The Reform of the Church of Scotland in Worship, Government and Doctrine, Part 1


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Worship and Liturgy in Context


Book Description

Shows how Christian worship in its many and changing forms interacts in significant and interesting ways with its varying contexts - cultural, social, political, economic. Giving special attention to Scotland, this title also challenges the Churches and believers to renewal of the worship of God in spirit and in truth.




The Use of Instruments of Music in Christian Corporate Worship Indefensible


Book Description

The Regulative Principle states that God alone determines the manner in which sinners are to approach him. More specifically, this work by the Scotsman James Begg applies the Regulative Principle and much scriptural proof to demonstrate that the use of musical instruments in the worship of God’s church in these latter days is, as Begg states, “indefensible.” Begg begins his work quoting John Calvin who says, “In Popery they employed organs and many other such ludicrous things, by which the Word and worship of God are exceedingly profaned.” Begg continues this sentiment throughout the entire work which is a powerful argument against most of contemporary worship that is seen each Sunday in modern churches – even those that “say” they stand on the Bible and the 1647 Westminster Confession. Chapters in this work include: The Scriptural Principle Which Regulates Christian Worship; The Inconsistent Use of Musical Instruments in the House of God Under the New Testament; The Impact of Art on Religion; Dancing in Worship; The Westminster Divines on the Greek term “psalmos,” and much more!




Modern English Biography


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Scottish Presbyterian Worship


Book Description

This seminal work by one of the world’s most distinguished liturgical scholars fills an important gap in the history of the Church of Scotland and of Scottish worship. It offers an in-depth narrative of a neglected liturgical legacy and a perceptive analysis of the Church’s evolving patterns of worship from the middle of the 19th century to the present day. A magisterial study, it includes: • Inherited Patterns of Public Prayer • Liturgical Disruption: Dr Robert Lee Of Greyfriars, Edinburgh • The Church Service Society and The Euchologion • Nineteenth Century Public Worship Provisions, including open-air communions • Worship’s Companions: Hymns and Choirs • Worship and the High Church Parties • Culture, Ecclesiology and Architecture • Worship Between the Two World Wars • The Ecumenical and Liturgical Movements • Into Postmodernity and the Present