Art and Anatomy in Renaissance Italy


Book Description

Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.




Spain in Italy


Book Description

This volume integrates the theme of Spain in Italy into a broad synthesis of late Renaissance and early modern Italy by restoring the contingency of events, local and imperial decision-making, and the distinct voices of individual Spaniards and Italians.




The High Renaissance and Mannerism


Book Description

After the death of Raphael in 1520, the next generation in Italy was to see the rise of the complex and refined sensibility summed up in the term "Mannerism." In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray examines the manifold achievements of Italian artists and identifies the individual forms taken by artists in Northern Europe and in Spain, including Durer, Bruegel and El Greco.




The Renaissance of Empire in Early Modern Europe


Book Description

Examines the intellectual and artistic foundations of the Imperial Renaissance in fourteenth- and fifteenth-century Italy and traces its political realization in sixteenth- and seventeenth-century Europe.




Netherlandish Art and Luxury Goods in Renaissance Spain


Book Description

This collection of essays explores the diverse ways in which Netherlandish art and luxury goods permeated the artistic landscape of Renaissance Spain. Covering a wide range of approaches and perspectives, the book includes studies on carved altarpieces, stone sculpture, painting, tapestry, architectural design, prints and mathematical instruments. Through the lens of artists, patrons, collectors, merchants and other intermediaries, special attention is paid to local cultures of collecting and display. Together, the essays provide a fascinating and multifaceted view of the reciprocal relationships between the Low Countries and Spain from the fifteenth to the early seventeenth centuries. With contributions by Maite Barrio Olano, Ion Berasain Salvarredi, Iain Buchanan, Krista De Jonge, Raymond Fagel, Noelia Garcia Perez, Dirk Imhof, Nicola Jennings, Ethan Matt Kavaler, Jesus Muniz Petralanda, Eduardo Lamas-Delgado, Abigail Newman, Stephanie Porras, Antonia Putzger, Koenraad Van Cleempoel, Paul Vandenbroeck and Elena Vazquez Duenas.




Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540)


Book Description

With the advent of the printing press throughout Europe in the last quarter of the fifteenth century, the key Latin texts of Italian humanism began to be published outside Italy, most of them by a small group of printers who, in most cases, worked in close collaboration with lecturers and teachers. This study provides the first comprehensive account of the dissemination of this important literary corpus in Spain, France, the Low Countries and the German-speaking world between ca. 1470 and ca. 1540. By combining an examination of book production and consumption with attention to the educational system of Renaissance Europe, this book highlights both the historical significance of the Latin literature of Italian humanism within the school and university curriculum of the time, and the impact of such a body of texts on the rising national literary traditions, in Latin and in the vernacular, of the period. Printing and Reading Italian Latin Humanism in Renaissance Europe will appeal to scholars of classical and Renaissance literature, and to anyone interested in intellectual history and in the history of education in the Renaissance. It will be of particular interest to scholars in Hispanic studies.




A Jewish Renaissance in Fifteenth-Century Spain


Book Description

This book significantly revises the conventional view that the Jewish experience in medieval Spain--over the century before the expulsion of 1492--was one of despair, persecution, and decline. Focusing on the town of Morvedre in the kingdom of Valencia, Mark Meyerson shows how and why Morvedre's Jewish community revived and flourished in the wake of the horrible violence of 1391. Drawing on a wide array of archival documentation, including Spanish Inquisition records, he argues that Morvedre saw a Jewish "renaissance." Meyerson shows how the favorable policies of kings and of town government yielded the Jewish community's demographic expansion and prosperity. Of crucial importance were new measures that ceased the oppressive taxation of the Jews and minimized their role as moneylenders. The results included a reversal of the credit relationship between Jews and Christians, a marked amelioration of Christian attitudes toward Jews, and greater economic diversification on the part of Jews. Representing a major contribution to debates over the Inquisition's origins and the expulsion of the Jews, the book also offers the first extended analysis of Jewish-converso relations at the local level, showing that Morvedre's Jews expressed their piety by assisting Valencia's conversos. Comparing Valencia with other regions of Spain and with the city-states of Renaissance Italy, it makes clear why this kingdom and the town of Morvedre were so ripe for a Jewish revival in the fifteenth century.




A Renaissance of Conflicts


Book Description

The essays in this collection explore conflict and continuity across the spectrum of political, legal, and spiritual traditions from late medieval Umbria and Tuscany to sixteenth- and seventeenth-century Venice, Rome, and Castile. They point to a shared tradition of dispute and resolution in both ecclesiastical/spiritual and state/secular matters, whether of private conscience or public policy. Continuity of ideals, problems, and modes of resolution suggest that breaks in legal, political, or religious ideals and behavior were not as frequent or sharp as historians have argued. These continuities emerge from common methodological approaches grounded in close, careful reading of key texts and their polyvalent terms. Whether those were the terms of civil or canon law, spirituality, or astrology, each author has had to grapple with multiple possibilities, contexts, customs, and practices that reveal the shifts and continuities in their possible meanings. -- Amazon.com.




The Cambridge Companion to Renaissance Humanism


Book Description

From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.




The Italian Renaissance of Machines


Book Description

The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.