Thomas Dekker and the Culture of Pamphleteering in Early Modern London


Book Description

Thomas Dekker (c.1572-1632) was a prolific playwright and pamphleteer chiefly remembered for his vivid and witty portrayals of everyday London life. This book uses Dekker’s prose pamphlets (published between 1613 and 1628) as a way in to a crucial and relatively neglected period of the history of pamphleteering. Under James I, after the aggressive Elizabethan exploitation of the new media, pamphleteers carved out a discursive space in which claims about truth and authority could be deconstructed. Avoiding the dangerous polemic employed by the Marprelate pamphleteers, they utilised playful, deliberately ambiguous language that drew readers’ attention to their own literary devices and games. Dekker shows pamphlets to be unstable and roguish, and the nakedly commercial imperatives of the book trade to be central to the world of Jacobean cheap print, as he introduces us to a world in which overlapping and competing discourses jostled for position in London’s streets, markets and pulpits. Contributing to the history of print and to the history of Jacobean London, this book also provides an appraisal of the often misunderstood prose works of an author who deserves more attention, especially from historians, than he has so far received. Critics are slowly becoming aware that Dekker was not the straightforward, simple hack writer of so many accounts; his works are complex and richly reward study in their own right as well as in the context of his more famous predecessors and contemporaries. As such this book will further contribute to a post-revisionist historiography of political consciousness and print cultures under the early Stuarts, as well as illuminate the career of a neglected writer.




Plays


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Rogues and Early Modern English Culture


Book Description

"Those at the periphery of society often figure obsessively for those at its center, and never more so than with the rogues of early modern England. Whether as social fact or literary fiction-or both, simultaneously-the marginal rogue became ideologically central and has remained so for historians, cultural critics, and literary critics alike. In this collection, early modern rogues represent the range, diversity, and tensions within early modern scholarship, making this quite simply the best overview of their significance then and now." -Jonathan Dollimore, York University "Rogues and Early Modern English Culture is an up-to-date and suggestive collection on a subject that all scholars of the early modern period have encountered but few have studied in the range and depth represented here." -Lawrence Manley, Yale University "A model of cross-disciplinary exchange, Rogues and Early Modern English Culture foregrounds the figure of the rogue in a nexus of early modern cultural inscriptions that reveals the provocation a seemingly marginal figure offers to authorities and various forms of authoritative understanding, then and now. The new and recent work gathered here is an exciting contribution to early modern studies, for both scholars and students." -Alexandra W. Halasz, Dartmouth College Rogues and Early Modern English Culture is a definitive collection of critical essays on the literary and cultural impact of the early modern rogue. Under various names-rogues, vagrants, molls, doxies, vagabonds, cony-catchers, masterless men, caterpillars of the commonwealth-this group of marginal figures, poor men and women with no clear social place or identity, exploded onto the scene in sixteenth-century English history and culture. Early modern representations of the rogue or moll in pamphlets, plays, poems, ballads, historical records, and the infamous Tudor Poor Laws treated these characters as harbingers of emerging social, economic, and cultural changes. Images of the early modern rogue reflected historical developments but also created cultural icons for mobility, change, and social adaptation. The underclass rogue in many ways inverts the familiar image of the self-fashioned gentleman, traditionally seen as the literary focus and exemplar of the age, but the two characters have more in common than courtiers or humanists would have admitted. Both relied on linguistic prowess and social dexterity to manage their careers, whether exploiting the politics of privilege at court or surviving by their wits on urban streets. Deftly edited by Craig Dionne and Steve Mentz, this anthology features essays from prominent and emerging critics in the field of Renaissance studies and promises to attract considerable attention from a broad range of readers and scholars in literary studies and social history.




The Works


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The Tales of Pirates: 80+ Novels, Stories, Legends & History of the True Buccaneers


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Come along on a great pirate adventure with hand-picked literary classics and true stories about the legendary outlaws: History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) The Book of Buried Treasure The Pirates' Own Book Treasure Island (R. L. Stevenson) Captain Blood (Rafael Sabatini) Sea Hawk (Sabatini) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Captain Singleton (Defoe) Gold-Bug (Edgar Allan Poe) Hearts of Three (Jack London) The Dark Frigate (C. B. Hawes) Isle of Pirate's Doom (Robert E. Howard) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Black Vulmea (Howard) Afloat and Ashore (James F. Cooper) Homeward Bound (Cooper) Red Rover (Cooper) Facing the Flag (Jules Verne) Pirate Gow (Daniel Defoe) The King of Pirates (Defoe) The Pirate (Walter Scott) Rose of Paradise (Howard Pyle) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) The Offshore Pirate (F. Scott Fitzgerald) Martin Conisby's Vengeance (J. Farnol) Coral Island (Ballantyne) Pirate of Panama (W. M. Raine) Under the Waves (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Captain Boldheart (Dickens) The Ways of the Buccaneers (J. Masefield) Master Key (L. Frank Baum) Black Bartlemy's Treasure (J. Farnol) A Man to His Mate (J. Allan Dunn) Tales of the Fish Patrol (Jack London) Barbarossa—King of the Corsairs (E. H. Currey) Robinson Crusoe (Defoe) Jim Davis (J. Masefield) Peter Pan and Wendy (J. M. Barrie) Mysterious Island (Jules Verne) Count of Monte Cristo (Dumas) Ghost Pirates (W. H. Hodgson) The Pagan Madonna (H. MacGrath) A Pirate of the Caribbees (H. Collingwood) The Pirate Island (H. Collingwood) The Devil's Admiral (F. F. Moore) The Pirate of the Mediterranean (W. H. G. Kingston) The Black Buccaneer (Stephen W. Meader) The Third Officer (P. Westerman) Narrative of the Capture of the Ship Derby ...




