The Scientific Transactions of the Royal Dublin Society, 1898-1902, Vol. 7 (Classic Reprint)


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Excerpt from The Scientific Transactions of the Royal Dublin Society, 1898-1902, Vol. 7 We were under the necessity of obtaining a specimen of pure iron for the purpose of obtaining a spectrum of this metal perfectly free from gallium, manganese, and one or two other elements, such as chromium, with which it is usually associated. For this purpose we made use of the iron in a pulverulent form, which is separated from potassium ferrocyanide when this substance is fused with potassium carbonate, and the black powder is separated from the potassium cyanide by solution in water or alcohol, and afterwards washed and dried. We believe this to be the purest form of iron which has yet been made. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Proceedings of the Royal Society of London, 1902, Vol. 70 (Classic Reprint)


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Excerpt from Proceedings of the Royal Society of London, 1902, Vol. 70 On the Spark Discharge from Metallic Poles in Water. By Sir Nor man Lock yer, f.r.s. (plate 3) The Differential Equations of Fresnel's Polarisation-vector, with an Extension to the Case Of Active Media. By James Walker, m.a., Communicated by Professor Clifton. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Journal of the Transactions of the Victoria Institute, 1902, Vol. 34 (Classic Reprint)


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Excerpt from Journal of the Transactions of the Victoria Institute, 1902, Vol. 34 The Council last year expressed the hope that during the coming year an effort would be made to bring the adherents up to the number of one thousand; it will be Observed that this hope has been nearly realised, and it ought to be fulfilled before the next report is issued. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




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The Fingerprint


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The idea of The Fingerprint Sourcebook originated during a meeting in April 2002. Individuals representing the fingerprint, academic, and scientific communities met in Chicago, Illinois, for a day and a half to discuss the state of fingerprint identification with a view toward the challenges raised by Daubert issues. The meeting was a joint project between the International Association for Identification (IAI) and West Virginia University (WVU). One recommendation that came out of that meeting was a suggestion to create a sourcebook for friction ridge examiners, that is, a single source of researched information regarding the subject. This sourcebook would provide educational, training, and research information for the international scientific community.













Historical Painting Techniques, Materials, and Studio Practice


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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.