The Texture of Memory


Book Description

Dotyczy m. in. Polski.




The Politics and Rhetoric of Commemoration


Book Description

In recent years there has been much interest in collective memory and commemoration. It is often assumed that when nations celebrate a historic day, they put aside the divisions of the present to recall the past in a spirit of unity. As Billig and Marinho show, this does not apply to the Portuguese parliament's annual celebration of 25 April 1974, the day when the dictatorship, established by Salazar and continued by Caetano, was finally overthrown. Most speakers at the ceremony say little about the actual events of the day itself; and in their speeches they continue with the partisan politics of the present as combatively as ever. To understand this, the authors examine in detail how the members of parliament do politics within the ceremony of remembrance; how they engage in remembering and forgetting the great day; how they use the low rhetoric of manipulation and point-scoring, as well as high-minded political rhetoric. The book stresses that the members of the audience contribute to the meaning of the ceremony by their partisan displays of approval and disapproval. Throughout, the authors demonstrate that, to uncover the deeper meanings of political rhetoric, it is necessary to take note of significant absences. The Politics and Rhetoric of Commemoration illustrates how an in-depth case-study can be invaluable for understanding wider processes. The authors are not content just to uncover unnoticed features of the Portuguese celebration. They use the particular example to provide original insights about the rhetoric of celebrating and the politics of remembering, as well as throwing new light onto the nature of party political discourse.




The Art of Commemoration


Book Description

The Art of Commemoration focuses on a particular historical event that illustrates how nations define their own identities and establish mutual relations in their discourse: the Warsaw Uprising of August 1944 and its Commemoration in 1994. This Commemoration was an innovative and unique form of transnational communication because it brought together representative speakers from all parties involved. They considered the commemorated event from different perspectives: the victim (Poland), the former enemy (Germany) and the former allies (England, USA, France and other countries, as well as Russia which liberated Poland but had not supported the Uprising). A letter from the Pope added a Catholic perspective. The 'art of commemoration' consists in invoking the past events from one's own perspective while simultaneously considering the other perspectives, as well as in making sense of the past and present at the same time. This volume analyses the artful way in which the speakers coped with these complexities in a full discourse analytic reconstruction of each address.




The Rhetoric of Remembrance


Book Description

To whom is Moses speaking in Deuteronomy? This question is controversial in OT scholarship. Some passages in Deuteronomy indicate that Moses is addressing the first exodus generation that witnessed Horeb (Deut 5:3–4), while other passages point to the second exodus generation that survived the wilderness (Deut 1:35; 2:14–16). Redaction critics such as Thomas Römer and John Van Seters view the chronological problems in Deuteronomy as evidence of multiple tradition layers. Although other scholars have suggested that Deuteronomy’s conflation of chronology is a rhetorical move to unify Israel’s generations, no analysis has thus far explored in detail how the blending of “you” and the “fathers” functions as a rhetorical device. However, a rhetorical approach to the “fathers” is especially appropriate in light of three features of Deuteronomy. First, a rhetorical approach recognizes that the repetitiveness of the Deuteronomic style is a homiletical strategy designed to inculcate the audience with memory. The book is shot through with exhortations for Israel to remember the past. Second, a rhetorical approach recognizes that collective memory entails the transformation of the past through actualization for the present. Third, a rhetorical approach to Deuteronomy accords well with the book’s self-presentation as “the words that Moses spoke” (1:1). The book of Deuteronomy assumes a canonical posture by embedding the means of its own oral and written propagation, thereby ensuring that the voice of Moses speaking in the book of Deuteronomy resounds in Israel’s ears as a perpetually authoritative speech-act. The Rhetoric of Remembrance demonstrates that Deuteronomy depicts the corporate solidarity of Israel in the land promised to the “fathers” (part 1), under the sovereignty of the same “God of the fathers” across the nation’s history (part 2), as governed by a timeless covenant of the “fathers” between YHWH and his people (part 3). In the narrative world of Deuteronomy, the “fathers” begin as the patriarchs, while frequently scrolling forward in time to include every generation that has received YHWH’s promises but nonetheless continues to await their fulfillment. Hwang’s study is an insightful, innovative approach that addresses crucial aspects of the Deuteronomic style with a view to the theological effect of that style. Jerry Hwang (Ph.D., Wheaton College) serves as Assistant Professor of Old Testament at Singapore Bible College.




