Charmed by the Past: A FREE Time Travel Romance


Book Description

She’s researching her family’s genealogy, but she never expected to become history herself. Sarah Johansson is planning a family reunion when a photo of a little-known relative sparks her curiosity. A closer look at the post-World War I image causes her to tumble back in time to 1919 and into the hospital room of a brooding, wounded infantry corporal. Jacob Bellamy is done with war and everything it involves. After risking his life in the trenches, he hopes to finally find peace by retiring to his family’s farm. But when the war’s toll strikes too close to home and lands him in a hospital bed, the last thing he’s prepared for is the beautiful, mysterious woman who barges into his room and demands help—or the long-dead feelings she stirs inside him. As Sarah tries to unravel clues about her family’s history, her attraction toward the sexy Army veteran only grows. But her time in the past is growing short, and when an old wartime enemy of Jacob’s sets his sights on the blond beauty, Jacob will stop at nothing to keep her safe...even if it means losing her for good. Reader advisory: This book contains mature themes and adult language.




The Historical Romance


Book Description

The Historical Romance explores the ways in which romance authors seek to represent our fantasies of life in the past. Examining how the cut-and-thrust swashbucklers of the 1930s gave way to female-orientated romances, Helen Hughes takes a comprehensive look at how romance authors have dealt with the turbulent question of female independence, and how traditional attitudes towards love, marriage and women's sexuality have been approached in more recent texts. Hughes also charts the ways in which the marketing of romance has developed, with the eventual explosion of the mass market and the blockbusting family sagas of the eighties. The Historical Romance unravels the formulaic and mythical nature of historical romance to provide a fascinating study of this highly popular genre.




A Lover's Quarrel with the Past


Book Description

Although not a professional historian, the author raises several issues pertinent to the state of history today. Qualifying the 'non-historian' as an 'able' interventionist in historical studies, the author explores the relationship between history and theory within the current epistemological configurations and refigurations. He asks how history transcends the obsessive 'linguistic' turn, which has been hegemonizing literary/discourse analysis, and focuses greater attention on historical experience and where history stands in relation to our understanding of ethics, religion and the current state of global politics that underlines the manipulation and abuse of history.




A Natural History of the Romance Novel


Book Description

The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.




Romance


Book Description

Romance: The History of a Genre is a collection of essays devoted to the highly popular and no less controversial genre of romance. A genre often disregarded for its stereotypical language, shallow characters, and predictable plots, dismissed as “women’s” fiction, accused of conventionalism, romance is a genre which, after ups and downs in its millennial history, is now holding a leading position on the international bookselling market. This achievement has also been possible with the endorsement of contemporary media and modern technology, cinema, television, the Internet, etc. Much has been written in both traditional and more recent literary theory about the origins and evolution of the early forms of romance, from the classical Antiquity, through the Middle Ages, and into the Renaissance and early modernity in Western Europe. A corpus, which is becoming more and more substantial today, is already available about the gendered status of contemporary romance, both in terms of the writing ethos and in terms of reader response, with theories coming from the combined areas of feminism, social sciences, and psychoanalysis. The aim of the present volume is that of noting the fluid character of the genre, with the great number of subcategories, mixed and hybrid, bringing evidence to the polymorphous nature of contemporary popular culture. This book proposes, in four parts and twelve chapters, a fascinating and multifaceted journey into the history, substance and geography of romance. From its origins to the latest developments, from its subgenres to its features, from print to film, from television to Facebook, romance comes in various shapes and colours, which the reader can fully explore. The journey in the world of romance takes the reader from familiar corners to less familiar ones: from North America, Great Britain, Romania, or Turkey, to India or South Africa. The numerous approaches to romance generate diverse data, varied analytical frameworks and interesting, fresh and solidly grounded findings.




The History of Love: A Novel


Book Description

ONE OF THE MOST LOVED NOVELS OF THE DECADE. A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother's loneliness. Leo Gursky taps his radiator each evening to let his upstairs neighbor know he’s still alive. But it wasn’t always like this: in the Polish village of his youth, he fell in love and wrote a book…Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).




A Holiday By Gaslight


Book Description

"Readers will easily fall for Sophie and Ned in their gaslit surroundings." -Library Journal, starred review A Courtship of Convenience Sophie Appersett is quite willing to marry outside of her class to ensure the survival of her family. But the darkly handsome Mr. Edward Sharpe is no run-of-the-mill London merchant. He’s grim and silent. A man of little emotion—or perhaps no emotion at all. After two months of courtship, she’s ready to put an end to things. A Last Chance for Love But severing ties with her taciturn suitor isn’t as straightforward as Sophie envisioned. Her parents are outraged. And then there’s Charles Darwin, Prince Albert, and that dratted gaslight. What’s a girl to do except invite Mr. Sharpe to Appersett House for Christmas and give him one last chance to win her? Only this time there’ll be no false formality. This time they’ll get to know each other for who they really are.




