The Silent and Soft Communion


Book Description

Conversion narratives were one of the earliest forms of public expression for American women writers, sanctioned—and indeed welcomed—for their personal, first-hand testimonies about seasons of religious grace. Two eighteenth-century women, Sarah Pierpont Edwards and Sarah Prince Gill, wrote conversion narratives of remarkable craft and insight. These pieces, collected for the first time in The Silent and Soft Communion, represent two generations of Calvinist evangelism, addressing the social implications of spiritual regeneration and presenting full, fascinating accounts of Calvinist religious life.Sarah Pierpont Edwards is best known as the wife of Jonathan Edwards, one of the most renowned theologians in eighteenth-century New England. Asked by her husband to “draw up an exact statement” of her rebirth in Christ, she complied, creating in 1742 a work that was of considerable interest to both her husband’s constituency and now to modern scholars. A rich and revealing document, her narrative expresses her immense joy in the presence of God and the intimacy of her relationship with God. Both a private and public statement, her testimony is remarkable for its position on the social imperative of spiritual regeneration and speaks to the social and political issues facing her Northampton community.The companion conversion narrative by Sarah Prince Gill, never before published, offers the perspective of the next generation of Calvinist women, whose religious orientation was inflected by Enlightenment values. Gill, an educated Bostonian and close friend of the Edwards family, documents in her 1742 narrative the dramatic story of her struggle for spiritual enlightenment. A private document, Gill’s journal offers a striking contrast to Edwards’s more public writings.Featuring scholarly annotations and an extensive introductory essay, The Silent and Soft Communion is an invaluable historical and theological resource.










Songs for Dead Children


Book Description

In a series of poems inspired by Gustav Mahler's Kindertotenlieder, E.D. Blodgett searches for meaning amidst grief. In the contemplative gentleness of his words, he finds the special light children possess in their state of unknowing as they encounter the world. These sparse poems move through acceptance and resignation to the solace that exists in the word. Blodgett's poetry will speak to readers who have experienced loss, are exploring grief, or want to find a way to connect with stillness. as bells that ring through the winter air the clear laughter of children sings in the trees almost like brooks bursting in spring the air stands up its joy unbound the breath of it the bright birth of stars




Believe and Rejoice


Book Description

DIVFollow a path of disovery toward the realization that only a relinquished life can find true happiness in Christ./div




"Silence, Music, Silent Music "


Book Description

The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.




Las Primicias


Book Description










Sarah Osborn's World


Book Description

In 1743, sitting quietly with pen in hand, Sarah Osborn pondered how to tell the story of her life, how to make sense of both her spiritual awakening and the sudden destitution of her family. Remarkably, the memoir she created that year survives today, as do more than two thousand additional pages she composed over the following three decades. Sarah Osborn's World is the first book to mine this remarkable woman’s prolific personal and spiritual record. Catherine Brekus recovers the largely forgotten story of Sarah Osborn's life as one of the most charismatic female religious leaders of her time, while also connecting her captivating story to the rising evangelical movement in eighteenth-century America. A schoolteacher in Rhode Island, a wife, and a mother, Sarah Osborn led a remarkable revival in the 1760s that brought hundreds of people, including many slaves, to her house each week. Her extensive written record—encompassing issues ranging from the desire to be "born again" to a suspicion of capitalism—provides a unique vantage point from which to view the emergence of evangelicalism. Brekus sets Sarah Osborn's experience in the context of her revivalist era and expands our understanding of the birth of the evangelical movement—a movement that transformed Protestantism in the decades before the American Revolution.