The Roerich Pact. History and modernity. On the Occasion of the 80th Anniversary of the Roerich Pact and 70th Anniversary of the United Nations. Exhibition catalogue


Book Description

Across the world, we see cultural heritage under attack, from Mali to Iraq and Syria. Extremists vandalize museums and historic sites, forbid girls to go to school and kill members of the media – all symbols that embody freedom of thought and respect for cultural diversity. These assaults strike at the heart of human identity and endeavour.Signed in 1935, the Roerich Pact paved the way for landmark international legal instruments devoted to the protection of cultural property, both in peacetime and during war – including the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Confl ict and its two (1954 and 1999) Protocols. The UNESCO World Heritage Convention, adopted in 1972, builds on the spirit on the Pact. International criminal law has also made big strides in protecting cultural property. Under the Rome Statute of the International Criminal Court, intentionally directing attacks against buildings dedicated to education, art and science, as well as historic monuments, is a war crime in both international and in non-international armed confl ict.This exhibition pays tribute to the ground-breaking Roerich Pact and bears witness to our determination to take its spirit forward.




The Roerich pact. History and modernity. Catalogue of the Exhibition (National Academy of Art, New Delhi)


Book Description

The exhibition is held in Shimla Art Gallery of the Lalit Kala Academi (National Academy of Art, New Delhi) and in the International Roerich Memorial Trust (the Roerichs’ Estate in Naggar) within the framework of the international exhibition project by the International Centre of the Roerichs and the International Roerichs’ Heritage Preservation Committee, initiated on April 2, 2012 at the UNESCO Headquarters in Paris with the support of the Ministry of Foreign Affairs of the Russian Federation.Выставка проходит в Галерее искусств в Шимле при Национальной академии изящных искусств (Академии Лалит Кала, Нью-Дели) и в Международном Мемориальном Тресте Рерихов (имение Рерихов в Наггаре) в рамках международного выставочного проекта Международного Центра Рерихов и Международного Комитета по сохранению наследия Рерихов при поддержке Министерства иностранных дел Российской Федерации, начатого 2 апреля 2012 года в штаб -квартире ЮНЕСКО в Париже







Nicholas Roerich


Book Description

Nicholas K Roerich's arrival in Bombay, India with his family on 30 November 1923, was followed by his daring mountainous expeditions, making up his 'mountain' phase. What is the draw and pull of a man who was, in his final avatar, a painter of mountains? This anthology of essays on the artist seeks to answer just this. Nicholas K. Roerich's body of work sought to inquire into the common roots of the Russian peoples' Slavic heritage, their pre-Christian, that is, Celtic, Viking and Mongol traditions, and blood ties; his theatrical phase (especially in the 1920s) is seen in his




Shambhala


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Record of legends and parables of Central Asia and Tibet.




Agni Yoga


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Beautiful Unity


Book Description

Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves). Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.




European Elites and Ideas of Empire, 1917-1957


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Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.




Journal Of Urusvati Himalayan Research Institute


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The Journal of the Urusvati Himalayan Research Institute (U.J.) represents the multi-layered perceptions of the Roerichs, who sought new integration of cultural patterns and scientific frontiers in ever-expanding horizons."Every volume contains a contribution on archaeology as a science to reveal how nations became powerful and why they fell. They are a lesson for the governments of today who "must act upon them" (Sir Flinders Petrie, UJ.1.11). The art of excavation by Count du Buisson (UJ.1.13) links the art of archaeology with the technique of medicine: for all scientific methods are observing facts, experimentation, and manifestation. His excavations at Qatna show the guiding principles, methodology and discoveries of excavation. The second volume of the Journal carries a report of the important discoveries in Indian archaeology at Taxila, Mohenjo-daro, Stein?s explorations in Baluchistan and Waziristan, and so on. The third volume relates some outstanding discoveries in Baluchistan, Taxila, Mohenjo-daro, Sarnath, Nalanda, Paharpur, Nagarjunakonda, Pagan and Afghanistan. They have changed the historiography of India and today they bring back the thrill of discovery as we read them seventy years after their reportage in this Journal in 1933. George Roerich (1.27f) himself writes on the problems of Tibetan archaeology and the several desiderata in this terra incognita in his day. In the second volume the diary of the 1931 expedition to Western Tibet of Dr. W.N. Koelz is vivid account of the region in its prime simplicity.