The Sea Lark's Song


Book Description

"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly was a secret healer who was betrayed by someone she had trusted. In SEA LARK'S SONG, exposed as a Shari'a healer, on the run and now aware of a secret truth about what had happened to her people--and in love with one who may put her life at risk even more--Brierly must hide in the mountains and sort her way through a tangle of secrets as she attempts to bring her lost people, and their magical, healing power, back into the world. Her true love faces an almost overwhelming challenge: he must struggle against centuries of fear, hatred, secrecy and conspiracy to turn his own people away from the commitment to destruction. If he does not, not only will Brierly and her people's survival be at risk but his own people may end up facing a similar fate, as destructive as the one they had wrought upon the Shari'a.




The Sea Lark's Song


Book Description

"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly was a secret healer who was betrayed by someone she had trusted. In SEA LARK'S SONG, exposed as a Shari'a healer, on the run and now aware of a secret truth about what had happened to her people--and in love with one who may put her life at risk even more--Brierly must hide in the mountains and sort her way through a tangle of secrets as she attempts to bring her lost people, and their magical, healing power, back into the world. Her true love faces an almost overwhelming challenge: he must struggle against centuries of fear, hatred, secrecy and conspiracy to turn his own people away from the commitment to destruction. If he does not, not only will Brierly and her people's survival be at risk but his own people may end up facing a similar fate, as destructive as the one they had wrought upon the Shari'a.




The Sea Lark


Book Description







Catalog of Copyright Entries


Book Description













The Poems of Browning: Volume Four


Book Description

The Poems of Robert Browning is a multi-volume edition of the poetry of Robert Browning (1812 -1889) resulting from a completely fresh appraisal of the canon, text and context of his work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the origins and development of Browning's art. Annotations and headnotes, in keeping with the traditions of Longman Annotated English Poets, are full and informative and provide details of composition, publication, sources and contemporary reception. Volumes one (1826-1840) and two (1841-1846) presented the poems from his Browning's early years, while volume three (1847-61) covered the period of his marriage to Elizabeth Barrett and residence in Italy. Volume four (1862-71) deals with the decade following Elizabeth's death and Browning's return to England. These years saw the appearance of some of his most significant work, and a steady rise in his critical reputation. In Dramatis Personae (1864), Browning uses his characteristic "dramatic" mode to expose predicaments of thought and feeling, in characters ranging from Shakespeare's Caliban to the cheating medium, "Mr Sludge"; other poems dramatize Browning's complicated feelings about the deceptions and self-deceptions of romantic love. Balaustion's Adventure (1871) is an engaging reworking of Euripides' Alcestis, whose theme, the resurrection of a beloved lost wife, has poignant personal resonance for Browning;while Prince Hohenstiel-Schwangau, published in the same year, offers a thinly-veiled account of the life and actions of Napoleon III, the recently deposed Emperor of France, over whom Browning and Elizabeth had quarrelled. In these two long poems, Browning can be seen engaged in the dialogue with Elizabeth that was to shape much of his work during the remainder of his writing life.