The Shoshoni-Crow Sun Dance


Book Description

About 1875 the Crows abandoned their own Sun Dance, but they continued to carry out other traditional rites despite opposition from missionaries and the federal government. In 1941, Crow Indians from Montana sought out leaders of the Sun Dance among the Wind River Shoshonis in Wyoming and under the direction of John Truhujo, made the ceremony a part of their lives. In The Shoshoni-Crow Sun Dance, Fred W. Voget draws on forty years of fieldwork to describe the people and circumstances leading to this singular event, the nature of the ceremony, the reconciliation’s with Christianity and peyotism, the role of the Sun Dance as a catalyst for the reassertion of Crow cultural identity, and the place the Sun Dance now holds in Crow life and culture. Voget’s description includes photographs and diagrams of the Sun Dance.







Yellowtail, Crow Medicine Man and Sun Dance Chief


Book Description

Medicine man and Sun Dance chief Thomas Yellowtail is a pivotal figure in Crow tribal life. As a youth he lived in the presence of old warriors, hunters, and medicine men who knew the freedom and sacred ways of pre-reservation life. As the principal figure in the Crow-Shoshone Sun Dance religion, Yellowtail has preserved traditional values in the face of the constantly encroaching, diametrically opposed values of materialistic modern socity. Through his life story and description of the Sun Dance religion we can reexamine the premises and orientations of both cultures.




American Studies


Book Description

This volume supplements the acclaimed three volume set published in 1986 and consists of an annotated listing of American Studies monographs published between 1984 and 1988. There are more than 6,000 descriptive entries in a wide range of categories: anthropology and folklore, art and architecture, history, literature, music, political science, popular culture, psychology, religion, science and technology, and sociology.




Grandmother's Grandchild


Book Description

A memoir expresses the poverty, personal hardships, and prejudice of the author's life growing up as a second generation Crow Indian on a reservation, and the bond she formed with her grandmother, a medicine woman.




The World of the Crow Indians


Book Description

Profiles the Crow Indians and discusses how their society has been able to survive for more than a century because of their philosophies.




Crow Jesus


Book Description

Crow Christianity speaks in many voices, and in the pages of Crow Jesus, these voices tell a complex story of Christian faith and Native tradition combining and reshaping each other to create a new and richly varied religious identity. In this collection of narratives, fifteen members of the Apsáalooke (Crow) Nation in southeastern Montana and three non-Native missionaries to the reservation describe how Christianity has shaped their lives, their families, and their community through the years. Among the speakers are elders and young people, women and men, pastors and laypeople, devout traditionalists and skeptics of the indigenous cultural way. Taken together, the narratives reveal the startling variety and sharp contradictions that exist in Native Christian devotion among Crows today, from Pentecostal Peyotists to Sun-Dancing Catholics to tongues-speaking Baptists in the sweat lodge. Editor Mark Clatterbuck also offers a historical overview of Christianity’s arrival, growth, and ongoing influence in Crow Country, with special attention to Christianity’s relationship to traditional ceremonies and indigenous ways of seeing the world. In Crow Jesus, Clatterbuck explores contemporary Native Christianity by listening as indigenous voices narrate their own stories on their own terms. His collection tells the larger story of a tribe that has adopted Christian beliefs and practices in such a way that simple, unqualified designations of religious belonging—whether “Christian” or “Sun Dancer” or “Peyotist”—are seldom, if ever, adequate.




Native American Spirituality


Book Description

This volume offers a stimulating, multidisciplinary set of essays by noted Native and non-Native scholars that explore the problems and prospects of understanding and writing about Native American spirituality in the twenty-first century. Considerable attention is given to the appropriateness and value of different interpretive paradigms for Native religion, including both traditional religion and Native Christianity. The book also investigates the ethics of religious representation, issues of authenticity, the commodification of spirituality, and pedagogical practices. Of special interest is the role of dialogue in expressing and understanding Native American religious beliefs and practices. A final set of essays explores the power of and reactions to Native spirituality from a long-term, historical perspective.




The People Have Never Stopped Dancing


Book Description

During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.




Native America in the Twentieth Century


Book Description

First Published in 1996. Articles on present-day tribal groups comprise more than half of the coverage, ranging from essays on the Navajo, Lakota, Cherokee, and other large tribes to shorter entries on such lesser-known groups as the Hoh, Paugusett, and Tunica-Biloxi. Also 25 inlcludes maps.