history, central principles, and practices.




Dust & Grooves


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A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.




Babylon East


Book Description

An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music. Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.