The Sea Lark's Song


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"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly was a secret healer who was betrayed by someone she had trusted. In SEA LARK'S SONG, exposed as a Shari'a healer, on the run and now aware of a secret truth about what had happened to her people--and in love with one who may put her life at risk even more--Brierly must hide in the mountains and sort her way through a tangle of secrets as she attempts to bring her lost people, and their magical, healing power, back into the world. Her true love faces an almost overwhelming challenge: he must struggle against centuries of fear, hatred, secrecy and conspiracy to turn his own people away from the commitment to destruction. If he does not, not only will Brierly and her people's survival be at risk but his own people may end up facing a similar fate, as destructive as the one they had wrought upon the Shari'a.




The Sea Lark's Song


Book Description

Young Brierley was a healer, until she was betrayed by one she trusted, and her secret heritage as a Sh'ari healer was exposed. On the run from those who would destroy her as they did the rest of her race, Brierley discovered the shocking truth about what really happened to her people... and fell in love. Now Brierley hides in the mountains, working her way through a tangled nest of secrets and lies in an attempt to bring her people, and their power for good, back into the world. While she does this, her true love has a daunting task: it is up to him to convince his countrymen to find their way past centuries of hate and distrust. For if he cannot do so, not only will Brierley and her dreams for the future be lost to him forever, but his own people may well face the same sort of destruction they wreaked upon the Sh'ari...




St. Nicholas


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The Sea and Its Wonders


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Some Say the Lark


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"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.




Proceedings


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St. Nicholas


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Lark the Shark


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Everything you think you know about sharks is about to change! Meet Lark the friendly shark.




The Federal Cases


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