Follies of East Sussex


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An Account of those Architectural Eccentricities commonly known as Follies to be found in the County




The Greatest Sea Novels and Tales of All Time


Book Description

This eBook edition has been formatted to the highest digital standards and adjusted for readability on all devices. Content: Randall Parrish: Wolves of the Sea Charles Boardman Hawes: The Dark Frigate The Mutineers Rafael Sabatini: Captain Blood The Sea-Hawk Captain Charles Johnson: The History of Pirates R. L. Stevenson: Treasure Island Jack London: The Sea Wolf The Mutiny of the Elsinore A Son of the Sun Daniel Defoe: Robinson Crusoe Captain Singleton Tobias Smollett: The Adventures of Roderick Random Walter Scott: The Pirate Frederick Marryat: Mr. Midshipman Easy Masterman Ready; Or, The Wreck of the "Pacific" Edgar Allan Poe: The Narrative of Arthur Gordon Pym of Nantucket James Fenimore Cooper: The Pilot: A Tale of the Sea The Red Rover Afloat and Ashore: A Sea Tale Miles Wallingford Homeward Bound; Or, The Chase: A Tale of the Sea Thomas Mayne Reid: The Ocean Waifs: A Story of Adventure on Land and Sea Victor Hugo: Toilers of the Sea Herman Melville: Redburn White-Jacket Moby Dick Benito Cereno R. M. Ballantyne: The Coral Island: A Tale of the Pacific Ocean Fighting the Whales Jules Verne: The Voyages and Adventures of Captain Hatteras In Search of the Castaways; Or, The Children of Captain Grant 20 000 Leagues under the Sea Dick Sand: A Captain at Fifteen An Antarctic Mystery L. Frank Baum: Sam Steele's Adventures on Land and Sea Joseph Conrad: The Nigger of the 'Narcissus' Lord Jim Typhoon The Shadow Line The Arrow of Gold Rudyard Kipling: Captains Courageous Ralph Henry Barbour: The Adventure Club Afloat Jeffery Farnol: Black Bartlemy's Treasure Martin Conisby's Vengeance Henry De Vere Stacpoole The Blue Lagoon The Garden of God







The Pirates' Treasure Chest (7 Gold Hunt Adventures & True Life Stories of the Legendary Swashbucklers)


Book Description

The Gold-Bug (Edgar Allan Poe): A man is bitten by a golden bug and what ensues is a treasure hunt adventure featuring a cryptic message. Treasure Island (Robert Louis Stevenson): A young boy is trapped between fierce pirates and his desire to find the missing treasure. The Pirate of Panama (William Macleod Raine): A story of the fight for buried treasure. Black Bartlemy's Treasure (Jeffery Farnol): A treasure hunt for the gold of legendary pirate, Black Bartlemy. The Pagan Madonna (Harold MacGrath): An unusual treasure-hunt tale featuring a lost but precious glass bead and a modern pirate. Pieces of Eight (Richard Le Gallienne) The Book of Buried Treasure: Being a True History of the Gold, Jewels, and Plate of Pirates (Ralph D. Paine) Stolen Treasure (Howard Pyle): treasure hunt stories from the author of Peter Pan adventures: Buccaneers and Marooners of the Spanish Main The Ghost of Captain Brand With the Buccaneers Tom Chist and the Treasure Box Jack Ballister's Fortunes Blueskin, the Pirate Captain Scarfield The Ruby of Kishmoor A True History of the Devil at New Hope




A Rake's Redemption


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From the author of Courting Scandal comes a Regency romance celebrating the witty and romantic world that fans of Georgette Heyer have fallen in love with. Phaedra Gillian, the spinster daughter of a vicar, is quietly content to manage the chores in the household she shares with her father and tend to the needs of the less fortunate in their small village. When she discovers the body of a man who’s been badly beaten and robbed on the road near their cottage, her compassionate nature compels her to take him in and nurse him back to health. But sheltered as she is from the depravities of the London ton, she’s dismayed to learn that the ruggedly handsome Hardcastle is a notorious rake and scoundrel—and a man who stirs unfamiliar and dangerous feelings of physical longing within her. Lord Hardcastle has led a debauched and dissolute life, taking pleasure from women at his whim and shrewdly breaking the fortunes of lesser men in the gambling dens. While on his way to collect a debt from his latest victim at the card table, he’s beset by highwaymen and left for dead, only to be saved by an angelic creature as beautiful as she is virtuous. Captivated by the lovely Phaedra and shamed by her pure-hearted goodness, he’s nonetheless drawn to thoughts of seduction and concocts a fiendish scheme to coax her to his bed. As Hardcastle skillfully leads her from genuine affection to mounting desire and Phaedra finds her resolve weakening, she must struggle to defend her virtue against the promise of a deeply tempting pleasure. And in a bold gamble that will change both their lives, Phaedra agrees to wager her innocence against Hardcastle’s dishonorable ways—as both come to realize that a true and lasting love hangs in the balance and rests on the turn of a card.