The Redaction Chronicles Collection


Book Description

All four books in James Quinn's 'The Redaction Chronicles', a series of cold war espionage novels, now in one volume! A Game For Assassins: It's the early 1960's - the height of the Cold War - and agents of the British Intelligence are being targeted by an unknown team of assassins. In desperation, the agency sends in their best agent to hunt down the killers. Jack "Gorilla" Grant isn't your typical secret agent. Uncompromising and rough-edged, he doesn't fit in with the elitist and debonair intelligence agents. Soon, Jack is drawn into a deadly game where nothing is as it seems, and even the perfect spy can die in a wilderness of mirrors. Sentinel Five: The Chief of the Secret Intelligence Service has been assassinated, and the British government brought to its knees by a terrorist organization intent on unleashing a weapon of apocalyptic proportions. In desperation, a deniable team is assembled to hunt down the terrorists. Called back from obscurity to lead them is Jack “Gorilla” Grant, a freelancer with a Smith & Wesson’ 39 and cut-throat razor, who is ready to even the score in his own brutal fashion. But in game where power players, traitors and terrorists work hand in hand, the most serious threats sometimes come from within. The Sentinel Five team turns their gunsights to the East, to Asia, and enter a killing ground of death. Rogue Wolves: He is known as The Master. Spy, double agent, freelance assassin. He has been at the top of his game for the past thirty years, and worked for Nazis, Communists, Intelligence agencies and terrorists alike. No one knows his true identity, and the intelligence networks of several countries want him captured, interrogated and “Redacted”. Jack “Gorilla” Grant, now a contract agent for the French Secret Service, is assigned the job of tracking the Master down. Hot on his heels is an equally deadly and beautiful CIA bounty hunter, who is more than capable of hunting down both assassins. From France to the heartland of America and finally to a death island off the coast of Mexico, Rogue Wolves takes the anti-hero Gorilla Grant into the deepest heart of espionage darkness. Berlin Reload: When Jack “Gorilla” Grant's daughter is kidnapped in Rome, it is just the opening gambit in a series of events that pushes him back into the “Redaction” business that he once walked away from. Unseen forces are moving against Gorilla and dangerous enemies from his past are threatening his future, intent on turning a cold war into a hot war. But Gorilla has one rule; don’t mess with my family. And he’s willing to kill to enforce it. From the dangerous streets of 1960’s Berlin to a hit contract in Austria, and finally to a race against time in East Germany, Berlin Reload is an epic cold war spy story that spans the rise and fall of the Berlin Wall, and throws James Quinn’s anti-hero Gorilla Grant into a mission where he may have to decide between the life of his daughter and the dawning of a new conflict between East and West.




Rogue Wolves


Book Description

He is known as The Master. A spy, double agent and freelance assassin, he has been at the top of his game for decades. The Master has worked for Nazis, Communists, intelligence agencies and terrorists alike. No one knows his true identity. Now, the world's most secretive assassin has disappeared, and several intelligence networks want him captured, interrogated and "redacted". Jack Grant, now a contract agent for the French Secret Service, is assigned to track the Master down. Hot on his heels is a deadly and beautiful CIA bounty hunter who's more than capable of hunting down both of them. But the Master has an agenda of his own, and he's ready to begin a war that will engulf them all.




The Word of God in Transition


Book Description

The Chronicler distinguishes between "traditional prophets" and "inspired messengers," and thereby highlights a radical transition in the meaning of the "word of God" which takes place in the post-exilic period. The Chronicler summarizes his perspective in 2 Chron. 36.16, saying that Israel rejected "his prophets," "the messengers of God," and "his word" (i.e. Torah). This distinction is reflected in the forms and functions of prophetic speech in the books of Chronicles. Thus, the prophets speak to the king, and the inspired messengers (e.g. priests, levites) speak to the people. The prophets interpret narrative events for the king; they explain how God acts. The inspired messengers exhort the people, admonishing them how they should act. The prophets' speeches usually do not use any kind of inspiration formula, but the inspired messengers' speeches are prefaced with possession formulas. These possession formulas are not typical of classical prophecy and mark the rise of a new kind of prophecy, namely, the inspired interpretation of texts. These inspired messengers are thus forerunners of the inspired interpreters of scripture in Qumran, early Christianity and Judaism.>




The Russian Primary Chronicle


Book Description

Chronicle covers the years 852-1116 of Russian history.







