Night Roads


Book Description

Drawing together episodes of rich atmosphere, this novel is as deep and brooding as the Paris nights that serve as its backdrop. Russian writer Gaito Gazdanov arrived in Paris, as so many did, between the wars and would go on, with this fourth novel, to give readers a crisp rendering of a living city changing beneath its people’s feet. Night Roads is loosely based on the author’s experiences as a cab driver in those disorienting, often brutal years, and the narrator moves from episode to episode, holding court with many but sharing his mind with only a few. His companions are drawn straight out of the Parisian past: the legendary courtesan Jeanne Raldi, now in her later days, and an alcoholic philosopher who goes by the name of Plato. Along the way, the driver picks up other characters, such as the dull thinker who takes on the question of the meaning of life only to be driven insane. The dark humor of that young man’s failure against the narrator’s authentic, personal explorations of the same subject is captured in this first English translation. With his trademark émigré eye, Gazdanov pairs humor with cruelty, sharpening the bite of both.




Noble Subjects


Book Description

Relations between the Russian nobility and the state underwent a dynamic transformation during the roughly one hundred-year period encompassing the reign of Catherine II (1762–1796) and ending with the Great Reforms initiated by Alexander II. This period also saw the gradual appearance, by the early decades of the nineteenth century, of a novelistic tradition that depicted the Russian society of its day. In Noble Subjects, Bella Grigoryan examines the rise of the Russian novel in relation to the political, legal, and social definitions that accrued to the nobility as an estate, urging readers to rethink the cultural and political origins of the genre. By examining works by Novikov, Karamzin, Pushkin, Bulgarin, Gogol, Goncharov, Aksakov, and Tolstoy alongside a selection of extra-literary sources (including mainstream periodicals, farming treatises, and domestic and conduct manuals), Grigoryan establishes links between the rise of the Russian novel and a broad-ranging interest in the figure of the male landowner in Russian public discourse. Noble Subjects traces the routes by which the rhetorical construction of the male landowner as an imperial subject and citizen produced a contested site of political, socio-cultural, and affective investment in the Russian cultural imagination. This interdisciplinary study reveals how the Russian novel developed, in part, as a carrier of a masculine domestic ideology. It will appeal to scholars and students of Russian history and literature.




The Cambridge Companion to the Classic Russian Novel


Book Description

Many Russian novels of the nineteenth and twentieth centuries have made a huge impact, not only inside the boundaries of their own country but across the western world. The Cambridge Companion to the Classic Russian Novel offers a thematic account of these novels, in fourteen newly-commissioned essays by prominent European and North American scholars. There are chapters on the city, the countryside, politics, satire, religion, psychology, philosophy; the romantic, realist and modernist traditions; and technique, gender and theory. In this context the work of Pushkin, Dostoevsky, Tolstoy, Turgenev, Bulgakov, Nabokov, Pasternak and Solzhenitsyn, among others, is described and discussed. There is a chronology and guide to further reading; all quotations are in English. This volume will be invaluable not only for students and scholars but for anyone interested in the Russian novel.




One of Those Russian Novels


Book Description

Poetry. The phrase 'Russian novel' suggests thickness, density, and richness. All those terms apply to Cantwell's poetry or, more precisely, to the life in the poems. These are active pieces that plunge into the thick of things and pulse with motion, regardless of whether the setting is past or present. They show as they describe or recollect, and they don't recollect in any apparent tranquility or with regret. 'A late cousin speaks, ' walking and talking the life of addiction--the needle, coffee, cannabis, the white rock--that culminates in the recognition of happiness, however sordid, however self-isolating. Old friends reconnect at a convention's hotel bar, last to be seated and staying so far beyond closing that the management gives them an unsubtle hint, 'and yet we linger.' Three poems realize incidents from the memoirs of Ulysses S. Grant, a big paragraph of which is this book's epigraph. Poems on the deaths of artists and friends, even when they're very long gone, indeed--see 'Marlowe in Italy'--hail their subjects' follies and vices equally with their achievements. This is poetry teeming with light, darkness, color, movement, heat, cold, sound, and silence. Reading it is like watching a complicated, demanding movie or, in full consciousness, life--Ray Olson, Booklist




