The Rub of Cultures in Turkey


Book Description

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.







Fragments of Culture


Book Description

Fragments of Culture explores the evolving modern daily life of Turkey. Through analyses of language, folklore, film, satirical humor, the symbolism of Islamic political mobilization, and the shifting identities of diasporic communities in Turkey and Europe, this book provides a fresh and corrective perspective to the often-skewed perceptions of Turkish culture engendered by conventional western critiques. In this volume, some of the most innovative scholars of post 1980s Turkey address the complex ways that suburbanization and the growth of a globalized middle class have altered gender and class relations, and how Turkish society is being shaped and redefined through consumption. They also explore the increasingly polarized cultural politics between secularists and Islamists, and the ways that previously repressed Islamic elements have reemerged to complicate the idea of an "authentic" Turkish identity. Contributors examine a range of issues from the adjustments to religious identity as the Islamic veil becomes marketed as a fashion item, to the media's increased attention in Turkish transsexual lifestyle, to the role of folk dance as a ritualized part of public life. Fragments of Culture shows how attention to the minutiae of daily life can successfully unravel the complexities of a shifting society. This book makes a significant contribution to both modern Turkish studies and the scholarship on cross-cultural perspectives in Middle Eastern studies.







The Politics of Culture in Contemporary Turkey


Book Description

Exposing the strategy of Turkey's ruling elite to obtain cultural hegemony, this book examines the AKP's efforts to rewrite Turkish public memory by promoting its ideas through TV series, movies, propaganda videos, school curricula and material culture in urban public spaces.




Fragments of Culture


Book Description

Writing from within the cultural landscape of modern Turkey, 'Fragments of Culture' presents exciting new writing on the everyday, providing a corrective to the often skewed perceptions of Turkish culture engendered by conventional western critiques. From adjustments to religious identity as the Islamic veil becomes marketed as a fashion item to the media explosion of interest in Turkish transsexual lifestyle to the strained cross-class relations between comfortably-off apartment tenants and their more humble doorkeepers, 'Fragments of Culture' focuses on the diversity of contemporary Turkish life. This book contributes to both modern Turkish studies and the scholarship and debates on cross-cultural perspectives in cultural studies in the Middle East




Turkish Cultural Policies in a Global World


Book Description

This book provides a multidisciplinary analysis of the production of Turkish cultural policies in the context of globalization and of the circulation of knowledge and practices. Focusing on circulations, the book proposes an innovative approach to the transfer of cultural policies, considering them in terms of co-production and synchrony. This argument is developed through an examination of circulations at the international, national, and local levels; employing original empirical data and case study analyses. Divided into three parts the book first examines the Kemalist legacy, before turning to the cultural policies developed under the AKP’s leadership, and concludes by investigating the production of cultural policies in the outlying regions of Turkey. The authors shed new light on the particular importance of culture to the understanding of the societal upheavals in contemporary Turkey. By considering exchanges as circulations rather than one-way impositions, this book also advances our understanding of how territories are (re)defined by culture and makes a significant contribution to the interrogation of the concept of “Westernization”. This book brings into clear focus the reconfigurations currently taking place in Turkish cultural policy, demonstrating that while they are driven by the ruling party, they are also the work of civil society actors. It convincingly argues that an authoritarian turn need not necessarily spell the end of the cultural scene, and highlights the innovative adaptations and resistance strategies used in this context. This book will appeal to students and scholars of public policy, sociology and cultural studies.