The Republic of Poetry


Book Description

The heart of this collection is a cycle of Chile poems by the Pablo Neruda of North American authors (Sandra Cisneros).




Deaf Republic


Book Description

Finalist for the National Book Award • Finalist for the PEN/Jean Stein Award • Finalist for the National Book Critics Circle Award • Winner of the Los Angeles Times Book Prize • Winner of the Anisfield-Wolf Book Award • Winner of the National Jewish Book Award • Finalist for the Kingsley Tufts Poetry Award • Finalist for the T. S. Eliot Prize • Finalist for the Forward Prize for Best Collection Ilya Kaminsky’s astonishing parable in poems asks us, What is silence? Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.




The Republic of Motherhood


Book Description

*'The Republic of Motherhood' Winner of the Forward Prize for Best Single Poem* ‘I crossed the border into the Republic of Motherhood and found it a queendom, a wild queendom.’ In this bold and resonant gathering of poems, Liz Berry turns her distinctive voice to the transformative experience of new motherhood. Her poems sing the body electric, from the joy and anguish of becoming a mother, through its darkest hours to its brightest days. With honesty and unabashed beauty, they bear witness to that most tender of times – when a new life arrives, and everything changes.




Floaters: Poems


Book Description

Winner of the 2021 National Book Award for Poetry From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief and love. Martín Espada is a poet who "stirs in us an undeniable social consciousness," says Richard Blanco. Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry. Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the "I’m 10-15" Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise. The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question. Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.




Kalakuta Republic


Book Description

This powerful collection of poems details the harrowing experiences endured by Abani and other political prisoners at the hands of Nigeria's military regime in the late 1980s. Abani vividly describes the characters that peopled this dark world, from prison inmates such as John James, tortured to death at the age of fourteen, to the general overseers. First published after his release from jail in 1991, Kalakuta Republic remains a paean to those who suffered and to the indomitable human spirit. 'Reading Abani's poems is like being singed by a red hot iron.' Harold Pinter 'Abani's poetry resonates with a devastating beauty which cuts to the heart of human strength, survival and tyranny.' Pride Magazine 'Stunning poems ... Abani conveys the experience in words shaped into art and made unforgettable by their quietness.' New Humanist 'A beautiful work of art ... elevates art and humanity above meanness and inhumanity.' World Literature Today 'A brave and challenging book ... I was moved as much by what the poems have achieved as by what they have rescued from that nightmare world. Reading, I found myself in tears.' Sunday Tribune 'An unheralded chunk of authentic literature' New Statesman 'Abani's ...poems contain moments of grace, humanity and humor.' Susannah Tarbush, Diwaniya 'Chris has emerged with poems that are graceful pieces of art, almost ready to be hung in a gallery for others to come and enter them and rest in them and weep in them and admire them.' Kwame Dawes, professor of English literature, University of Columbia, South Carolina, USA




Plato on Poetry


Book Description

Prior to publication of this 1996 book, much had been written on Plato as a critic of literature, but no commentaries had appeared in English on the Ion, or the opening books of the Republic in which Plato launches his famous attack on poetry, since the early years of this century. This volume brings together these texts and the relevant section of Republic 10. It aims to provide the reader with a commentary which takes account of modern scholarship on the subject, and which explores the ambivalence of Plato's pronouncements on poetry through an analysis of his own skill as a writer. A general introduction sets Plato's views in the wider context of attitudes to poetry in Greek society before his time, and indicates the main ways in which his writings on poetry have influenced the history of aesthetic thought in European culture.




The Republic of Poetry


Book Description

The heart of this collection is a cycle of Chile poems by the poet Sandra Cisneros called "the Pablo Neruda of North American authors." In his eighth collection of poems, Espada celebrates the power of poetry itself. This book is a place of odes and elegies, collective memory and hidden history, miraculous happenings and redemptive justice. Here poets return from the dead, visit in dreams, even rent a helicopter to drop poems on bookmarks.--From publisher description.




Vivas to Those Who Have Failed: Poems


Book Description

Award-winning poet Martín Espada gives voice to the spirit of endurance in the face of loss. In this powerful new collection of poems, Martín Espada articulates the transcendent vision of another, possible world. He invokes the words of Whitman in “Vivas to Those Who Have Failed,” a cycle of sonnets about the Paterson Silk Strike and the immigrant laborers who envisioned an eight-hour workday. At the heart of this volume is a series of ten poems about the death of the poet’s father. “El Moriviví” uses the metaphor of a plant that grows in Puerto Rico to celebrate the many lives of Frank Espada, community organizer, civil rights activist, and documentary photographer, from a jailhouse in Mississippi to the streets of Brooklyn. The son lyrically imagines his father’s return to a bay in Puerto Rico: “May the water glow blue as a hyacinth in your hands.” Other poems confront collective grief in the wake of the killings at the Sandy Hook Elementary School and police violence against people of color: “Heal the Cracks in the Bell of the World” urges us to “melt the bullets into bells.” Yet the poet also revels in the absurd, recalling his dubious career as a Shakespearean “actor,” finding madness and tenderness in the crowd at Fenway Park. In exquisitely wrought images, Espada’s poems show us the faces of Whitman’s “numberless unknown heroes.”




Republic of Apples, Democracy of Oranges


Book Description

Republic of Apples, Democracy of Oranges presents nearly 100 poets and translators from China and the U.S.—the two countries most responsible for global carbon dioxide emissions and the primary contributors to extreme climate change. These poetic voices express the altered relationship that now exists between the human and non-human worlds, a situation in which we witness everyday the ways environmental destruction is harming our emotions and imaginations. “What can poetry say about our place in the natural world today?” ecologically minded poets ask. “How do we express this new reality in art or sing about it in poetry?” And, as poet Forrest Gander wonders, “how might syntax, line break, or the shape of the poem on the page express an ecological ethics?” Eco-poetry freely searches for possible answers. Sichuan poet Sun Wenbo writes: ... I feel so liberated I start writing about the republic of apples and democracy of oranges. When I see apples have not become tanks, oranges not bombs, I know I've not become a slave of words after all. The Chinese poets are from throughout the PRC and Taiwan, both minority and majority writers, from big cities and rural provinces, such as Liangshan Yi Autonomous Prefecture and Xinjiang Uyghur, Tibet, and Inner Mongolia Autonomous Regions. The American poets are both emerging and established, from towns and cities across the U.S. Included are images by celebrated photographer Linda Butler documenting the Three Gorges Dam, on the Yangtze River, and the aftermath of Hurricane Katrina, on the Mississippi River Basin.




Customs


Book Description

Winner of the 2023 CLMP Firecracker Award for Poetry Winner of the 2023 Northern California Book Award for Poetry Finalist for the 2023 Kingsley Tufts Poetry Award Finalist for the 2022 L.A. Times Book Prize for Poetry Longlisted for the 2023 PEN/Jean Stein Book Award In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through. While Sharif critiques the culture of performed social skills and poetry itself—its foreclosures, affects, successes—she begins to write her way out to the other side of acceptability and toward freedom. Customs is a brilliant, excoriating new collection by a poet whose unfolding works are among the groundbreaking literature of our time.