The Beginning of Spring


Book Description

Man Booker Prize Finalist: This “marvelous novel” about an abandoned husband, set in Moscow a century ago, is “bristling with wry comedy” (Newsday). March 1913. Moscow is stirring herself to meet the beginning of spring. English painter Frank Reid returns from work one night to find that his wife has gone away; no one knows where or why, or whether she’ll ever come back. All Frank knows for sure is that he is now alone and must find someone to care for his three young children. Into Frank’s life comes Lisa Ivanovna, a quiet, calming beauty from the country, untroubled to the point of seeming simple. But is she? And why has Frank’s bookkeeper, Selwyn Crane, gone to such lengths to bring these two together? From a winner of the National Book Critics Circle Award, this novel, with a new introduction by Andrew Miller, author of Pure, is filled with “writing so precise and lilting it can make you shiver” (Los Angeles Times). “Fitzgerald was the author of several slim, perfect novels. The Blue Flower and The Beginning of Spring both had me abuzz for days the first time I read them. She was curiously perfect.” —Teju Cole, author of Open City




The White Russian


Book Description

An enchanting, suspenseful novel of love, art, music, and family secrets set among the Russian émigré community of Paris in 1937 The White Russian by Vanora Bennett begins as Evie, a rebellious young American, leaves New York in search of art and adventure in Jazz Age Paris, home to her long-estranged bohemian grandmother. But just as Evie arrives, her grandmother becomes very ill. Before she dies, she compels Evie to carry out her final wish: find a man from her past known only as Zhenya. The quest leads Evie deep into the heart of the Russian émigré community of Paris. With the world on the brink of war, she becomes embroiled in murder plots, conspiracies, and illicit love affairs as White Russian faces Red Russian, and nothing is as it seems. When Evie meets Jean, a liberal Russian refugee connected to her grandmother’s circle, she thinks she has finally found the passion and excitement she’s yearned for all her life. But is she any nearer to discovering the identity of the mysterious Zhenya or to uncovering the heartbreak of her grandmother’s past?




My Russian


Book Description

An American woman on holiday in Greece flies home, booking into a hotel not far from where her son and husband await her return. From there she proceeds to spy on her former life.




Russian Grotesque Realism


Book Description

Offers a rereading of the Russian realist novel and proposes a hybrid genre, grotesque realism, to describe changes during the post-Reform era.




A Gentleman in Moscow


Book Description

The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of the Year 'Charming ... shows that not all books about Russian aristocrats have to be full of doom and nihilism' - The Times, Books of the Year On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all? A BOOK OF THE DECADE, 2010-2020 (INDEPENDENT) THE TIMES BOOK OF THE YEAR 2017 A SUNDAY TIMES BOOK OF THE YEAR 2017 A MAIL ON SUNDAY BOOK OF THE YEAR 2017 A DAILY EXPRESS BOOK OF THE YEAR 2017 AN IRISH TIMES BOOK OF THE YEAR 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 ONE OF BILL GATES'S SUMMER READS OF 2019 NOMINATED FOR THE 2018 INDEPENDENT BOOKSELLERS WEEK AWARD




The Rise of the Russian Novel


Book Description

This introduction to the study of the Russian novel demonstrates how the form evolved from imitative beginnings to the point in the 1860s when it reached maturity and established itself as part of the European tradition. Professor Freeborn considers selected novels by Pushkin, Lermontov, Gogol, Dostoyevsky and Tolstoy. Extended introductory sections to the studies of Dostoyevsk and Tolstoy deal with their earlier works. A final chapter summarises the principal points of contrast between Crime and Punishment and War and Peace, and argues that in certain specific ways, they represent the peaks in the evolution of the form of the Russian novel. Quotations are translated, but key passages are also given in the original. Professor Freeborn treats the novel as a literary form and avoids the overworked formulae on which much historical writing on Russian literature has been based. He is concerned with the literary development of a great form.