The Season sarcophagus in Dumbarton Oaks. 2
Author : George Maxim Anossov Hanfmann
Publisher :
Page : pages
File Size : 26,79 MB
Release : 1971
Category : Dumbarton Oaks
ISBN :
Author : George Maxim Anossov Hanfmann
Publisher :
Page : pages
File Size : 26,79 MB
Release : 1971
Category : Dumbarton Oaks
ISBN :
Author : George Maxim Anossov Hanfmann
Publisher :
Page : pages
File Size : 11,46 MB
Release : 1951
Category :
ISBN :
Author : George Maxim Anossov Hanfmann
Publisher :
Page : 338 pages
File Size : 20,94 MB
Release : 1952
Category : Art, Roman
ISBN :
Author : George Maxim Anozzov Hanfmann
Publisher :
Page : 0 pages
File Size : 12,91 MB
Release : 1951
Category :
ISBN :
Author : George M. A. Hanfmann
Publisher :
Page : 238 pages
File Size : 20,94 MB
Release : 1951
Category :
ISBN :
Author : George Maxim Anossov Hanfmann
Publisher :
Page : 0 pages
File Size : 22,32 MB
Release : 1951
Category :
ISBN :
Author : Dumbarton Oaks
Publisher : Dumbarton Oaks
Page : 136 pages
File Size : 16,61 MB
Release : 1956
Category : Art
ISBN : 9780884020028
This catalogue focuses on the Greek and Roman antiquities of the collections at Dumbarton Oaks. The catalogue also includes other objects, such as a bronze horse, and four floor mosaics from Antioch.
Author : Dumbarton Oaks
Publisher : Dumbarton Oaks
Page : 282 pages
File Size : 38,16 MB
Release : 1995
Category : Art
ISBN : 9780884022121
These sculptures reflect the Blisses' wide-ranging tastes and extraordinary connoisseurship. About a quarter are Greco-Roman; nearly two-thirds of the rest are Late Antique, mostly limestone carvings from Early Byzantine Egypt. Sculpture from the Middle Byzantine period is very rare, making the four pieces in this collection especially significant.
Author : George M. A. Hanfmann
Publisher :
Page : pages
File Size : 21,75 MB
Release : 1971
Category :
ISBN :
Author : Günther Oestmann
Publisher : BRILL
Page : 344 pages
File Size : 30,13 MB
Release : 2020-04-20
Category : History
ISBN : 9004423478
This book gives not only a detailed delineation of the artistic and technical components of the 1571–74 clock but it also presents new insighst in the astronomical indications and the underlying conceptional framework.