The Silentiary


Book Description

In post-WWII South America, a struggling writer embarks on a murderous thought experiment to help kickstart his career in this next tale of longing from the author of Zama. The Silentiary takes place in a nameless Latin American city during the early 1950s. A young man employed in middle management entertains an ambition to write a book of some sort. But first he must establish the necessary precondition, which the crowded and noisily industrialized city always denies him, however often he and his mother and wife move in search of it. He thinks of embarking on his writing career with something simple, a detective novel, and ponders the possibility of choos- ing a victim among the people he knows and planning a crime as if he himself were the killer. That way, he hopes, his book might finally begin to take shape. The Silentiary, along with Zama and The Suicides, is one of the three thematically linked novels by Di Benedetto that have come to be known as the Trilogy of Expectation, after the dedication “To the victims of expectation” in Zama. Together they constitute, in Juan José Saer’s words, “one of the culminating moments of twentieth-century narrative fiction in Spanish.”




The Silentiary


Book Description

In post-WWII South America, a struggling writer embarks on a murderous thought experiment to help kickstart his career in this next tale of longing from the author of Zama. The Silentiary takes place in a nameless Latin American city during the early 1950s. A young man employed in middle management entertains an ambition to write a book of some sort. But first he must establish the necessary precondition, which the crowded and noisily industrialized city always denies him, however often he and his mother and wife move in search of it. He thinks of embarking on his writing career with something simple, a detective novel, and ponders the possibility of choos- ing a victim among the people he knows and planning a crime as if he himself were the killer. That way, he hopes, his book might finally begin to take shape. The Silentiary, along with Zama and The Suicides, is one of the three thematically linked novels by Di Benedetto that have come to be known as the Trilogy of Expectation, after the dedication “To the victims of expectation” in Zama. Together they constitute, in Juan José Saer’s words, “one of the culminating moments of twentieth-century narrative fiction in Spanish.”




Three Political Voices from the Age of Justinian


Book Description

This one-volume translation, with commentary and introduction brings together three important works. All three texts cast great, if generally neglected light on politics and ideology in early Byzantium. Agapetus wrote, c. 527-30CE, from a position sympathetic to Justinian, when he had still to consolidate his authority. He sets out what an emperor must do to acquire legitimacy, in terms of government's being the imitation of God. Read in context, his work is much more than a list of pious commonplaces. The Dialogue, written anonymously towards the end the same reign, comprises fragments from Books 4-5 of a philosophically sophisticated (lost) longer work, setting out requirements for the ideal polity, based on a similar concept of imperial rule, with extensive comment on matters of current political salience but from an implicitly hostile standpoint. Not only does the text reflect the nature of Neoplatonic political philosophy but it also penetrates with its ideas deep into the inner realities of the time, into the political problems of Constantinople during the first half of the sixth century. The third text was written by Paul the Silentiary to mark the rededication of the basilica Hagia Sophia, built thirty years earlier under the orders of Emperor Justinian I. Together the translations provide an important insight into the early Byzantine period.




Zama


Book Description

An NYRB Classics Original First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentine and Spanish-language literature. Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good. Don Diego’s slow, nightmarish slide into the abyss is not just a tale of one man’s perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose.




Sacred Thresholds: The Door to the Sanctuary in Late Antiquity


Book Description

Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.




Theodora


Book Description

Two of the most famous mosaics from the ancient world, in the church of San Vitale in Ravenna, depict the sixth-century emperor Justinian and, on the wall facing him, his wife, Theodora (497-548). This majestic portrait gives no inkling of Theodora's very humble beginnings or her improbable rise to fame and power. Raised in a family of circus performers near Constantinople's Hippodrome, she abandoned a successful acting career in her late teens to follow a lover whom she was legally forbidden to marry. When he left her, she was a single mother who built a new life for herself as a secret agent, in which role she met the heir to the throne. To the shock of the ruling elite, the two were married, and when Justinian assumed power in 527, they ruled the Eastern Roman Empire together. Their reign was the most celebrated in Byzantine history, bringing wealth, prestige, and even Rome itself back to the Empire. Theodora was one of the dominant political figures of her era, helping shape imperial foreign and domestic policy and twice saving her husband from threatened deposition. She played a central role trying to solve the religious disputes of her era and proactively assisted women who were being trafficked. An extraordinarily able politician, she excited admiration and hatred from those around her. Enemies wrote extensively and imaginatively about her presumed early career as a prostitute, while supporters elevated her, quite literally, to sainthood. Theodora's is a tale of a woman of exceptional talent who overcame immense obstacles to achieve incredible power, which she exercised without ever forgetting where she had come from. In Theodora: Actress, Empress, Saint, David Potter penetrates the highly biased accounts of her found in the writings of her contemporaries and takes advantage of the latest research on early Byzantium to craft a modern, well-rounded, and engaging narrative of Theodora's life. This fascinating portrait will intrigue all readers with an interest in ancient and women's history.




