The Road to the City


Book Description

A magnificently stark book—within the smallness of one poor, muddled, provincial life, Natalia Ginzburg finds enormous pain and loss An almost unbearably intimate novella, The Road to the City concentrates on a young woman barely awake to life, who fumbles through her days: she is fickle yet kind, greedy yet abashed, stupidly ambitious yet loving too—she is a mass of confusion. She’s in a bleak space, lit with the hard clarity of a Pasolini film. Her family is no help: her father is largely absent; her mother is miserable; her sister’s unhappily promiscuous; her brothers are in a separate masculine world. Only her cousin Nini seems to see her. She falls into disgrace and then “marries up,” but without any joy, blind to what was beautiful right before her own eyes. The Road to the City was Ginzburg’s very first work, originally published under a pseudonym. “I think it might be her best book,” her translator Gini Alhadeff remarked: “And apparently she thought so, too, at the end of her life, when assembling a complete anthology of her work for Mondadori.




The Dry Heart


Book Description

Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?







The Road to the City


Book Description

Each of the two novellas is narrated by a young woman who is in some way betrayed by, or the betrayer of, romantic love.







Happiness, as Such


Book Description

The hauntingly beautiful epistolary novel from “a glowing light of modern Italian literature” (New York Times Book Review) Longlisted for the PEN Translation Award At the heart of Happiness, as Such is an absence—an abyss that pulls everyone to its brink—created by a family’s only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele’s mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives. Natalia Ginzburg's most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.




Voices in the Evening


Book Description

From one of Italy’s greatest writers, a stunning novel “filled with shimmering, risky, darting observation” (Colm Tóibín) After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”




The Road


Book Description

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.




The Road to the City


Book Description

"... written in the 1940's by eminent Italian novelist Ginzburg (Valentino and Sagittarius: Two Novellas; Family; Family: and Borghesia, Two Novellas, 1988, etc.). Here, Ginzburg explores the bleak hearts of two country girls--one who betrays her true love for bourgeois life, the other a lonely young woman who is betrayed. In "The Road to the City," Delia is one of five country kids who grew up "like weeds." She is 17, and dreams of marrying and running off to the city as her sister did at 17. In the meantime, to escape her mother's screeching and her father's sullen neglect, she takes the dusty road to the city almost every day. Accompanied by a brother and her sweetly mysterious cousin Nini, with whom she grew up, she sits in cafes and wanders the streets until the lights come up and she has to go home. Delia notes that Nini is different from his adopted family. He reads incessantly, and drinks. When he takes a job in a factory and moves in with a city woman, Delia begins to realize how much he intrigues her. Soon, however, she is pregnant by a country doctor's son. She cares nothing for the fat, stolid chap--but she marries him anyway, seduced by the promise of rich clothes and an apartment in the city. Meanwhile, Nini, who has confessed his love, dies heartbroken in a squalid room. At the start of the second novella, "The Dry Heart," a "simple country girl" announces that "I shot him between the eyes." Instead of the languor of the first country girl, this unnamed young woman suffered from a naked loneliness that impelled her to marry a rich, 40-ish city man. Although she told herself it didn't matter that he didn't love her, his indifference finally drove her to murder after their baby daughter died. Early work from Ginzburg, with all the hallmarks--understatement, honesty tinged with sadness--of her superb mature style."--Kirkus




All Our Yesterdays


Book Description

From “one of the most distinguished writers of modern Italy” (New York Review of Books), a classic novel of society in the midst of a war. This powerful novel is set against the background of Italy from 1939 to 1944, from the anxious months before the country entered the war, through the war years, to the allied victory with its trailing wake of anxiety, disappointment, and grief. In the foreground are the members of two families. One is rich, the other is not. In All Our Yesterdays, as in all of Ms. Ginzburg’s novels, terrible things happen—suicide, murder, air raids, and bombings. But seemingly less overwhelming events, like a family quarrel, adultery, or a deception, are given equal space, as if to say that, to a victim, adultery and air raids can be equally maiming. All Our Yesterdays gives a sharp portrait of a society hungry for change, but betrayed by war. During the period described in the novel, Natalia Ginzburg was married to the writer Leone Ginzburg. Because of his underground activities, he was interned under Mussolini’s reign, along with his family, in a restricted area in the Abruzzi. When the Ginzburgs later moved to Rome, Leone was arrested and tortured by the fascists, and killed, leaving Natalia alone to raise her three children. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.