Mani's Pictures


Book Description

The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.




Buddhism in Central Asia I


Book Description

The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut, Khitan) will be explored in a systematic way. The first volume Buddhism in Central Asia (Part I): Patronage, Legitimation, Sacred Space, and Pilgrimage is based on the start-up conference held on May 23rd–25th, 2018, at CERES, Ruhr-Universität Bochum (Germany) and focuses on the first two of altogether six thematic topics to be dealt with in the project, namely on “patronage and legitimation strategy” as well as "sacred space and pilgrimage."




Embodied Dependencies and Freedoms


Book Description

In der Buchreihe des "Bonn Center for Dependency and Slavery Studies" werden Monographien und Tagungsbände, die das Phänomen der Sklaverei und andere Formen asymmetrischer Abhängigkeiten in Gesellschaften untersuchen, veröffentlicht. Die Reihe folgt dabei der Forschungsagenda des BCDSS, die die vorherrschende dichotomische Vorstellung von "Sklaverei versus Freiheit" überwindet. Das Cluster hat dazu ein neues Schlüsselkonzept ("asymmetrische Abhängigkeiten") entwickelt, das alle Ausprägungen von ungleichen Dependenzen (wie etwa Schuldknechtschaft, Zwangsarbeit, Dienstbarkeit, Leibeigenschaft, Hausarbeit, aber auch gewisse Formen der Lohnarbeit und der Patronage) berücksichtigt. Dabei werden auch Epochen, Räume und Kontexte der Weltgeschichte bearbeitet, die nicht der europäischen Kolonisierung ausgesetzt waren (z.B. altorientalische Kulturen sowie vormoderne und moderne Gesellschaften in Asien, Afrika und den Amerikas).




Mediaeval Manichaean Book Art


Book Description

Mediaeval Manichaean Book Art focuses on a corpus of 89 fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries C.E., and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and 'palm-leaf' formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.







Emerging from Darkness


Book Description

Modern interpretation of the Manichaean religious tradition requires a firm foundation in the sober and meticulous reconstruction of highly fragmentary sources. The studies collected in this volume contribute to such a foundation by bringing new primary texts to the public for the first time, extracting new data from previously known sources, and defining and delimiting important but previously neglected sets of material. The studies are authored by an international group of leading scholars in the fields of ancient Mediterranean and Near Eastern studies, comparative religion, early Christianity, patristics, art history, Turkic studies and Coptology. The textual and art historical materials examined possess distinctive histories, character and significance representing the broad geographical range of Manichaeism from Algeria to China. By elucidating these essential remains of the Manichaean religion, the comprehensive treatments contained in Emerging from Darkness provide a provocative picture of Manichaeism as a diverse and productive tradition in a variety of settings and media. The volume will be foundational for future scholarly studies on the sources presented and for studies in Manichaeism and late antique religions in general.




History of civilizations of Central Asia


Book Description

In this third volume covering the flourishing period from the third to the eighth century A.D., scholars describe the powerful role played by the Sasanian state in Iran, the Gupta empire in India and the T'ang dynasty in China. Waves of nomadic migrations and the formation of steppe empires left their mark on political and social life. This multiethnic society had its roots in the great religious traditions of Buddhism, Zoroastrianism, Manichaeism, Christianity and Shamanism. The Islamization of a great part of the region brought fundamental changes to all aspects of life. Intensive trade along the Silk Route encouraged cultural and scientific exchanges, making this period one of impressive artistic and intellectual creativity.




Peerless Images


Book Description

This book is the first survey of the figural arts of the Iranian world from prehistoric times to the early twentieth century ever to consider themes, rather than styles. Analyzing primarily painting - in manuscripts and albums, on walls and on lacquered, painted pen boxes and caskets - but also the related arts of sculpture, ceramics, and metalwork, the author finds that the underlying themes depicted on them through the ages are remarkably consistent. Eleanor Sims demonstrates that all these arts display similar concerns: kingship and legitimacy; the righteous exercise of princely power and the defense of national territory; and the performance of rituals and the religious duties called for by the paramount cult of the day. She describes a variety of superb works of art inside and outside these categories, noting not only how they illustrate archetypal themes but also what it is about them that is unique. She also discusses the ways that Iranian art both influenced and was influenced by invaders and neighboring lands. Boris I. Marshak discusses pre-Islamic and also Central Asian art, in particular the earliest Iranian wall paintings and their pictorial parallels in rock carvings and metalwork, and the richly painted temples and houses of Panjikent. Ernst J. Grube considers religious imagery, and provides an informative bibliography.




History of civilizations of Central Asia


Book Description

This second part of volume IV deals with the cultural achievements of the various peoples of this immense region: arts and crafts, literature, architecture, music, science, medicine and technology.




A History of Uyghur Buddhism


Book Description

Today, most Uyghurs are Muslims. For centuries, however, Uyghurs were Buddhists. By around 1000 CE, they, like many of their neighbors, had decisively turned toward the Dharma, and a golden age of Uyghur Buddhism flourished under the Mongol empire. Dwelling along the Silk Road in what is now northwestern China, they stood at the center of Buddhist Eurasia, linking far-flung regions and traditions. But as Muslim power grew, Uyghur Buddhists converted to Islam, rewriting their past and erasing their Buddhist history. This book presents the first comprehensive history of Buddhism among the Uyghurs from the ninth to the seventeenth century. Johan Elverskog traces how the Uyghurs forged their distinctive tradition, considering a variety of social, political, cultural, and religious contexts. He argues that the religious history of the Uyghurs challenges conventional narratives of the meeting of Buddhism and Islam, showing that conversion took place gradually and was driven by factors such as geopolitics, climate change, and technological innovation. Elverskog also provides a nuanced understanding of lived Buddhism, focusing on ritual practices and materiality as well as the religion’s entanglements with economics, politics, and violence. A groundbreaking history of Uyghur Buddhism, this book makes a compelling case for the importance of the Uyghurs in shaping the course of both Buddhist and Asian history.