The Lamp of Memory


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The Lamp of Beauty


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The Seven Lamps of Architecture


Book Description

Ruskin's respected treatise on architectural methods and style is presented here complete, with all of the original edition's images. Writing in the 1840s, John Ruskin set out his architectural beliefs. A man of deep religiosity, Ruskin was convinced that Gothic architecture was at the very height of beauty and achievement in building design. Even during his prime, Ruskin had opponents who felt his staunch, traditionalist take on structural architecture confining. Despite Ruskin's views, this book acts as a well-informed and detailed history of architecture as it stood in the mid-19th century. The Seven Lamps of the title describe seven principles which Ruskin viewed should be reflected in a building: Sacrifice, Truth, Power, Beauty, Life, Memory, and Obedience. We find within this edition illustrations of the structures and flourishes which Ruskin admires most. His opinions on certain newer designs of the industrial era, and the painstaking restoration of ancient artworks, may be summed up in a single word: desecration. Despite the author's stark views and ornate style, for its context The Seven Lamps of Architecture is a worthy edition to the library of architects and enthusiasts of design. A particular strength from a historic viewpoint is Ruskin's discussions of the material contrasts and conflict between traditional design and newer forms, together with his sometimes apt phrasing: "Architecture is the art which so disposes and adorns the edifices raised by man...that the sight of them may contribute to his mental health, power, and pleasure."




The Seven Lamps of Architecture


Book Description

"The Seven Lamps of Architecture" is an extended essay, first published in May 1849, written by the English art critic and theorist John Ruskin. The "lamps" of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. In this book, he codified some of the contemporary thinking behind the Gothic Revival.







Architecture


Book Description

This polemic is essential reading for anyone converned with the state and direction of architecture and urban planning today and will provake wide-ranging discussion.




Losing Site


Book Description

As Ruskin suggests in his Seven Lamps of Architecture: "We may live without [architecture], and worship without her, but we cannot remember without her." We remember best when we experience an event in a place. But what happens when we leave that place, or that place no longer exists? This book addresses the relationship between memory and place and asks how architecture captures and triggers memory. It explores how architecture exists as a material object and how it registers as a place that we come to remember beyond the physical site itself. It questions what architecture is in the broadest sense, assuming that it is not simply buildings. Rather, architecture is considered to be the mapping of physical, mental or emotional space. The idea that we are all architects in some measure - as we actively organize and select pathways and markers within space - is central to this book's premise. Each chapter provides a different example of the manifold ways in which the physical place of architecture is curated by the architecture in our "mental" space: our imaginary toolbox when we think of a place and look at a photograph, or visit a site and describe it later or send a postcard. By connecting architecture with other disciplines such as geography, visual culture, sociology, and urban studies, as well as the fine and performing arts, this book puts forward the idea that a conversation about architecture is not exclusively about formal, isolated buildings, but instead must be deepened and broadened as spatialized visualizations and experiences of place.




Letarouilly on Renaissance Rome


Book Description

Drawn from five large volumes published between 1825 and 1882, this student's edition showcases the architectural splendor of Renaissance Rome for a new generation. Paul Letarouilly's original work constitutes the standard reference, presenting the most complete collection of plans, elevations, and details of great buildings and monuments designed by Michelangelo, Peruzzi, Vignola, Bernini, and many others.




John Ruskin and the Fabric of Architecture


Book Description

Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective. This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.