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The Sepulchre of Christ in Art and Liturgy; With Special Reference to the Liturgic Drama

Author : Neil Conwell Brooks

Publisher : Franklin Classics

Page : 140 pages

File Size : 34,97 MB

Release : 2018-10-13

Category :

ISBN : 9780342901678

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.



Art and Archaeology

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Publisher :

Page : 320 pages

File Size : 19,97 MB

Release : 1925

Category : Archaeology

ISBN :

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The Grove Encyclopedia of Medieval Art and Architecture

Author : Colum Hourihane

Publisher :

Page : 4064 pages

File Size : 13,37 MB

Release : 2012

Category : Architecture, Medieval

ISBN : 0195395360

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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.



The Homiletic Review

Author :

Publisher :

Page : 692 pages

File Size : 39,49 MB

Release : 1922

Category : Preaching

ISBN :

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The Cristos yacentes of Gregorio Fern?ez

Author : Ilenia Col?n Mendoza

Publisher : Routledge

Page : 221 pages

File Size : 40,10 MB

Release : 2017-07-05

Category : Art

ISBN : 1351545299

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Analyzing seventeenth-century images of the dead Christ produced by Gregorio Fern?ez, author Ilenia Col?endoza investigates how and why the artist and his patrons manipulated these images in connection with the religious literature of the time to produce striking images that moved the faithful to devotion. In so doing, she contributes new findings to the topic of Spanish sacred sculpture. The author re-examines these sculptures not only in the context of a larger sculptural group but also as independent sculptures that were intended as powerful aids to contemplation and devotion as was prescribed by the writings of San Juan de la Cruz and Luis de Granada. Combining study of the sculptural works with that of liturgical sources, she reveals the connection between the written word and the sculpted work of art. Through this interdisciplinary approach, the author links Fern?ez's sculptural program with the strategic objectives of major patrons of the period, such as the Duke of Lerma and King Philip III of Spain, both fervent defenders of the Catholic faith.



The Sepulchrum Domini Through the Ages

Author : Justin E. A. Kroesen

Publisher : Peeters Publishers

Page : 246 pages

File Size : 40,79 MB

Release : 2000

Category : Religion

ISBN : 9789042909526

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TABLE OF CONTENTSPreface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VIII. REPRESENTATIONS OF THE HOLY SEPULCHREIntroduction. . . . . . . . . . . . . . . . . . 3A. The Holy Sepulchre as a Separate Church Building. . . . . 71. Constantine the Great's Church of the Holy Sepulchre . 72. Churches of the Holy Sepulchre in Western Europe. 12a. Background . . . . . . . . 12b. The pilgrimage period . . . . . . . . 14c. The period of the Crusades. . . . . . 25B. The Holy Sepulchre in the Interior of the Church 451. Background . . . . . . . . . . . . . . . . . . 452. Holy Sepulchres Modelled on the Anastasis Tomb in Church Interiors . . . . . . . . . . . . . . . . . . . . . . . . . . 473. Typology of the Holy Sepulchre in the Late Middle Ages. 53a. Background. . . . . . . . . . 53b. The altar as Holy Sepulchre . . . . . . 55c. The temporary Holy Sepulchre 56d. The moveable wooden Holy Sepulchre . 62e. The Holy Sepulchre in combination with a tabernacle . 68f The Holy Sepulchre in combination with a founder's tomb 77g. The Holy Sepulchre as a canopied monument 83h. The Holy Sepulchre as a separate recess in the wall. 90i. The Holy Sepulchre as a free-standing shrine . 102j. Conclusion. . . . . . . . . . . . . . . . . . . 1084. The Entombment Group . . . . . . . . . . . . 109C. Diversity of Representations of the Holy Sepulchre . 1171. Revival of Holy Sepulchre Buildings. 1172. After the Council of Trent. 1243. The Twentieth Century . . . . . . . 132VI THE SEPULCHRUM DOMINIIl. USE OF THE HOLY SEPULCHREIntroduction . . . . . . . . . . .A. The Liturgy in the Church of the Holy Sepulchre in Jerusalem 143B. The Function of the Holy Sepulchre in the Mediaeval Easter Liturgy of Western Europe. . . . . 1471. The ceremonial Easter Liturgy . 147a. Introduction . . . . . . . . . 147b. Adoratio crucis . . . . . . . . 150c. The ritual of depositio and elevatio . 151d Depositio. . . . 153e. Vigilia paschalis 165f Elevatio. . . . . 1672. The Easter Play. . 170C. The Holy Sepulchre as an Andachtsbild . 175D. Use of the Holy Sepulchre from the Middle Ages on 1811. After the Council of Trent . 1812. The Twentieth Century. . . . . . . . . . . . . . 188SUMMARY AND CONCLUSION . 193BIBLIOGRAPHY . . . . . 197LIST OF ILLUSTRATIONS . 205INDEX OF PLACES . 207PLATES . . . . . 215.



Liturgical Drama and the Reimagining of Medieval Theater

Author : Michael Norton

Publisher : Medieval Institute Publications

Page : 285 pages

File Size : 38,82 MB

Release : 2017-08-31

Category : History

ISBN : 1580442633

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Book Description

The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.