The San Francisco Tape Music Center


Book Description

DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.




The San Francisco Tape Music Center


Book Description

DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.




Terry Riley's In C


Book Description

Setting the stage for a most intriguing journey into the world of minimalism, Robert Carl's Terry Riley's In C argues that the work holds its place in the canon because of the very challenges it presents to "classical" music. Carl examines In C in the context of its era, its grounding in aesthetic practices and assumptions, its process of composition, presentation, recording, and dissemination.




San Francisco


Book Description

History and art intertwine in this celebration of the San Francisco Art Commission's promotion of public art through eight decades of political, social, and economic changes. Wels specializes in history and is a resident of the city. Abundantly illustrated and will intrigue those who live in San Francisco, those who just visit and leave their heart, and anyone involved with cities and public art.




The Rest Is Noise


Book Description

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.




Lightning Striking


Book Description

“We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –Patti Smith An insider’s take on the evolution and enduring legacy of the music that rocked the twentieth century Memphis 1954. New Orleans 1957. Philadelphia 1959. Liverpool 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991. Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters, and visionaries; how each generation came to be; how it was discovered by the world. Whether describing Elvis Presley’s Memphis, the Beatles’ Liverpool, Patti Smith’s New York, or Kurt Cobain’s Seattle, Lightning Striking reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who’s on stage, along with the movers and shakers, the hustlers and hangers-on--and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye’s acclaimed knowledge and experience as a working musician, Lightning Striking is an ear-opening insight into our shared musical and cultural history, a magic carpet ride of rock and roll’s most influential movements and moments.




Anthology of Text Scores


Book Description

Contains over one hundred pieces that span four decades of creative work.




Sounding the Margins


Book Description

Sounding the Margins: Collected Writings 1992-2009 by composer, performer, humanitarian, and Deep Listening founder Pauline Oliveros document her activity over this period and the many recent advances that have taken place in the fields of electronic and telematic musical performance, improvisation, artificial intelligence, and the role of women in contemporary music. Featuring contributions by John Luther Adams, Monique Buzzarte, and Stuart Dempster.




Electronic and Experimental Music


Book Description

Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.




Writings through John Cage's Music, Poetry, and Art


Book Description

This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to discuss his homosexuality, to his work as a performer and musician, and his forward-looking, provocative experimentation with electronic and other media. Several of the essays draw upon previously unseen sketches and other source materials. Also included are transcripts of lively panel discussions among some of Cage's former colleagues. Taken together, this collection is a much-needed contribution to the study of one of the most significant American artists of the twentieth century.