The Realms of Oblivion


Book Description

The Realms of Oblivion explores the complexities involved in reconciling competing versions of history, channeled through Davies Manor, a historic site near Memphis that once centered a wealthy slave-owning family’s sprawling cotton plantation. Interrogating the forces of memorialization that often go unquestioned in the stories we believe about ourselves and our communities, this book simultaneously tells an informative and engrossing bottom-up history—of the Davies family, of the Black families they enslaved and exploited across generations, and of Memphis and Shelby County—while challenging readers to consider just what upholds the survival of that history into the present day. Written in an engaging and critical style, The Realms of Oblivion is grounded in a rich source base, ranging from nineteenth-century legal records to the personal papers of the Davies family to twentieth-century African American oral histories. Author Andrew C. Ross uses these sources to unearth the stark contrast between the version of Davies Manor’s history that was built out of nostalgia, and the version that records have proven to actually be true. As a result, Ross illuminates the ongoing need for a deep and honest reckoning with the history of the South and of the United States, on the part of both individuals and community institutions such as local historic sites and small museums.







Historic Shelby County


Book Description




Choral Music in Nineteenth-century America


Book Description

Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.




Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)







Subject Catalog


Book Description