Ergativity in Coast Tsimshian (Sm'algya̲x)


Book Description

00 This work examines the morphological and syntactic dimensions of ergativity (i.e., an intransitive subject is treated in the same manner as a transitive object and differently from the transitive subject) in Coast Tsimshian (Sm'algyax). This language is very highly morphologically ergative and the distribution of ergativity is conditioned by several different factors that are related through their coding of transitivity. Syntactically, the language is not highly ergative, but none of the cross-linguistic definitions of subject can account for the ergativity that does exist. This work examines the morphological and syntactic dimensions of ergativity (i.e., an intransitive subject is treated in the same manner as a transitive object and differently from the transitive subject) in Coast Tsimshian (Sm'algyax). This language is very highly morphologically ergative and the distribution of ergativity is conditioned by several different factors that are related through their coding of transitivity. Syntactically, the language is not highly ergative, but none of the cross-linguistic definitions of subject can account for the ergativity that does exist.




Interpretive contexts for traditional and current coast Tsimshian feasts


Book Description

An archival and ethnographic account of Coast Tsimshian feast traditions with emphasis on their role as forms of discourse shaped by idiosyncratic textual conventions.




The Tlingit Encounter with Photography


Book Description

"Based on research in 13 North American archives (including the Penn Museum's Shotridge Collection), examination of hundreds of photographs, and extensive oral-history interviews with both Tlingit and non-Natives, Sharon Bohn Gmelch presents valuable insights on the reactions of Native subjects to being photographed and their own early use of photography. Today, these now historical images are being reclaimed from public archives by the Tlingit, contributing to a new sense of empowerment and pride in their rich heritage." "This is the first book to explore the photographic imagery of the Tlingit during a critical period of change, from the 1860s through the 1920s. It also provides the first full treatment of the Tlingit photography of Elbridge W. Merrill, a neglected figure in the history of ethnographic photography." "The author has included 129 rare photographic images, a map, bibliography, and index."--BOOK JACKET.




A Story as Sharp as a Knife


Book Description

A seminal collection of Haida myths and legends; now in a gorgeous new package. The linguist and ethnographer John Swanton took dictation from the last great Haida-speaking storytellers, poets and historians from the fall of 1900 through the summer of 1901. Together they created a great treasury of Haida oral literature in written form. Having worked for many years with these century-old manuscripts, linguist and poet Robert Bringhurst brings both rigorous scholarship and a literary voice to the English translation of John Swanton's careful work. He sets the stories in a rich context that reaches out to dozens of native oral literatures and to myth-telling traditions around the globe. Attractively redesigned, this collection of First Nations oral literature is an important cultural record for future generations of Haida, scholars and other interested readers. It won the Edward Sapir Prize, awarded by the Society for Linguistic Anthropology, and it was chosen as the Literary Editor's Book of the Year by the Times of London. Bringhurst brings these works to life in the English language and sets them in a context just as rich as the stories themselves one that reaches out to dozens of Native American oral literatures, and to mythtelling traditions around the world.




Sharing Our Knowledge


Book Description

"An edited volume of interdisciplinary, collaborative research on Tlingit culture, language, and history"--




The Tlingit Indians


Book Description

When Emmons died in 1945, he left behind a mass of materials for a 65 line drawings, and 127 bandw photos. book on the Tlingit which he had begun as early as the 1880s, when he was stationed in Alaska with the US Navy. Ethnologist and archaeologist Frederica de Laguna has spent 30 years organizing Emmons ethnographic data, notes, drawings, sketches, and manuscripts, and has made significant additions from other sources and her own information, putting the entirety in chronological order, to present this invaluable ethnography of the Northwest Coast. Includes a biography of Emmons by Jean Low, as well as an extensive bibliography, 37 tables, Annotation copyrighted by Book News, Inc., Portland, OR




Nine Visits to the Mythworld


Book Description

In the Fall of 1900, a young American anthropologist named John Swanton arrived in the Haida country, on the Northwest Coast of North America, intending to learn everything he could about Haida mythology. He spent the next ten months phonetically transcribing several thousand pages of myths, stories, histories and songs in the Haida language. Swanton met a number of fine mythtellers during his year in the Haida country. Each had his own style and his own repertoire. Two of them—a blind man in his fifties by the name of Ghandl, and a crippled septuagenarian named Skaay—were artists of extraordinary stature, revered in their own communities and admired ever since by the few specialists aware of their great legacy. Nine Visits to the Mythworld includes all the finest works of one of these master mythtellers. In November 1900, when Ghandl dictated these nine stories, the Haida world lay in ruins. Wave upon wave of smallpox and other diseases, rapacious commercial exploitation by fur traders, whalers and miners, and relentless missionization by the church had taken a huge toll on Haida culture. Yet in the blind poet’s mind, the great tradition lived, and in his voice it comes alive. Robert Bringhurst’s eloquent and vivid translations of these works are supplemented by explanatory notes that supply the needed background information.