Consuming the Romantic Utopia


Book Description

To what extent are our most romantic moments determined by the portrayal of love in film and on TV? Is a walk on a moonlit beach a moment of perfect romance or simply a simulation of the familiar ideal seen again and again on billboards and movie screens? In her unique study of American love in the twentieth century, Eva Illouz unravels the mass of images that define our ideas of love and romance, revealing that the experience of "true" love is deeply embedded in the experience of consumer capitalism. Illouz studies how individual conceptions of love overlap with the world of clichés and images she calls the "Romantic Utopia." This utopia lives in the collective imagination of the nation and is built on images that unite amorous and economic activities in the rituals of dating, lovemaking, and marriage. Since the early 1900s, advertisers have tied the purchase of beauty products, sports cars, diet drinks, and snack foods to success in love and happiness. Illouz reveals that, ultimately, every cliché of romance—from an intimate dinner to a dozen red roses—is constructed by advertising and media images that preach a democratic ethos of consumption: material goods and happiness are available to all. Engaging and witty, Illouz's study begins with readings of ads, songs, films, and other public representations of romance and concludes with individual interviews in order to analyze the ways in which mass messages are internalized. Combining extensive historical research, interviews, and postmodern social theory, Illouz brings an impressive scholarship to her fascinating portrait of love in America.




Encyclopedia of the Romantic Era, 1760–1850


Book Description

In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.




Islands Magazine


Book Description




99 Drams of Whiskey


Book Description

Kate Hopkins knew there had to be more to whiskey than using it as a mixer. She had an unquenchable thirst to learn more about "the drink" and set out on an ambitious itinerary researching its history. Combining comprehensive research with informal narrative, Hopkins entertains and educates the readers on whiskey's place in the history of the world. She visited historians and pub owners, went to distilleries owned by corporations who sell thousands of gallons per day, and artisans who sell thousands of gallons per year, and interviewed the aficionados and the common drinkers, because one of the best aspects of whiskey is not just its taste, but the stories about the drink that are told around the bar. As an added bonus, she discusses the fine art of distilling, the proper ways to drink whiskey, and provides tasting notes on different brands, all in the hope of discovering the best shot of the liquor.







French Romantic Travel Writing


Book Description

A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.




Rip Van Winkle’s Republic


Book Description

Two centuries ago, native New Yorker Washington Irving exploded onto the literary scene of Europe with the publication of his breakout collection of stories, The Sketch Book of Geoffrey Crayon, Gent. Published in England and America in 1819–1820, and universally praised for its inventive characters and soul-searching qualities, including the immortal tales “Rip Van Winkle” and “The Legend of Sleepy Hollow,” the volume enjoyed remarkable transatlantic success, allowing Irving to become the first of his nation to support himself as a professional author. In this distinctive collection, historians and literary scholars come together to reassess Irving’s imaginative world and complex cultural legacy. Alternately a satirist and a nostalgia merchant, Irving was ever absorbed in reconstituting a lost past, which the volume dubs “Rip Van Winkle’s Republic.” The assembled scholars explore issues of Anglo-American culture, the power of imagery, race, and the treatment of time and history in Irving’s vast body of literature, as well as his status as a bibliophile, an antiquarian, and a prominent figure in an age of literary celebrity. Edited by acclaimed historians Andrew Burstein and Nancy Isenberg, Rip Van Winkle’s Republic marks a rediscovery of this marvelous author of social satire and fabled tales of the past.




Inventing 'Easter Island'


Book Description

Easter Island, or Rapa Nui as it is known to its inhabitants, is located in the Pacific Ocean, 3600 kilometres west of South America. Annexed by Chile in 1888, the island has been a source of fascination for the world beyond the island since the first visit by Europeans in 1722 due to its intriguing statues and complex history. Inventing 'Easter Island' examines narrative strategies and visual conventions in the discursive construction of 'Easter Island' as distinct from the native conception of 'Rapa Nui.' It looks at the geographic imaginary that pervaded the eighteenth century, a period of overwhelming imperial expansion. Beverley Haun begins with a discussion of forces that shaped the European version of island culture and goes on to consider the representation of that culture in the form of explorer texts and illustrations, as well as more recent texts and images in comic books and kitsch from off the island. Throughout, 'Easter Island' is used as a case study of the impact of imperialism on the view of a culture from outside. The study hinges on three key points - an inquiry into the formation of 'Easter Island' as a subject; an examination of how the constructed space and culture have been shaped, reshaped, and represented in discursive spaces; and a discussion of cultural memory and how the constraints of foreign texts and images have shaped thought and action about 'Easter Island.' Richly illustrated and unique in its findings, Inventing 'Easter Island' will appeal to cultural theorists, anthropologists, educators, and anyone interested in the history of the South Pacific.




