Black Panther


Book Description

A reformatted and reduced price edition—including a revised and updated introduction by Sam Durant and new text on the artist today by Colette Gaiter--of the first book to show the provocative posters and groundbreaking graphics of the Black Panther Party. The Black Panther Party for Self Defense, formed in the aftermath of the assassination of Malcolm X in 1965, sounded a defiant cry for an end to the institutionalized subjugation of African Americans. The Black Panther newspaper was founded to articulate the party’s message, and artist Emory Douglas became the paper’s art director and later the party’s minister of culture. Douglas’s artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era’s most iconic images. This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the party’s visual identity.




Creating the Revolutionary Artist


Book Description

As traditional music career paths become increasingly scarce, 21st-century musicians must reach out to new and diverse audiences to ensure career success and sustainability. Many universities and conservatories now offer entrepreneurship courses for their students, but musicians already in the working world must also learn to build relationships with their communities, jumpstart and fund new initiatives, engage new audiences, and ultimately create successful and meaningful careers. Creating the Revolutionary Artist challenges performers to build increased audiences through creative action and community involvement. Mark Rabideau helps jumpstart the careers of musicians and artists in all styles and at all levels as it lays out business and project management acumen within a talent-driven spirit of civic-mindfulness. Drawing together the real-world wisdom of world-class musicians and educators, the book includes strength identification and idea creation exercises, inspiring case studies, and a toolkit of how-to guides to lead the reader through a successful community-based project and on to a rewarding career in the arts. To access various templates included in the book, please visit: https://textbooks.rowman.com/rabideau




How a Revolutionary Art Became Official Culture


Book Description

This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.




The Art-Work of the Future and Other Works


Book Description

Poor, frustrated, and angered by the ?fashion-mongers and mode-purveyors? of art, Richard Wagner published The Art-Work of the Future in 1849. It marked a turning point in his life: an appraisal of the revolutionary passions of mid-century Europe, his farewell to symphonic music, and his vision of the music to come. ø Beethoven?s Ninth Symphony was unsurpassable, he wrote. Henceforth "The Folk must of necessity be the Artist of the Future," and only artists who were in harmony with the Folk could know what harmony was for. The essay became a touchstone for Wagner, his family, friends, and followers, as he sought to produce works that thoroughly combined music, dance, drama, and national saga. ø In addition to Wagner?s epoch-defining essay, this volume includes his "Autobiographical Sketch," "Art and Climate"; his libretto for an opera, "Wieland the Smith"; and his notorious "Art and Revolution." The concluding piece, "A Communication to My Friends (1851), explains his views on his first successes?The Flying Dutchman, Lohengrin, and TannhÜuser?and defines his agenda for later works. ø As spokesman for the future, Wagner spoke most of himself. In these works he set forth his ambitions, identified his enemies, and began a campaign for public attention that made him a legend in his own time and in ours.




Re-reading Wagner


Book Description

This multidisciplinary collection of readings offers suggestive new interpretations of Richard Wagner's ideological position in German history. The issues discussed range from the biographical--the reasons for Wagner's travels, his spotted political life--to the aesthetic and ideological, regarding his re-creation of medieval Nuremberg, his representations of gender and nationality, his vocal iconography, his anti-Semitism, and his vegetarianarguments, and, finally, his musical heirs. The essays are written by Tamara S. Evans, Edward R. Haymes, Peter Uwe Hohendahl, Peter Morris-Keitel, Alexa Larson-Thorisch, Audrius Dundzila, Marc A. Weiner, Jost Hermand, Frank Trommler, and Hans Rudolf Vaget. Avoiding journalistic or iconoclastic approaches to Wagner, these writers depart from the usual uncritical admiration of earlier scholars to develop a stimulating and ultimately cohesive collection of new perspectives.







Art and Revolution


Book Description

One of the outstanding revolutionary leaders of the 20th century discusses questions of literature, art, and culture in a period of capitalist decline and working-class struggle. In these writings, Trotsky examines the place and aesthetic autonomy of art and artistic expression in the struggle for a new, socialist society.




Young Leonardo


Book Description

"Jean-Pierre Isbouts and Christopher Heath Brown depict Leonardo's seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to The Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-size copies of The Last Supper, now in Belgium and the UK, were actually commissioned by the French king Louis XII and painted under Leonardo's direct supervision."--Publisher's description.




The Workers Monthly


Book Description




Bill Sienkiewicz


Book Description

"Astounding... extraordinary... Jumping between highlighting his indie cult status as an artist and the mindset behind the abstraction of some of comics most beloved characters, the collection ultimately acts as a stunning visual love letter to one of comics most revered artists."-- Comics Beat Bill Sienkiewicz (pronounced sin-KEV-itch) is an Eisner-winning, Emmy-nominated artist best known for revolutionizing the way comic books are drawn and made. His work has graced the National Museum of Fine Arts in Rio de Janeiro, Brazil; art galleries in Paris, Barcelona, and Tuscany; and advertising campaigns for Nike, MTV, Nissan, the 2006 Winter Olympics, and dozens of Hollywood movies. Sienkiewicz is a classically trained painter whose artworks incorporate abstract and expressionist influences and combine oil painting, acrylics, watercolor, mixed media, collage, and mimeograph. Bill Sienkiewicz: Revolution is the first time the artist's work and career have been taken out of the context of comic books and evaluated as fine art. Ben Davis, award-winning Senior Writer for Artnet News, considers Sienkiewicz's process and places him within the context of art and popular culture. Edited by Sal Abbinanti, Sienkiewicz's representative and colleague for 12 years, Bill Sienkiewicz: Revolution features an introduction by Neil Gaiman, who collaborated with Sienkiewicz on the New York Times bestseller The Sandman, and an interview in which the artist explains his influences and techniques and offers his view on the future of comic book art. The book is covered in luxurious 100% cloth fabric, with two embossed, tipped-in images on the front and back cover.