Coronado


Book Description

Herbert Eugene Bolton’s classic of southwestern history, first published in 1949, delivers the epic account of Francisco Vásquez de Coronado’s sixteenth-century entrada to the North American frontier of the Spanish Empire. Leaving Mexico City in 1540 with some three hundred Spaniards and a large body of Indian allies, Coronado and his men—the first Europeans to explore what are now Arizona and New Mexico—continued on to the buffalo-covered plains of Texas and into Oklahoma and Kansas. With documents in hand, Bolton personally followed the path of the Coronado expedition, providing readers with unsurpassed storytelling and meticulous research.




The Lore of New Mexico


Book Description

This award-winning text on New Mexico folklore traditions is now available in a shorter edition.




Coronado


Book Description

Herbert Eugene Bolton, who was well-known for his books on the Southwest and Spanish Americas, here recounts in detail Francisco Vasquez de Coronado’s sixteenth-century entrada to the North American frontier of the Spanish Empire. In retracing Coronado’s route, Professor Bolton—with access to new information—was able to relive the experiences of the original exploration. Originally published in 1949, he brings fresh insight and profound knowledge to CORONADO: Knight of Pueblos and Plains. “Thoroughly documented, this tells of the search for El Dorado, the preliminary explorations of Fray Marcos seeking the Seven Cities of Cibola, Alarcon’s voyage, the discovery of the Colorado, the explorations of Coronado and his lieutenants...Then there are Coronado’s later years as governor of Nueva Galicia, his trial and acquittal.”—Kirkus Review




The Coronado Expedition


Book Description

Originally published as a hardback in 2003.




Coronado National Memorial


Book Description

Coronado National Memorial explores forgotten pathways through Montezuma Canyon in southeastern Arizona, and provides an essential history of the southern Huachuca Mountains. This is a magical place that shaped the region and two countries, the United States and Mexico. Its history dates back to the expedition led by Conquistador Francisco Vásquez de Coronado in 1540, a mere forty-eight years after Columbus’ first voyage. Before that time Native Americans occupied the land, later to be joined by Spanish and Mexican period miners and ranchers, prospecting entrepreneurs, missionaries, and homesteaders. Sánchez is the foremost historian of the area, and he shifts through and decodes a number of key Spanish and English language documents from different archives that tell the story of an historical drama of epic proportions. He combines the regional and the global, starting with the prehistory of the area. He covers Spanish colonial contact, settlement missions, the Mexican Territorial period, land grants, and the ultimate formation of the international border that set the stage for the creation of the Coronado National Memorial in 1952. Much has been written about southwestern Arizona and northeastern Sonora, and in many ways this book complements those efforts and delivers details about the region’s colorful past.




Coronado's Quest


Book Description







Three Roads to Magdalena


Book Description

“Someday,” Candelaria Garcia said to the author, “you will get all the stories.” It was a tall order, in Magdalena, New Mexico, a once booming frontier town where Navajo, Anglo, and Hispanic people have lived in shifting, sometimes separate, sometimes overlapping worlds for well over a hundred years. But these were the stories, and this was the world, that David Wallace Adams set out to map, in a work that would capture the intimate, complex history of growing up in a Southwest borderland. At the intersection of memory, myth, and history, his book asks what it was like to be a child in a land of ethnic and cultural boundaries. The answer, as close to “all the stories” as one might hope to get, captures the diverse, ever-changing experience of a Southwest community defined by cultural borders—--and the nature and role of children in defending and crossing those borders. In this book, we listen to the voices of elders who knew Magdalena nearly a century ago, and the voices of a younger generation who negotiated the community’s shifting boundaries. Their stories take us to sheep and cattle ranches, Navajo ceremonies, Hispanic fiestas, mining camps, First Communion classes, ranch house dances, Indian boarding school drill fields, high school social activities, and children’s rodeos. Here we learn how class, religion, language, and race influenced the creation of distinct identities and ethnic boundaries, but also provided opportunities for cross-cultural interactions and intimacies. And we see the critical importance of education, in both reinforcing differences and opening a shared space for those differences to be experienced and bridged. In this, Adams’s work offers a close-up view of the transformation of one multicultural community, but also of the transformation of childhood itself over the course of the twentieth century. A unique blend of oral, social, and childhood history, Three Roads to Magdalena is a rare living document of conflict and accommodation across ethnic boundaries in our ever-evolving multicultural society. Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University




A Contested Art


Book Description

When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University