The Royal Princesses of England


Book Description

Excerpt from The Royal Princesses of England: From the Reign of George the First One of the most ill-fated marriages recorded in the annals of history was that which gave to this throne a line of sovereigns of the House of Hanover. George Augustus, Elector of Hanover, inherited the crown Of England in right Of his mother, Sophia, to whom, in failure of her own issue, it was bequeathed by Queen Anne. That aged and intellectual Princess did not live to wear it herself, for she preceded Anne to the tomb; and on the Queen's death, in 1714, George, Elector Of Hanover, came over to England, and assumed the crown. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Little Princesses


Book Description

An account of the childhoods and early adulthoods of Queen Elizabeth and Princess Margaret, as told by one of their primary caregivers, offers insight into early twentieth-century British royal life.




The Strangest Family


Book Description

An intensely moving account of George III's doomed attempt to create a happy, harmonious family, written with astonishing emotional force by a stunning new history writer. George III came to the throne in 1760 as a man with a mission. He was determined to break with the extraordinarily dysfunctional home lives of his Hanoverian predecessors. He was sure that as a faithful husband and a loving father, he would be not just a happier man but a better ruler as well. During the early part of his reign it seemed as if, against all the odds, his great family project was succeeding. His wife, Queen Charlotte, shared his sense of moral purpose, and together they raised their fifteen children in a climate of loving attention. But as the children grew older, and their wishes and desires developed away from those of their father, it became harder to maintain the illusion of domestic harmony. 'The Strangest Family' is an epic, sprawling family drama, filled with intensely realised characters who leap off the page as we are led deep inside the private lives of the Hanoverians. Written with astonishing emotional force by a stunning new voice in history writing, it is both a window on another world and a universal story that will resonate powerfully with modern readers.




Princess Mary


Book Description

Princess Diana is seen as the first member of the British royal family to tear up the rulebook, and the Duchess of Cambridge is modernising the monarchy in strides. But before them was another who paved the way. Princess Mary was born in 1897. Despite her Victorian beginnings, she strove to make a princess's life meaningful, using her position to help those less fortunate and defying gender conventions in the process. As the only daughter of King George V and Queen Mary, she would live to see not only two of her brothers ascend the throne but also her niece Queen Elizabeth II. She was one of the hardest-working members of the royal family, known for her no-nonsense approach and her determination in the face of adversity. During the First World War she came into her own, launching an appeal to furnish every British troop and sailor with a Christmas gift, and training as a nurse at Great Ormond Street Hospital. From her dedication to the war effort, to her role as the family peacemaker during the Abdication Crisis, Mary was the princess who redefined the title for the modern age. In the first biography in decades, Elisabeth Basford offers a fresh appraisal of Mary's full and fascinating life.




A Royal Experiment


Book Description

"Originally published as The strangest family in the U.K. in 2014 by William Collins"--Title page verso.







A Vision of Britain


Book Description

Met reg. In addition to his TV-documentary, A vision of Britain, the Prince of Wales stresses the need to preserve the character of towns and cities, the desirability of reviewing existing planning laws and the importance of providing an architecture which people really want, and which is on a human scale. He emphasises the positive side of contemporary architecture and expands upon the idea of an architectural Ten Principles, a set of 'sensible and widely- agreed rules, saying what people can and what they cannot do'.




Princesses


Book Description

'Remarkably intimate... Full and revealing... Princesses opens an invaluable new window into the often troubled private world of these royal women' LA Times 'Riveting and wonderfully detailed....Thanks to Flora Fraser's new book, George III's daughters can step out of the shadows of history and take their rightful places with the rest of the House of Hanover' Washington Times Drawing on their extraordinary private correspondence, acclaimed biographer Flora Fraser gives voice to the daughters of 'Mad' King George III. Six handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, 'the most turbulent and tempestuous of all the princesses.' In this sumptuous group portrait, Fraser takes us into the heart of the British Royal family during the tumultuous period of the American and French revolutions. Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.




George III and the Satirists from Hogarth to Byron


Book Description

King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.