Dinner with Persephone


Book Description

A New York Times Notable Book of the Year "Full of insights, marvelously entertaining . . . haunting and beautifully written." --The New York Review of Books "I lived in Athens, at the intersection of a prostitute and a saint." So begins Patricia Storace's astonishing memoir of her year in Greece. Mixing affection with detachment, rapture with clarity, this American poet perfectly evokes a country delicately balanced between East and West. Whether she is interpreting Hellenic dream books, pop songs, and soap operas, describing breathtakingly beautiful beaches and archaic villages, or braving the crush at a saint's tomb, Storace, winner of the Whiting Award, rewards the reader with informed and sensual insights into Greece's soul. She sees how the country's pride in its past coexists with profound doubts about its place in the modern world. She discovers a world in which past and present engage in a passionate dialogue. Stylish, funny, and erudite, Dinner with Persephone is travel writing elevated to a fine art--and the best book of its kind since Henry Miller's The Colossus of Maroussi. "Splendid. Storace's account of a year in Greece combines past and present, legend and fact, in an unusual and delightful whole. " --Atlantic Monthly




The Sixth Century: End or Beginning?


Book Description

Preliminary Material /Pauline Allen and Elizabeth Jeffreys -- Introduction /Pauline Allen and Elizabeth Jeffreys -- Inheriting the Fifth Century: Who Bequeathed What? /Philip Rousseau -- Writing the Reign of Justinian: Malalas versus Theophanes /Roger Scott -- Procopius and the Samaritans /Katherine Adshead -- Bury, Malalas and the Nika Riot /Michael Jeffreys -- The Chronicle of John Malalas, Book I: A Commentary /Elizabeth Jeffreys -- The Use of Pagan Mythology in the Christian Empire with Particular Reference to the Dionysiaca of Nonnus /Wolfgang Liebeschuetz -- Notes of Christian Epigrams in Book One of the Greek Anthology /Barry Baldwin -- The Reading of Paul the Silentiary /Ian Martlew -- Early Monasticism and Ps. Denys /Daniel Callam -- Impact of St Sabas: The Legacy of Palestinian Monasticism /Kathleen Hay -- Aspects of Spiritual Direction: The Palestinian Tradition /John Chryssavgis -- Junillus Africanus' Instituta Regularia Divinae Legis in its Justinianic Context /Michael Maas -- The Silence of the Sources: The Sixth Century and East-Syrian 'Antiochene ' Exegesis /Corrie Molenberg -- Severus of Antioch and the Homily: The End of the Beginning? /Pauline Allen -- The Sixth Century: A Turning-Point for Byzantine Homiletics? /Mary Cunningham -- Through the Tunnel with Leontius of Jerusalem: The Sixth-Century Transformation of Theology /Patrick Gray -- Christ's Image versus Christology: Thoughts on the Justinianic Era as Threshold of an Epoch /Karl-Heinz Uthemann -- Sixth-Century Art and Architecture in 'Old Rome ': End or Beginning? /Joan Barclay Lloyd -- Sixth-Century Ravenna from the Perspective of Abbot Agnellus /Ann Moffatt -- Forming and Transforming Proto-Byzantine Urban Public Space /Michael Milojević -- Byzantium, Planet Earth and the Solar System /Paul Farquharson -- Climatic Change in the Fifth and Sixth Centuries? /Johannes Koder -- General Index /Pauline Allen and Elizabeth Jeffreys -- Contributors /Pauline Allen and Elizabeth Jeffreys.




The Art of the Byzantine Empire 312-1453


Book Description

Originally published by Prentice-Hall, 1972.




Performing the Gospels in Byzantium


Book Description

Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.