Authority and Gender in Medieval and Renaissance Chronicles


Book Description

This volume is an attempt to discuss the ways in which themes of authority and gender can be traced in the writing of chronicles and chronicle-like writings from the early Middle Ages to the Renaissance. With major contributions by fourteen authors, each of them specialists in the field, this study spans full across the compass of medieval and early modern Europe, from England and Scandinavia, to Byzantium and the Crusader Kingdoms; embraces a variety of media and methods; and touches evidence from diverse branches of learning such as language and literature, history and art, to name just a few. This is an important collection which will be of the highest utility for students and scholars of language, literature, and history for many years to come.




The Illuminated Chronicle


Book Description

The Illuminated Chronicle was composed in 1358 in the international artistic style at the royal court of Louis I of Hungary. Its text, presented here in a new edition and translation, is the most complete record of Hungary's medieval historical tradition, going back to the eleventh century and including the mythical past of its people. The pictures in this manuscript—formerly known as the Vienna Chronicle—are not merely occasional illustrations added to some exemplars, but text and image are closely connected and mutually related to each other, to qualify it as a proper “illuminated chronicle”. The artistic value of the miniatures is quite high, and the characters are drawn with detail and with a knowledge of anatomy. Forty-two of the miniatures are included in the present volume. A full color facsimile will be accessible online. The 147 pictures are an invaluable source of information on late medieval cultural history, costume, and court life. In a historiographical context, The Illuminated Chronicle is an attempt at the popularization of the national history and a systematic appeal to circles beyond the old monastic-clerical audience. The Illuminated Chronicle (Chronica de gestis Hungarorum e codice picto saec. xiv.) is the ninth volume in the Central European Medieval Texts, a Latin–English bilingual series.




The Old French Johannes Translation of the Pseudo-Turpin Chronicle


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.




Kaqchikel Chronicles


Book Description

The collection of documents known as the Kaqchikel Chronicles consists of rare highland Maya texts, which trace Kaqchikel Maya history from their legendary departure from Tollan/Tula through their migrations, wars, the Spanish invasion, and the first century of Spanish colonial rule. The texts represent a variety of genres, including formal narrative, continuous year-count annals, contribution records, genealogies, and land disputes. While the Kaqchikel Chronicles have been known to scholars for many years, this volume is the first and only translation of the texts in their entirety. The book includes two collections of documents, one known as the Annals of the Kaqchikels and the other as the Xpantzay Cartulary. The translation has been prepared by leading Mesoamericanists in collaboration with Kaqchikel-speaking linguistic scholars. It features interlinear glossing, which allows readers to follow the translators in the process of rendering colonial Kaqchikel into modern English. Extensive footnoting within the text restores the depth and texture of cultural context to the Chronicles. To put the translations in context, Judith Maxwell and Robert Hill have written a full scholarly introduction that provides the first modern linguistic discussion of the phonological, morphological, syntactic, and pragmatic structure of sixteenth-century Kaqchikel. The translators also tell a lively story of how these texts, which derive from pre-contact indigenous pictographic and cartographic histories, came to be converted into their present form.




History and Chronicles in Late Medieval Iberia


Book Description

The late medieval period in Iberia saw an explosion in the writing of narrative histories. In examining eighteen different, if related, accounts of the reign of the Visigothic king Wamba (r. 671-680) this book aims to analyse the nature of the discourse of the late medieval Iberian chronicle. By means of a detailed analysis of the content and narrative techniques of the chronicles concerned, the book seeks to address the question: to what extent is it possible to speak of a genre of late medieval Iberian chronicles?