Samuel Johnson and the Age of Travel


Book Description

Although Samuel Johnson's famed ramblings never took him more than five hundred miles from his London home, he was an indefatigable planner of distant voyages. Sharing with his fellow Englishmen that passion for investigating the unknown which had ushered in a momentous geographical revolution, Johnson became the original armchair traveler. His writings proclaim a boundless curiosity about the globe and demonstrate a pervasive preoccupation with travel in every conceivable form. Travel represented more for him than geographical movement; it was a symbol of intellectual growth in his life, his morality, and his society. While Johnson's biographers have all emphasized his fascination with exploration and discovery, no comprehensive study of his complex relationship to the epoch-making geographical advances of his century has heretofore appeared. Thomas Curley's Samuel Johnson and the Age of Travel offers new perspectives on this crucial and surprisingly little-known concern of the man and his age, when English literature brilliantly mirrored the widening frontiers of the British Empire. Drawing extensively on Johnson's entire canon, the works of his contemporaries, and a vast store of much neglected travel books, Curley places Johnson's love of travel and travel literature firmly in its literary and historical contexts. Johnson's career began with the translation of a travel book, yielded numerous articles and essays on the subject in his middle years, and culminated in the publication of his own splendid description of the Highlands in A Journey to the Western Islands of Scotland. Keenly interested in geography, Johnson studied well over two centuries of travel literature to validate his own philosophy of human nature and to promote improved literary standards in what was then the second most popular genre in England. His masterpiece, Rasselas, not only enshrined his recurring vision of man as perpetual explorer but also exemplified that fruitful interaction between travel books and belles-lettres so prevalent throughout Johnson's age. Samuel Johnson and the Age of Travel sheds new light on Johnson's career ambitions, his talents in moral observation and literary creation, and his inquisitive age. Johnson emerges in Curley's study as a truly representative writer completely captivated by the romance of Georgian travel and illustrative of the cultural impact of an expanding world picture upon the minds and letter of eighteenth-century Englishmen.




The Suffering Traveller and the Romantic Imagination


Book Description

Carl Thompson explores the romance that can attach to the notion of suffering in travel, and the importance of the persona of 'suffering traveller' in the Romantic self-fashionings of figures such as Wordsworth and Byron. Situating such self-fashionings in the context of the upsurge of tourism in the late eighteenth century, he shows how the Romantics sought to differentiate themselves from mere tourists by following alternative models, and alternative travel 'scripts', in both their travelling and their travel writing. In a rejection of the more conventional roles of picturesque tourist and Grand Tourist, Romantic travellers often preferred to style themselves as heroic explorers, oppressed and endangered mariners, even shipwreck victims. The Suffering Traveller and the Romantic Imagination accordingly returns to the sub-genres of Romantic-era travel writing - the shipwreck narrative, the exploration narrative, the captivity narrative, and the like - that first kindled the Romantic fascination with these figures, to consider the travel scripts seemingly enabled by this source material. Paying particular attention to the narratives of shipwreck and maritime suffering that were a hugely popular part of Romantic-era print culture, and to the equally popular narrative of exploration, the book considers firstly the examples, traditions, and conventions that trained Romantic travellers to think that misadventure as much as adventure could be a route to visionary experience and literary authority. It then explores the political resonance that the figure of the suffering traveller could possess in this Revolutionary era, before treating Wordsworth and Byron as especially influential examples of the 'misadventurous' tendency in Romanticism. In so doing, The Suffering Traveller and the Romantic Imagination offers interesting new perspectives not only on British Romanticism and on travel writing of the Romantic era, but also on many attitudes, practices, and typologies still current in travel and tourism.