Book Description
No detailed description available for "The Russian Cold".
Author : Julia Herzberg
Publisher : Berghahn Books
Page : 269 pages
File Size : 19,61 MB
Release : 2021-08-13
Category : History
ISBN : 1800731280
No detailed description available for "The Russian Cold".
Author : Jonathan Haslam
Publisher : Yale University Press
Page : 530 pages
File Size : 26,1 MB
Release : 2011-01-01
Category : History
ISBN : 0300168535
Whereas the Western perspective on the Cold War has been well documented by journalists and historians, the Soviet side has remained for the most part shrouded in secrecy--until now. Drawing on a vast range of recently released archives in the United States, the United Kingdom, France, Germany, Russia, and Eastern Europe, Russia's Cold War offers a thorough and fascinating analysis of East-West relations from 1917 to 1989.
Author : Janusz Bugajski
Publisher : Praeger
Page : 320 pages
File Size : 13,11 MB
Release : 2004-11-30
Category : Political Science
ISBN :
Examines the evidence for Russian expansionism in all parts of Eastern Europe, analyzes Moscow's objectives and strategies, and outlines measures for ensuring the region's commitment to democracy and Western integration.
Author : Robert D. English
Publisher : Columbia University Press
Page : 420 pages
File Size : 34,68 MB
Release : 2000
Category : History
ISBN : 9780231110594
In most analyses of the Cold War's end the ideological aspects of Gorbachev's "new thinking" are treated largely as incidental to the broader considerations of power. English demonstrates that Gorbachev's foreign policy was the result of an intellectual revolution. He analyzes the rise of a liberal policy-academic elite and its impact on the Cold War's end.
Author : A. F. Chew
Publisher : DIANE Publishing
Page : 56 pages
File Size : 30,59 MB
Release : 1981
Category : Soviet Union
ISBN : 1428915982
Author : Donald J. Raleigh
Publisher : OUP USA
Page : 435 pages
File Size : 13,13 MB
Release : 2012-01-12
Category : Biography & Autobiography
ISBN : 0199744343
Soviet Baby Boomers traces the collapse of the Soviet Union and the transformation of Russia into a modern, highly literate, urban society through the life stories of the country's first post-World War II, Cold War generation. Illuminating a critical generation of people who had remained largely faceless up until now, the book reveals what it meant to "live Soviet" during the twilight of the Soviet empire.
Author : Jeremy Kuzmarov
Publisher : NYU Press
Page : 240 pages
File Size : 40,26 MB
Release : 2018-05-22
Category : Political Science
ISBN : 1583676961
A timely commentary on today's New Cold War between the United States and Russia Karl Marx famously wrote in The Eighteenth Brumaire of Louis Napoleon that history repeats itself, “first as tragedy, then as farce.” The Cold War waged between the United States and Soviet Union from 1945 until the latter's dissolution in 1991 was a great tragedy, resulting in millions of civilian deaths in proxy wars, and a destructive arms race that diverted money from social spending and nearly led to nuclear annihilation. The New Cold War between the United States and Russia is playing out as farce – a dangerous one at that. The Russians Are Coming, Again is a red flag to restore our historical consciousness about U.S.-Russian relations, and how denying this consciousness is leading to a repetition of past follies. Kuzmarov and Marciano's book is timely and trenchant. The authors argue that the Democrats’ strategy, backed by the corporate media, of demonizing Russia and Putin in order to challenge Trump is not only dangerous, but also, based on the evidence so far, unjustified, misguided, and a major distraction. Grounding their argument in all-but-forgotten U.S.-Russian history, such as the 1918-20 Allied invasion of Soviet Russia, the book delivers a panoramic narrative of the First Cold War, showing it as an all-too-avoidable catastrophe run by the imperatives of class rule and political witch-hunts. The distortion of public memory surrounding the First Cold War has set the groundwork for the New Cold War, which the book explains is a key feature, skewing the nation’s politics yet again. This is an important, necessary book, one that, by including accounts of the wisdom and courage of the First Cold War's victims and dissidents, will inspire a fresh generation of radicals in today's new, dangerously farcical times.
Author :
Publisher :
Page : 535 pages
File Size : 26,40 MB
Release :
Category :
ISBN : 0544716248
Author : Pey-Yi Chu
Publisher : University of Toronto Press
Page : 297 pages
File Size : 23,2 MB
Release : 2020
Category : History
ISBN : 1487501935
By tracing the English word permafrost back to its Russian roots, this unique intellectual history uncovers the multiple, contested meanings of permafrost as a scientific idea and environmental phenomenon.
Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
Page : 264 pages
File Size : 13,89 MB
Release : 2020-12-15
Category : Performing Arts
ISBN : 1496831136
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.