The Shadow Puppets of India


Book Description




Indian Puppets


Book Description

Puppetry Originated In India And Travelled Across The Seven Seas To The Eastern And Western World As Vouched By Many Scholars. Puppets Dated Back To A Period Well Before Bharata S Natya Shastra And Have Continued Unabated Throughout The Centuries In Almost All Indian States. Puppetry Is One Enduring Form, Which Has Entertained Masses And Educated People. The Famous Puppeteers Of Rajasthan Are Really Acrobats, Who Only Put On Puppet Shows When They Move Out Of Villages. These And A Thousand Other Scintillating Facts Come Out Of This Exciting Book For The Reader S Entertainment And Elucidation. Puppets Are By No Means For Only Children, -- As The Puppeteers Of Orissa Sing And Dance About The Romantic Love Of Radha And Krishna, And Keralan Puppets Narrate Kathakali Stories In The Same Make-Up And Costumes.The Book Aims At Giving A Connected Account Of The Indian Puppets: Their Variety, Their Multiple Functions, Their Craft, Their Animation And Their Connections With Other Related Arts In Five Separate Parts. The Book Also Contains For The First Time In Any Book On Puppetry -- Four Important Appendices: Museums In India Containing Puppets, Directory Of Indian Puppeteers, Global Bibliography On Puppets And A Relevant Glossary. The World Of Indian Puppets Is Seen In Vivid Colours With Scores Of Coloured Photographs And Many Line-Drawings And Half-Tone Pictures --- In Their Many-Sided Splendour: Variety Of The Glove, Rod, String, Shadow, And Human Puppets And A Myriad Background Stories Of The Puppet-Masters And Their Imaginative Landscape Of Free Creativity.




Inside the Drama-House


Book Description

Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion—one which explores not only this important epic tale and its performance, but also the broader theoretical issues of text, interpretation, and audience. Blackburn demonstrates how the performers adapt the narrative and add their own commentary to re-create the story from a folk perspective. At a time when the Rama story is used to mobilize political movements in India, the puppeteers' elaborate recitation and commentary presents this controversial tale from another ethical perspective, one that advocates moral reciprocity and balance. While the study of folk narrative has until now focused on tales, tellers, and tellings, this work explores the importance of audience—absent or otherwise. Blackburn's elegant translations of the most dramatic and pivotal sequences of the story enhance our appreciation of this unique example of performance art.




Tolpava Koothu


Book Description

A form of traditional puppetry from Kerala, Tolpava Koothu--originating in the Bhagavati temples of Palghat district--presents the Ramayana story as told by Kambar, the Tamil epic poet, in the kamba Ramayana. In 21 parts, over 21 evenings, the story is enacted in koothumadmas or temple theatres before eager local audience. Part ritual, part instruction, and a form of entertainment inseparable from rural life in Kerala, Tolpava Koothu is an art demanding knowledge of the scriptures together with skill in delivery, diction, and puppet manipulation. This monograph provides a basic introduction to the Tolpava Koothu--setting out its cultural background, associated rituals, as well as specifics of stage, illumination, music, puppets and their manipulation, a day-wise synopsis of the story as presented in 21 parts, select scenes from Tolpava Koothu, lists of puppets and temples where the art is practiced help to bring alive the subject to the reader







Inside the Drama-house


Book Description

The author describes the skill and physical stamina of the shadow puppeteers in Kerala state in South India as they perform the Tamil version of the Ramayana epic all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion which also explores the broader theoretical issues of text, interpretation, and audience.




Rāma Stories and Shadow Puppets


Book Description

In This First Book-Length Study Of Shadow Puppet Performance In India-And The First To Analyse A Folk Performance Of The Ramayana Story In South India-The Author Takes The Reader Behind The Scenes To Observe The Puppeteers Of Kerala Performing Their Own Unique Version Of This Enduring Epic.







The Art of Hand Shadows


Book Description

Clear explanations and over 70 illustrations demonstrate how to position your hands to make lifelike shadows of a lumbering dinosaur, a pair of playful monkeys, an eagle taking flight, a cat scratching itself, a howling wolf, a neighing horse, a dog that eats a rabbit, and many other figures.




The Shadow Puppet Theatre of Malaysia


Book Description

This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.