The Collected Preface [of] the Robert Bloom Collection
Author : Sara Lambert Bloom
Publisher :
Page : 114 pages
File Size : 46,21 MB
Release : 1998
Category : Oboe
ISBN :
Author : Sara Lambert Bloom
Publisher :
Page : 114 pages
File Size : 46,21 MB
Release : 1998
Category : Oboe
ISBN :
Author :
Publisher :
Page : pages
File Size : 38,82 MB
Release :
Category :
ISBN :
Collection contains publicity file.
Author : Robert Bloom
Publisher :
Page : 16 pages
File Size : 47,81 MB
Release : 1998
Category : Composers
ISBN :
Author : Sara Lambert Bloom
Publisher :
Page : 467 pages
File Size : 38,91 MB
Release : 2009
Category : Oboe players
ISBN : 9781934866115
Author : Sara Lambert Bloom
Publisher :
Page : 15 pages
File Size : 11,75 MB
Release : 1998
Category :
ISBN :
Author : Sara Lambert Bloom
Publisher :
Page : 16 pages
File Size : 36,4 MB
Release : 1998
Category : Oboe music
ISBN :
Author : Sara Lambert Bloom
Publisher :
Page : 16 pages
File Size : 20,37 MB
Release : 1998
Category : Chamber music
ISBN :
Collection contains publicity file.
Author : Robert Bloom
Publisher :
Page : pages
File Size : 21,81 MB
Release : 1998
Category :
ISBN :
Author : Harold Bloom
Publisher : Prentice Hall
Page : 232 pages
File Size : 26,83 MB
Release : 1979
Category : Fiction
ISBN :
A collection of critical essays assesses Browning's techniques, achievements, and place in literary history.
Author : Geoffrey Vernon Burgess
Publisher : Yale University Press
Page : 444 pages
File Size : 21,76 MB
Release : 2004-01-01
Category : Music
ISBN : 9780300093179
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.