The Satiric Effect in Horace's Sermones in the Light of His Epicurean Reading Circle


Book Description

Scholarship on Roman satire has been dominated for nearly fifty years by a rhetorical approach that emphasizes the artifice of the poet. Consequently, it has been unsure what to do with the philosophical material in Horace's Sermones. In my dissertation, I argue for the importance of Epicurean philosophy in the interpretative scheme of Horace's satiric oeuvre. Epicurean ideas appear prominently and repeatedly, mostly in a positive light, and respond to the concerns and philosophical prejudices of Horace's closest friends. In the prologue, I explore how Horace himself inscribes the process of interpreting and responding to a satire into S. 2.8. He frames his reading circle as key observers in the satiric scene that unfolds before them, suggesting the importance of the audience to satire. Chapter one builds upon this vision by emphasizing reader response as a key element of satiric theory. Satire, as a participant in the cultural debates of its day, orients itself toward a like-minded group of readers who are expected to grasp the satiric thrust of the text and understand its nuances. It orients itself against outsiders who respond seriously to the text in some fashion, often failing to realize that satire is even occurring. I term this process the satiric effect. Chapter two demonstrates that Horace's closest friends in his reading circle share connections to Epicureanism. The social dynamics of reading circles reinforce my theoretical emphasis upon the satiric audience. Vergil, Varius, Plotius Tucca, and Quintilius Varus studied with the Epicurean philosopher Philodemus whose treatises also offer insight into the social dynamics of an Epicurean circle. Chapter three explores how Sermones I articulates itself toward Horace's reading circle. Given the Epicurean biases present within Horace's reading circle, I explore an interpretation through the lens of these Epicurean preferences. Chapters four and five emphasize that the philosophical themes initiated by Horace in the first book also run through the second, making it more cohesive than previously thought, but only become apparent when we consider them from the particular mindset of the reading circle. I conclude by noting possible extensions for my literary theory in other authors.







The Satires of Horace


Book Description

The Satires of Horace: Books 1 & 2. From the Works of Horace. Translated literally into English prose by C. Smart, A.M. The Satires is a collection of satirical poems written by the Roman poet, Horace. Composed in dactylic hexameters, the Satires explore the secrets of human happiness and literary perfection. Published probably in 35 BCE and at the latest, by 33 BCE, the first book of Satires represents Horace's first published work. It established him as one of the great poetic talents of the Augustan Age. The second book was published in 30 BCE as a sequel. In his Sermones or Satires, Horace combines Epicurean, that is, originally Greek philosophy with Roman good sense to convince his readers of the futility and silliness of their ambitions and desires. As an alternative, he proposes a life that is based on the Greek philosophical ideals of autarkeia (Greek for "inner self-sufficiency") and metriotes (Greek for "moderation" or sticking to the Just Mean). In S. 1.6.110-131, Horace illustrates what he means by describing a typical day in his own simple, but contented life.




Epicurean Ethics in Horace


Book Description

Horace's Satires owe debts of influence to a wide range of genres and authors, including, as this study demonstrates, the moral tradition of Epicureanism. Focusing on the philosopher Philodemus of Gadara, it argues that the central concerns of his work lie at the heart of the poet's criticisms of Roman society and its shortcomings.




The Satires of Horace


Book Description

The Roman philosopher and dramatic critic Quintus Horatius Flaccus (65-3 B.C.), known in English as Horace, was also the most famous lyric poet of his age. Writing in the troubled decade ending with the establishment of Augustus's regime, his Satires provide trenchant social commentary on men's perennial enslavement to money, power, fame, and sex. Not as frequently translated as his Odes, in recent decades the Satires have been rendered into prose or bland verse. Horace continues to influence modern lyric poetry, and our greatest poets continue to translate and marvel at Horace's command of formal style, his economy of expression, his variety, and his mature humanism. Horace's comic genius has also had a profound influence on the Western literary tradition through such authors as Swift, Pope and Boileau, but interest in the Satires has dwindled due to the difficulty of capturing Horace's wit and formality with the techniques of contemporary free verse. A. M. Juster's striking new translation relies on the tools and spirit of the English light verse tradition while taking care to render the original text as accurately as possible.




The Cambridge Introduction to Satire


Book Description

Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.




Discourses on Satire and on Epic Poetry


Book Description

Reproduction of the original.




Three Philosophical Poets


Book Description




The Epistles of Horace Book I


Book Description

Originally published in 1888, this book contains the Latin text of the first book of Horace's Epistulae. Distinguished classicist Shuckburgh includes a biography of the poet and commentaries on each of the 20 poems in the book, as well as a brief synopsis of each letter. This book will be of value to anyone interested in Horace or in Augustan poetry more generally.




Satiric Advice on Women and Marriage


Book Description

Advice on sex and marriage in the literature of antiquity and the middle ages typically stressed the negative: from stereotypes of nagging wives and cheating husbands to nightmarish visions of women empowered through marriage. Satiric Advice on Women and Marriage brings together the leading scholars of this fascinating body of literature. Their essays examine a variety of ancient and early medieval writers' cautionary and often eccentric marital satire beginning with Plautus in the third century B.C.E. through Chaucer (the only non-Latin author studied). The volume demonstrates the continuity in the Latin tradition which taps into the fear of marriage and intimacy shared by ancient ascetics (Lucretius), satirists (Juvenal), comic novelists (Apuleius), and by subsequent Christian writers starting with Tertullian and Jerome, who freely used these ancient sources for their own purposes, including propaganda for recruiting a celibate clergy and the promotion of detachment and asceticism as Christian ideals. Warren S. Smith is Professor of Classical Languages at the University of New Mexico.