Sirens of the Past: A Time Travel Romance


Book Description

He thought he was falling into hell...until the voice of an angel offered him redemption. Corporal Richard “Dick” Stevens, a foul-mouthed retired soldier who fought in the Great War, learned to make his way by playing the villain. But when a near-death skirmish thrusts him sixty-nine years into the future to 1988, he lands on a horse-breeding farm tended to by a beautiful, feisty woman. Camilla Foster spends her days training to be an opera singer while her nights are spent mucking out horse stalls in exchange for free room and board on the farm. Frustration gnaws at Cami since her inheritance would cover the training she’s desperate for, but she can only receive it once she’s married. When Dick disrupts her check on the horses one evening, the sexy stranger immediately gets under her skin. She’s determined to brush him off—until he’s employed as the new stable hand and cunningly persuades her into marrying him as a means to his own end. Dick is everything Cami despises in a person. But with her dreams on the line, a plot surfacing to end Cami’s career, and a growing attraction to this infuriating mystery man, a marriage of convenience may be the only thing to save them both.




Midnight Marriage


Book Description

One of the 20 Most Romantic Books Ever, According to BookBub Members Inspired by real events, a secretly arranged marriage establishes a dynasty. After years in exile, Julian returns to claim a bride he doesn’t know. To his delight, he discovers she is everything he’d hoped for. Unaware they are already married, Deb is content with her independent life. Julian’s challenge is to have her accept him on his merit, even though she has no choice at all. The future of the Roxton dukedom depends upon it. Set in the opulent world of the Georgian aristocracy, Lucinda Brant delivers another lavish 18th century experience in her trademark style—heart-wrenching drama with a happily ever after. Character-driven romantic adventure Non-explicit, mild sensuality Story length 100,000 words (not including bonus material) Reviews Lucinda Brant’s sweeping family sagas are a perfect reminder of why I fell in love with historical romance —Cheryl Bolen, New York Times bestselling author You will once again be reminded why Lucinda Brant’s books are such a treasure. —SWurman, Night Owl Reviews 5 STAR TOP PICK The energy starts on page one and never lets up. Twists and turns, dramatic revelations, and some enjoyable chaos make this a book that keeps the reader turning pages. Highly recommended! — Fiona Ingram, Readers’ Favorite 5 STAR MEDAL WINNER Lucinda Brant fully immerses the reader in the world of Georgian England, keeping you turning pages, or listening late into the night as the case may be. For those historical romance fans who have been gobsmacked by Nicholas Boulton (as a narrator), I am thrilled to report that Alex Wyndham is every bit as good. His narrative voice is deep and lovely. I unreservedly recommend that you listen to Midnight Marriage.—Lady Wesley, Romantic Historical Reviews audiobook review Accolades B.R.A.G. Medallion Honoree Readers’ Favorite Audiobook Silver Medal Winner Readers’ Favorite International Book Award Finalist




Historical Romance Fiction


Book Description

The first book-length study of romance novels to focus on issues of sexuality rather than gender, Historical Romance Fiction moves the ongoing debate about the value and appeal of heterosexual romance onto new ground, testing the claims of cutting-edge critical theorists on everything from popular classics by Georgette Heyer, to recent 'bodice rippers,' to historical fiction by John Fowles and A.S. Byatt. Beginning with her nomination of 'I love you' as the romance novel's defining speech act, Lisa Fletcher engages closely with speech-act theory and recent studies of performativity. The range of texts serves to illustrate Fletcher's definition of historical romance as a fictional mode dependent on the force and familiarity of the speech act, 'I love you', and permits Fletcher to provide a detailed account of the genre's history and development in both its popular and 'literary' manifestations. Written from a feminist and anti-homophobic perspective, Fletcher's subtle arguments about the romantic speech act serve to demonstrate the genre's dependence on repetition ('Romance can only quote') and the shaky ground on which the romance's heterosexual premise rests. Her exploration of the subgenre of cross-dressing novels is especially revealing in this regard. With its deft mix of theoretical arguments and suggestive close readings, Fletcher's book will appeal to specialists in genre, speech act and performativity theory, and gender studies.