The Shadow of a Blue Cat


Book Description

Businessman Yuki Yajima is fifty-one years old. He and his wife, Asako, are the parents of two daughters: Ryo, seventeen, and Yuka, an infant of only two months. Asking himself why he's allowed himself to become a father again at his age, Yuki begins to remember his uncle, who died quite young--younger, indeed, than Yuki is now. Thinking of this man, whom the young Yuki idolized, and who first introduced the boy to authors like Kenzaburo Oe and the Marquis de Sade, serves as a strange tipping point: allowing a sense of chaos and complexity back into his otherwise well-heeled life. A rare work of fiction focused simply on a man of integrity--a dying breed, in novels--"The Shadow of a Blue Cat" meticulously renders his life and opinions as Yuki tries to find a middle path between the radicalism of his uncle's life and the quiet bourgeois home he's worked so hard to build.




The Blue Cat of Castle Town


Book Description

"The blue cat is like a knight on a quest. His quest is to find a hearth to fit the song the river taught him and to teach the owner of the hearth to sing that song"--Jacket.




Dawn to the West


Book Description




The Blue Cat of Castle Town


Book Description

In a 19th-century Vermont hamlet, a little blue kitten falls under the spell of the song of the river and ventures off to share the song with the world. Newbery Honor winner.




Empire of Texts in Motion


Book Description

By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output. Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.




Cat on a Blue Monday


Book Description

Midnight Louie and his human companion, Temple Barr try to discover who is trying to wreck the annual las Vegas cat show, and prevent mass cat murder.




House with a Sunken Courtyard


Book Description

An occasionally terrifying and always vivid portrayal of what it was like to live as a refugee immediately after the end of the Korean War. This novel is based on the author's own experience in his early teens in Daegu, in 1954, and depicts six families that survive the hard times together in the same house, weathering the tiny conflicts of interest and rivalries that spring up in such close quarters, but nonetheless offering one another sympathy and encouragement as fellow sufferers of the same national misfortune: brothers and sisters in privation.




Those Whom I Would Like to Meet Again


Book Description

Ten stories on the border of fiction and essay, in which the experiences of life “are unrecognizably transformed, like the flour, eggs, nuts, and apples in a cake.” In ten of her best essay-stories, Giedra Radvilavičiūtė travels between the ridiculous and the sublime, the everyday and the extraordinary. In the place of plot, which the author claims to have had “shot and buried with the proper honors,” the reader finds a dense, subtly interwoven structure of memory and reality, banalities and fantasy, all served up with a good dollop of absurdity and humor. We travel from the old town of Vilnius to Chicago’s Brighton Park neighborhood, from the seaside to a local delicatessen, all in a narrative collage as exquisitely detailed as a bouquet of flowers. As in all of her work, Radvilavičiūtė plays with the genres of fiction and nonfiction, essay and short story, in which the experiences of life “are unrecognizably transformed, like the flour, eggs, nuts, and apples in a cake.”




Re: Quin


Book Description

The influential, daring, and lacerating novels of Ann Quin were very much products of their time—but Quin herself had more than a little influence upon shaping the era in which she lived. Her works bracket the '60s and embrace their drive to experiment and break through to another form of consciousness, and so another means of telling stories, as J. G. Ballard, and B. S. Johnson were doing, and as, later—in many ways following directly in Quin's footsteps—Kathy Acker would as well. In reading Quin we are taught to question the very enterprise of fiction itself; to read Quin one must be prepared to lose one's way. Re: Quin is an unabashedly personal and partisan critical biography of one of the greatest and yet most neglected fiction writers of the so-called "experimental" wave of British novelists of the 1960s.




Fragments of Lichtenberg


Book Description

The eighteenth-century German physicist Georg Christoph Lichtenberg left behind at the time of his death thousands of fragmentary notes commenting on a dazzling and at the same time puzzling array of subjects. Pierre Senges’s Fragments of Lichtenberg imaginatively and hilariously reconstructs the efforts of scholars across three centuries to piece together Lichtenberg’s disparate notes into a coherent philosophical or artistic statement. What emerges instead from their efforts are a wide variety of conflicting and competing Lichtenbergs – the poet, the physicist, the philosopher, the humorist – and a very funny meditation on the way interpretations and speculation create new histories and new realities. In just over half a century, Georg Christoph Lichtenberg (1742-1799) had the time to be all of the following: a hunchback; a mathematician; a physics professor; a connoisseur of hare pate; a hermit; an electrical theorist; a skirtchaser; a friend of King George III of England; an asthmatic; a defender of reason; a hypochondriac; a dying man; and the author of 8,000 fragments written with ink and goose quills. Traditionally those fragments have been considered no more than aphorisms, to be sipped like fine schnapps, but certain scholars claim, however, that his famous Wastebooks are really the scattered pieces of a Great Novel, and that this might yet be reconstructed, with the help of scissors, glue, and paper, and by using what is left of our imaginations. The present volume retracts, among other things, the work undertaken for more than a century by valiant Lichtenbergians.