The RKO Story


Book Description

RKO Radio Pictures existed in an atmosphere of almost chaos, from its optimistic beginnings in 1928 until it collapsed into ruins at the hands of Howard Hughes nearly 30 years later. Yet in that show history RKO made some of the greatest films and featured some of the finest talents ever to emerge from Hollywood.




RKO Radio Pictures


Book Description

One of the "Big Five" studios of Hollywood’s golden age, RKO is remembered today primarily for the famous films it produced, from King Kong and Citizen Kane to the Astaire-Rogers musicals. But its own story also provides a fascinating case study of film industry management during one of the most vexing periods in American social history. RKO Radio Pictures: A Titan is Born offers a vivid history of a thirty-year roller coaster of unstable finances, management battles, and artistic gambles. Richard Jewell has used unparalleled access to studio documents generally unavailable to scholars to produce the first business history of RKO, exploring its decision-making processes and illuminating the complex interplay between art and commerce during the heyday of the studio system. Behind the blockbuster films and the glamorous stars, the story of RKO often contained more drama than any of the movies it ever produced.




RKO, the Biggest Little Major of Them All


Book Description

The story of RKO--the small studio that produced such film giants as King Kong, Citizen Kane, and the Fred Astaire/Ginger Rogers musicals--is revealed by a woman who grew up among the great stars of Hollywood's "Golden Years": journalist Betty Lasky, the daughter of Jesse L. Lasky, one of the founders of the movie industry. Here you'll find an intriguing tale of executive greed and politics through changing hands, the stock market crash, and the demands of the superstars. This wheeling and dealing produced big money for its financiers, yet, ironically, it seldom tainted the high artistic quality of RKO's films. Immerse yourself in the highly controversial saga of the founders, financial manipulators, creative geniuses, and Hollywood users: Joseph P. Kennedy, Howard Hughes, Louis B. Mayer, David O. Selznick, Cecil B. DeMille, Pandro S. Berman, Floyd B. Odlum, David Sarnoff , Gloria Swanson , Orson Welles, Edward F. Albee, Merian C. Cooper, Dore Schary, and, of course, film pioneer Jesse L. Lasky. Illustrated with nearly 100 behind-the-scenes photos, including some depicting the making of such films as Cimarron, Top Hat, The Magnificent Ambersons, and The Hunchback of Notre Dame.--Adapted from dust jacket.




Orson Welles and the Unfinished RKO Projects


Book Description

Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective traces the impact of legendary director Orson Welles on contemporary mass media entertainment and suggests that, ironically, we can see Welles’s performance genealogy most clearly in his unfinished RKO projects. Author Marguerite H. Rippy provides the first in-depth examination of early film and radio projects shelved by RKO or by Welles himself. While previous studies of Welles largely fall into the categories of biography or modernist film studies, this book extends the understanding of Welles via postmodern narrative theory and performance analysis, weaving his work into the cultural and commercial background of its production. By identifying the RKO years as a critical moment in performance history, Rippy synthesizes scholarship that until now has been scattered among film studies, narrative theory, feminist critique, American studies, and biography. Building a bridge between auteur and postmodern theories, Orson Welles and the Unfinished RKO Projects offers a fresh look at Welles in his full complexity. Rippy trains a postmodern lens on Welles’s early projects and reveals four emerging narrative modes that came to define his work: deconstructions of the first-person singular; adaptations of classic texts for mass media; explorations of the self via primitivism; and examinations of the line between reality and fiction. These four narrative styles would greatly influence the development of modern mass media entertainment. Rippy finds Welles’s legacy alive and well in today’s mockumentaries and reality television. It was in early, unfinished projects where Welles first toyed with fact and fiction, and the pleasure of this interplay still resonates with contemporary culture. As Rippy suggests, the logical conclusion of Welles’s career-long exploration of “truthiness” lies in the laughs of fake news shows. Offering an exciting glimpse of a master early in his career, Orson Welles and the Unfinished RKO Projects documents Welles’s development as a storyteller who would shape culture for decades to come.




