The Tablet


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The international Catholic weekly.




Learning to Pray


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NEW YORK TIMES BESTSELLER “A smart, wise, often side-splittingly funny master class in seeking God. Any spiritual seeker—from atheist to professional religious—will cherish this bravura tome from one of our great spiritual guides, in the lineage of C. S. Lewis, Henri Nouwen, Thomas Merton, Gandhi, and Mother Teresa. Hallelujah & amen!”—Mary Karr, author of Lit and The Liar’s Club One of America’s most beloved spiritual leaders and the New York Times bestselling author of The Jesuit Guide to (Almost) Everything and Jesus: A Pilgrimage teaches anyone to converse with God in this comprehensive guide to prayer. In The Jesuit Guide to (Almost) Everything, Father James Martin included a chapter on communicating with God. Now, he expands those thoughts in this profound and practical handbook. Learning to Pray explains what prayer is, what to expect from praying, how to do it, and how it can transform us when we make it a regular practice in our lives. A trusted guide walking beside us as we navigate our unique spiritual paths, Martin lays out the different styles and traditions of prayer throughout Christian history and invites us to experiment and discover which works best to feed our soul and build intimacy with our Creator. Father Martin makes clear there is not one secret formula for praying. But like any relationship, each person can discover the best style for building an intimate relationship with God, regardless of religion or denomination. Prayer, he teaches us, is open and accessible to anyone willing to open their heart.




The Publisher


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Athenaeum


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Niagara Index


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Matisse and Decoration


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A brand new look at the extremely beautiful, if underappreciated, later works of one of the most inventive artists of the 20th century Between 1935 and his death at midcentury, Henri Matisse (1869-1954) undertook many decorative projects and commissions. These include mural paintings, stained glass, ceramic tiles, lead crystal pieces, carpets, tapestries, fashion fabrics, and accessories--work that has received no significant treatment until now. By presenting a wealth of new insights and unpublished material, including from the artist's own correspondence, John Klein, an internationally acclaimed specialist in the art of Matisse, offers a richer and more balanced view of Matisse's ambitions and achievements in the often-neglected later phases of his career. Matisse designed many of these decorations in the innovative--and widely admired--medium of the paper cut-out, whose function and significance Klein reevaluates. Matisse and Decoration also opens a window onto the revival and promotion, following World War II, of traditional French decorative arts as part of France's renewed sense of cultural preeminence. For the first time, the idea of the decorative in Matisse's work and the actual decorations he designed for specific settings are integrated in one account, amounting to an understanding of this modern master's work that is simultaneously more nuanced and more comprehensive.







The Athenæum


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