The Rime Nuove of Giosuè Carducci [microform]


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Carducci Essentials: the Poems of Giosuè Carducci Translated in English


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Translated in English, with original text in Italian. Giosuè Carducci, (born July 27, 1835, Val di Castello, near Lucca, Tuscany [now Italy]—died Feb. 16, 1907, Bologna, Italy), Italian poet, winner of the Nobel Prize for Literature in 1906, and one of the most influential literary figures of his age. The son of a republican country doctor, Carducci spent his childhood in the wild Maremma region of southern Tuscany. He studied at the University of Pisa and in 1860 became professor of Italian literature at Bologna, where he lectured for more than 40 years. He was made a senator for life in 1890 and was revered by the Italians as a national poet.













Annie Chartres Vivanti


Book Description

This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who brought a transnational dimension to the marked provincialism of the Italian novel by addressing issues of gender, ethnicity, and sexuality on personal and international levels, and by creating work that distanced itself from much of the female-penned literature of the day, scorning both decorum and social respectability. Chapters in this book examine Vivanti’s output from multiple perspectives, taking into account her politics and her career as a journalist, writer, and singer, as well as her literary work.




Giosue Carducci


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Whom the Gods Destroy


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