The Rise and Fall of the Associated Negro Press


Book Description

For nearly fifty years, the Chicago-based Associated Negro Press (ANP) fought racism at home and grew into an international news organization abroad. At its head stood founder Claude Barnett, one of the most influential African Americans of his day and a gifted, if unofficial, diplomat who forged links with figures as diverse as Jawaharlal Nehru, Zora Neale Hurston, and Richard Nixon. Gerald Horne weaves Barnett's fascinating life story through a groundbreaking history of the ANP, including its deep dedication to Pan-Africanism. An activist force in journalism, Barnett also helped send doctors and teachers to Africa, advised African governments, gave priority to foreign newsgathering, and saw the African American struggle in global terms. Yet Horne also confronts Barnett's contradictions. A member of the African American elite, Barnett's sympathies with black aspirations often clashed with his ethics and a powerful desire to join the upper echelons of business and government. In the end, Barnett's activist success undid his work. Horne traces the dramatic story of the ANP's collapse as the mainstream press, retreating from Jim Crow, finally covered black issues and hired African American journalists. Revelatory and entertaining, The Rise and Fall of the Associated Negro Press tells the story of a forgotten pioneer and the ambitious black institution he created.




Negro with a Hat


Book Description

Marcus Mosiah Garvey was once the most famous black man on earth. A brilliant orator who electrified his audiences, he inspired thousands to join his "Back to Africa" movement, aiming to create an independent homeland through Pan-African emigration--yet he was barred from the continent by colonial powers. This self-educated, poetry-writing aesthete was a shrewd promoter whose use of pageantry fired the imagination of his followers. At the pinnacle of his fame in the early 1920s, Garvey's Universal Negro Improvement Association boasted millions of members in more than forty countries, and he was an influential champion of the Harlem Renaissance. J. Edgar Hoover was so alarmed by Garvey that he labored for years to prosecute him, finally using dubious charges for which Garvey served several years in an Atlanta prison. This biography restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century.--From publisher description.




I See Black People


Book Description

"I See Black People" is a narrative history of the behind-the-scenes politics of black television and radio ownership, including the stories of the failure of the Black Famlly Channel, The World African Network, and Russell Simmons Fabulous TV, as well as that of Catherine Hughes, who'd aggressively acquired radio stations, becoming the first black woman to head a firm that publicly traded on the stock exchange. While securing its place in the marketplace, the company is now 20 percent black owned. By offering insights into the failure of public policy that have impeded black access to ownership through the last thirty years, the author explores that current state of black media and questions its direction.




Facing the Rising Sun


Book Description

The surprising alliance between Japan and pro-Tokyo African Americans during World War II In November 1942 in East St. Louis, Illinois a group of African Americans engaged in military drills were eagerly awaiting a Japanese invasion of the U.S.— an invasion that they planned to join. Since the rise of Japan as a superpower less than a century earlier, African Americans across class and ideological lines had saluted the Asian nation, not least because they thought its very existence undermined the pervasive notion of “white supremacy.” The list of supporters included Booker T. Washington, Marcus Garvey, and particularly W.E.B. Du Bois. Facing the Rising Sun tells the story of the widespread pro-Tokyo sentiment among African Americans during World War II, arguing that the solidarity between the two groups was significantly corrosive to the U.S. war effort. Gerald Horne demonstrates that Black Nationalists of various stripes were the vanguard of this trend—including followers of Garvey and the precursor of the Nation of Islam. Indeed, many of them called themselves “Asiatic”, not African. Following World War II, Japanese-influenced “Afro-Asian” solidarity did not die, but rather foreshadowed Dr. Martin Luther King’s tie to Gandhi’s India and Black Nationalists’ post-1970s fascination with Maoist China and Ho’s Vietnam. Based upon exhaustive research, including the trial transcripts of the pro-Tokyo African Americans who were tried during the war, congressional archives and records of the Negro press, this book also provides essential background for what many analysts consider the coming “Asian Century.” An insightful glimpse into the Black Nationalists’ struggle for global leverage and new allies, Facing the Rising Sun provides a complex, holistic perspective on a painful period in African American history, and a unique glimpse into the meaning of “the enemy of my enemy is my friend.”




