The Rhetorical Form of Carlyle's Sartor Resartus


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.







Carlyle and Jean Paul


Book Description

It has always been thought difficult, if not impossible, to define what the philosophy of Carlyle was. Ever since the publication of Sartor Resartus in 1833-1834, the view that Carlyle had a theistic conception of the universe has been defended as well as opposed. At a time, therefore, when Carlyle's work as a whole is being reappraised, his philosophy should first and foremost be dealt with. Carlyle's life-philosophy is based on the inner experience of a process of 'conversion', which set in with an incident that occurred to him at Leith Walk, Edinburgh. This study – which settles the old question of the date of the incident – demonstrates that the inner struggle, the dynamics of which are described most fully in Sartor, is analogous to the Jungian process of individuation. For the first time in critical literature, the basic ideas of Carlyle's philosophy are thus linked to depth psychology and shown to be analogous to the fundamental concepts of Analytical Psychology. In recent criticism, it has been asserted that the crisis recorded in Sartor is akin to the crisis of doubt said to underlie Jean Paul's “Rede des todten Christus” (1796), which is probably the first poetic expression of nihilism in European literature and has become a classic. Apart from demonstrating that, in the last fifty years at least, the “Rede” has erroneously been interpreted as a dream of annihilation, this book invalidates the view of Jean Paul as victim of the skepticism of his age, and argues that, contrary to what is usually maintained, the “Rede” is not the document of a crisis, but of a belief which had become antiquated and obsolete for Carlyle.




Plots of Opportunity


Book Description

After surveying England's evolving theories of representative politics and individual and collective secretive practices, Pionke traces the intersection of democracy and secrecy through a series of case histories. Using works by Thomas Carlyle, Wilkie Colins, Charles Dickens, Benjamin Disraeli, John Henry Newman, and others, along with periodicals, histoires, and parliamentary documents of the period, he shows the rhetorical prominence of groups such as the Freemasons, the Thugs, the Carbonari, the Fenians, and the Jesuits in Victorian democratic discourse. --book cover.




Literary Magazines and British Romanticism


Book Description

In this study, Mark Parker proposes that literary magazines should be an object of study in their own right. He argues that magazines such as the London Magazine, Blackwood's Edinburgh Magazine, and the New Monthly Magazine, offered an innovative and collaborative space for writers and their work - indeed, magazines became one of the pre-eminent literary forms of the 1820s and 1830s. Examining the dynamic relationship between literature and culture which evolved within this context, Literary Magazines and British Romanticism claims that writing in such a setting enters into a variety of alliances with other contributions and with ongoing institutional concerns that give subtle inflection to its meaning. The book provides an extended treatment of Lamb's Elia Essays, Hazlitt's Table-Talk Essays, Noctes Ambrosianae, and Carlyle's Sartor Resartus in their original contexts, and should be of interest to scholars of cultural and literary studies as well as Romanticists.




Encyclopedia of the Romantic Era, 1760–1850


Book Description

In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.




Victorian Contexts


Book Description

Examines how both artist and writer in the Victorian era responded to the shared challenges, assumptions, and dilemmas of their time, often unaware that the same problems were being confronted in the kindred media. The placing of such writers as Dickens, G.Eliot, Hopkins, and Henry James within the context of Victorian painting, architecture, and interior design offers fresh insights into their works, as well as reassessments of such themes as the mid-century representation of the Fallen Woman or the impact of commodity culture upon contemporary aesthetic standards.




Victorian Keats and Romantic Carlyle


Book Description

Both John Keats and Thomas Carlyle were born in 1795, but one rarely thinks of them together. When one does, curious speculations result. It is difficult to think of Carlyle as a young Romantic or of Keats as a Victorian Sage, but had Carlyle died prematurely and had Keats lived to a ripe old age, we might now be considering a Romantic Carlyle and a Victorian Keats. Such a juxtaposition leads one to consider the use and abuse, the fusions and confusions, of period terms in literary history and in criticism. Does Carlyle represent Romanticism as typically as Keats? Does Keats's work give us any cause to believe that he might have developed into a Victorian poet? Do the terms Romanticism and Victorian have any useful literary historical and literary critical value? What are the marks of the transition from one to the other? Or is the existence of such a transition an illusion? In this volume, some essays consider aspects of Keats or of Carlyle independently, or together, or focus on contemporaries of one or other or of both and explore the effect of their literary and ideological relationships, and the often indefinable sense that we all have of different styles, manners and periods, as well as the awareness that we might all be equally deceived about such distinctive boundaries and definitions.




Reading Acts


Book Description

Researching documents left by "common" readers, contributors suggest that American literature was experienced in a way not previously revealed by examinations of literary criticism. Ryan (English, U. of Missouri in Kansas City) and Thomas (English, Montana State U.) present 11 essays that discuss the act of reading as related to women's agency, "ordinary" critics of the critics, class and consumption, and societal reaction to single-parenthood. Annotation copyrighted by Book News, Inc., Portland, OR




Victorian Prose


Book Description

Rosemary J. Mundhenk and LuAnn McCracken Fletcher have assembled a remarkable variety of Victorian nonfiction prose, both classic and lesser known. In both their commentary and selection the editors have drawn upon the insights of recent theoretical approaches to literature and culture to present a complex range of responses to Victorian issues, thus inviting modern readers to explore the many voices of the period and reenvision the Victorian era.