Slow Fade to Black


Book Description

Slow Fade to Black completes Richard B. Jewell’s richly detailed two-part history of the RKO film studio, which began with RKO Radio Pictures: A Titan Is Born, published in 2012. This second volume charts the studio’s fortunes, which peaked during World War II, declined in the postwar period, and finally collapsed in the 1950s. Drawing on hard-to-access archival materials, Jewell chronicles the period from 1942 to the company’s demise in 1957. Towering figures associated with the studio included Howard Hughes, Orson Welles, Charles Koerner, Val Lewton, Jane Russell, and Robert Mitchum. In addition to featuring an extraordinary cast of characters, the RKO story describes key aspects of entertainment history: Hollywood’s collaboration with Washington, film noir, censorship, HUAC, the rise of independent film production, and the impact of television on film. Taken as a whole, Jewell’s two-volume study represents the most substantial and insightful exploration of the Hollywood studio system to date.




The Paramount Story


Book Description

Complete history of the studio and its 2805 films.




The Hollywood Story


Book Description

An oversize volume that tells the history of American movies in text and hundreds of photographs.




RKO Radio Pictures Horror, Science Fiction and Fantasy Films, 1929-1956


Book Description

King Kong and The Thing from Another World are among the most popular horror and science fiction films of all time and both were made by RKO Radio Pictures. Between 1929 and 1956, RKO released more than 140 genre features, including The Most Dangerous Game, The Phantom of Crestwood, Before Dawn, The Monkey's Paw, The Hunchback of Notre Dame, You'll Find Out, The Spiral Staircase, The Enchanted Cottage, It's a Wonderful Life, Captive Women and Killers from Space. RKO is remembered for its series of psychological horror movies produced by Val Lewton, including Cat People, I Walked with a Zombie, The Seventh Victim and The Body Snatcher. The studio also produced films in the adventure, comedy, fantasy, mystery and western genres. They released many Walt Disney classics--Snow White and the Seven Dwarfs, Fantasia, Pinocchio, Cinderella, Peter Pan--as well as several "Tarzan" features. This volume covers these movies in detail with critical and historical analysis, in-depth plot synopsis and numerous contemporary reviews.




Ginger


Book Description

She was born Virginia Katherine McMath, but the world would come to know her—and love her—as Ginger Rogers: Broadway star, Academy Award-winning actress, and the ultimate on-screen dancing partner of the inimitable Fred Astaire. In Ginger: My Story, the legendary entertainer shares the triumphs of a remarkable career that began when she won a Texas dancing contest at age fourteen; the joys and heartbreaks of her five marriages; her relationships with some of Hollywood's major leading men, including Cary Grant, Jimmy Stewart, and damaged daredevil billionaire Howard Hughes; and the strength of her religious convictions that got her through thick and thin. Lavishly illustrated with rare photographs from the author's personal collection, Ginger is an enthralling, behind-the-scenes tour of Hollywood life during the Golden Age of movies by one of its most enduring stars.




The Hollywood Studio System


Book Description

Despite being one of the biggest industries in the United States, indeed the World, the internal workings of the 'dream factory' that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entitles which produce and distribute most of the films we watch. Starting in 1920, Adolph Zukor, Head of Paramount Pictures, over the decade of the 1920s helped to fashion Hollywood into a vertically integrated system, a set of economic innovations which was firmly in place by 1930. For the next three decades, the movie industry in the United States and the rest of the world operated by according to these principles. Cultural, social and economic changes ensured the dernise of this system after the Second World War. A new way to run Hollywood was required. Beginning in 1962, Lew Wasserman of Universal Studios emerged as the key innovator in creating a second studio system. He realized that creating a global media conglomerate was more important than simply being vertically integrated. Gomery's history tells the story of a 'tale of two systems 'using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time. Together with a range of photographs never before published the book also features over 150 box features illuminating aspect of the business.