A House for the Struggle


Book Description

Multiple Award-Winner! Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST) Recipient of the 2022 Jane Jacobs Urban Communication Book Award Winner of the 2023 American Journalism Historians Association Book of the Year Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society Winner of the 2023 BAAS Book Prize (British Association for American Studies) Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals) Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint. Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.




Practical Radicalism and the Great Migration


Book Description

This book’s predecessor, The Grapevine of the Black South, emphasized the owners of the Atlanta Daily World and its operation of the Scott Newspaper Syndicate between 1931 and 1955. In a pragmatic effort to avoid racial confrontation developing from white fear, newspaper editors developed a practical radicalism that argued on the fringes of racial hegemony, saving their loudest vitriol for tyranny that was not local and thus left no stake in the game for would-be white saboteurs. Thomas Aiello reexamined historical thinking about the Depression-era Black South, the information flow of the Great Migration, the place of southern newspapers in the historiography of Black journalism, and even the ideological and philosophical underpinnings of the civil rights movement. With Practical Radicalism and the Great Migration, Aiello continues that analysis by tracing the development and trajectory of the individual newspapers of the Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy. Practical Radicalism and the Great Migration is a supplement to The Grapevine of the Black South, providing a fuller picture of the Scott Newspaper Syndicate and the Black press in the 1930s, 1940s, and 1950s.




Foreign Aid and Journalism in the Global South


Book Description

Foreign Aid and Journalism in the Global South: A Mouthpiece for Truth examines the way in which foreign aid has shaped professional ideologies of journalism as part of systematic and orchestrated efforts since the beginning of the twentieth century to shape journalism as a political institution of the Global South. Foreign aid pushed for cultural convergence around a set of ideologies as a way of exporting ideology and expanding markets, reflecting the market society along with the expansion of U.S. power and culture across the globe. Jairo Lugo-Ocando argues that these policies were not confined to the Cold War and were not a purely modern phenomenon; today’s journalism grammar was not invented in one place and spread to the rest, but was instead a forced colonial and post-colonial nation-building exercise that reflected both imposition and contestation to these attempts. As a result, Lugo-Ocando claims, journalism grammar and ideology differ between societies in the Global South, regardless of claims of universality. Scholars of journalism, international relations, Latin American Studies, and history will find this book particularly useful.




The Rise and Fall of Early American Magazine Culture


Book Description

Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Jared Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. The Rise and Fall of Early American Magazine Culture reexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.




Let Us Make Men


Book Description

During its golden years, the twentieth-century black press was a tool of black men's leadership, public voice, and gender and identity formation. Those at the helm of black newspapers used their platforms to wage a fight for racial justice and black manhood. In a story that stretches from the turn of the twentieth century to the rise of the Black Power movement, D'Weston Haywood argues that black people's ideas, rhetoric, and protest strategies for racial advancement grew out of the quest for manhood led by black newspapers. This history departs from standard narratives of black protest, black men, and the black press by positioning newspapers at the intersections of gender, ideology, race, class, identity, urbanization, the public sphere, and black institutional life. Shedding crucial new light on the deep roots of African Americans' mobilizations around issues of rights and racial justice during the twentieth century, Let Us Make Men reveals the critical, complex role black male publishers played in grounding those issues in a quest to redeem black manhood.




Sport and Protest in the Black Atlantic


Book Description

This is the first book to focus on race, sport, protest, and the Black Atlantic. It brings together innovative scholarship on African, African-American, Afro-European, Afro-Brazilian, and Afro-Caribbean sports in a manner that speaks effectively to the diversity of the African diaspora, its history, and culture. The book explores the history of sports, including baseball, basketball, boxing, football, rugby, cricket, and track-and-field athletics to show athlete and fan protests in sport intersected with discourses of nationalism, self-fashioning, gender and masculinity, leisure and play, challenges of underdevelopment, and the idea of progress. It shows how sport in the African diaspora is a crucially important lens through which to understand the challenges, changes, and continuities of Black Atlantic history, the history of protest, and racism. This is fascinating reading for anybody with an interest in sport history, social and cultural history, post-imperial history and decolonization, or the sociology of sport, race, and political protest.