Contested Commemoration in U.S. History


Book Description

Against the backdrop of two recent socio-political developments—the shift from the Obama to the Trump administration and the surge in nationalist and populist sentiment that ushered in the current administration—Contested Commemoration in U.S. History presents eleven essays focused on practices of remembering contested events in America’s national history. This edited volume contains fresh interpretations of public history and collective memory that explore the evolving relationship between the U.S. and its past. The individual chapters investigate efforts to memorialize events or interrogate instances of historical sanitization at the expense of less partial representations that would include other perspectives. The primary source material and geography covered is extensive; contributors use historic sites and monuments, photographs, memoirs, textbooks, periodicals, music, and film to discuss the periods from colonial America, through the Revolutionary and Civil Wars up until the Vietnam War, Civil Rights movement, and Cold War, to explore how the commemoration of those eras resonates in the twenty-first century. Through a range of commemoration media and primary sources, the authors illuminate themes and arguments that are indispensable to students, scholars, and practitioners interested in Public History and American Studies more broadly.




Politics and the Art of Commemoration


Book Description

Memorials are proliferating throughout the globe. States recognize the political value of memorials: memorials can convey national unity, a sense of overcoming violent legacies, a commitment to political stability or the strengthening of democracy. Memorials represent fitful negotiations between states and societies symbolically to right wrongs, to recognize loss, to assert distinct historical narratives that are not dominant. This book explores relationships among art, representation and politics through memorials to violent pasts in Spain and Latin America. Drawing from curators, art historians, psychologists, political theorists, holocaust studies scholars, as well as the voices of artists, activists, and families of murdered and disappeared loved ones, Politics and the Art of Commemoration uses memorials as conceptual lenses into deep politics of conflict and as suggestive arenas for imagining democratic praxis. Tracing deep histories of political struggle and suggesting that today’s commemorative practices are innovating powerful forms of collective political action, this work will be of great interest to students and scholars of international relations, Latin American studies and memory studies.




Rhetoric, Remembrance, and Visual Form


Book Description

This volume offers a multifaceted investigation of intersections among visual and memorial forms in modern art, politics, and society. The question of the relationships among images and memory is particularly relevant to contemporary society, at a time when visually-based technologies are increasingly employed in both grand and modest efforts to preserve the past amid rapid social change. The chapters in this book provide valuable insights concerning not only how memories may be seen (or sighted) in visual form but also how visual forms constitute noteworthy material sites of memory. The collection addresses this central theme with a wealth of interdisciplinary and international approaches, featuring conventional scholarly as well as artistic works from such disciplines as rhetoric and communication, art and art history, architecture, landscape studies, and more, by contributors from around the globe.




Places of Commemoration


Book Description

"Everyone is occupied, consciously or unconsciously, with identity--one's origin and the question of one's place in humankind and society of the past, present, and future. Identity and memory are not stable and objective things, but representations or constructions of reality related to a particular interest, such as class, gender, of power relations. Identity is problematic without history and without the commemoration of history, and of course such remembrance may distort historical events and facts. When dealing with gardens, a substantial part of our physical environment, there are always unspoken questions of identity." Places of Commemoration examines commemorative sites of different character, including gardens, landscapes, memorials, cemeteries, and sites of former Nazi concentration camps, detailing the ideas behind the creation of memorials and monuments and the struggles over the narratives they present.




Peculiar Rhetoric


Book Description

Winner of the 2020 Marie Hochmuth Nichols Award from the Public Address Division of the National Communication Association The African colonization movement occupies a troubling rhetorical territory in the struggle for racial equality in the United States. For white colonizationists, the movement seemed positioned as a welcome compromise between slavery and abolition. For free blacks, colonization offered the hope of freedom, but not within America’s borders. Bjørn F. Stillion Southard indicates how politics and identity were negotiated amid the intense public debate on race, slavery, and freedom in America. Operating from a position of power, white advocates argued that colonization was worthy of massive support from the federal government. Stillion Southard pores over the speeches of Henry Clay, Elias B. Caldwell, and Abraham Lincoln, which engaged with colonization during its active deliberation. Between Clay’s and Caldwell’s speeches at the founding of the American Colonization Society (ACS) in 1816 and Lincoln’s final public effort to encourage colonization in 1862, Stillion Southard analyzes the little-known speeches and writings of free blacks who wrestled with colonization’s conditional promises of freedom. He examines an array of discourses to probe the complex issues of identity confronting free blacks who attempted to meaningfully engage in colonization efforts. From a peculiarly voiced “Counter Memorial” against the ACS to the letters of wealthy black merchant Louis Sheridan negotiating for his passage to Liberia to the civically minded orations of Hilary Teage in Liberia, Stillion Southard brings to light the intricate rhetoric of blacks who addressed colonization to Africa.




The Counter-Memorial Impulse in Twentieth-Century English Fiction


Book Description

A wide-ranging study that examines the tendency in 20th-century English fiction to treat grief as an occasion for social critique, unconventional readings of works by Ford, Lessing, and Winterson demonstrate how narrative experimentation in this period responds to socio-historic conditions like post-imperial melancholy, nuclear fear and homophobia.