The Silver Cloud Café


Book Description

In San Francisco, a midget is accused of murder he did not commit in a case that has its origins in the migrant workers' camps in the 1950's. Lawyer Zeferino Del Campo takes up his defense and in the process discovers the violent world of exploited immigrants.




The Silver Cloud Café


Book Description

"The Silver Cloud Cafe is a novel that goes beyond and beneath. Beyond and beneath the glossy surface of San Francisco. Beyond and beneath the clean-scrubbed image of American life. It goes to the Mission District, where two neon angels stand watch over the ramshackle cantina known as Raphael's Silver Cloud Cafe and where the lost and lonely, desperate and dispossessed, come for a meager portion of solace and salvation in the form of companionship, drink, and sex. It goes to the dark waters under the Fourth Street Bridge, where the corpse of a failed priest surfaces, and to the jailhouse, where a nattily dressed midget takes credit and demands punishment for the crime." "This amazing novel is at once a gripping murder mystery that probes two macabre killings forty years apart and a panoramic meditation on the magical, mystical mix of race and culture in America. Its spellbinding story of intertwining guilt and innocence, crime and punishment, ranges over the century, from the bloody Christero Wars of the Mexican Revolution to the stifling rigidities of class and caste in the Philippines to the bitter harvests of migrants in the California farmlands to the feeding frenzy and human downsizing of the 1990s. Its characters include a Chicano lawyer and a Jewish investigator who have seen too much and believe too little; a Mexican priest torn by twin lusts for sex and vengeance; a black ex-boxer who is down but not out; a bar owner with a sense of divine mission; and a host of other unforgettable men and women who join in a superbly orchestrated symphony of voices and visions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved







Of Space and Mind


Book Description

Based on author's doctoral thesis (University of Colorado, 2006): Reading space.




The Fight in the Fields


Book Description

Examines the fight of the United Farm Workers Union.




One World Periphery Reads the Other


Book Description

While Said focused on the perceptions and stereotypes of the Near East “Oriental” in England, France and the United States, most of these essays study the decentering interplay between “peripheral” areas of the Third World, “semiperipheral” areas (Spain and Portugal since the second part of the seventeenth century), and marginalized social groups of the globe (Chicanos, African Americans, and Filipino Americans). They explore, for example, how China and the Far East in general are imagined and represented in Latin America and the Caribbean, or how ethnic minorities in the United States, such as Chicanos and African Americans, incorporate Filipino characters in their novels or creolize their music with Chinese influences. As the title of this book suggests, sometimes these “peripheral” areas and social groups talk back to the metropolitan centers of the former empires or look for their mediation, while others they avoid the interference of the First World or of hegemonic social groups altogether in order to address other “peripheral” peoples directly, thus creating rich “South-South” cross-cultural flows and exchanges. The main difference between the imperialistic orientalism studied by Said and this other type of global cultural interaction is that while, in their engagement with the “Orient,” they may be reproducing certain imperialistic fantasies and mental structures, typically there is not an ethnocentric process of self-idealization or an attempt to demonstrate cultural, ontological, or racial superiority in “South-South” intellectual and cultural exchanges. This way to de-center or to “provincialize” Europe—pace Dipesh Chakrabarty—disrupts the traditional center-periphery dichotomy, bringing about multiple and interchangeable centers and peripheries, whose cultures interact with one another without the mediation of the European and North American metropolitan centers.




Dialectical Imaginaries


Book Description

Dialectical Imaginaries brings together essays that analyze the effects of class conflict and capitalist ideology on contemporary works of U.S. Latino/a literature. The editors argue that recent global events have compelled contemporary scholars to reexamine traditional interpretive models that center on identity politics and an ethics of multiculturalism. The volume seeks to demonstrate that materialist methodologies have a greater critical reach than other methods, and that Latino/a literary criticism should be more attuned to interpretive approaches that draw on Marxism and other globalizing social theories. The contributors analyze a wide range of literary works in fiction, poetry, drama, and memoir by writers including Rudolfo Anaya, Gloria Anzaldúa, Daniel Borzutzky, Angie Cruz, Sergio de la Pava, Mónica de la Torre, Sergio Elizondo, Juan Felipe Herrera, Rolando Hinojosa, Quiara Alegría Hudes, Lin-Manuel Miranda, Óscar Martínez, Cherríe Moraga, Urayoán Noel, Emma Pérez, Pedro Pietri, Miguel Piñero, Ernesto Quiñónez, Ronald Ruiz, Hector Tobar, Rodrigo Toscano, Alfredo Véa, Helena María Viramontes, and others.




Spilling the Beans in Chicanolandia


Book Description

Since the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause us to participate empathetically in an increasingly complex Chicano/a identity and experience. This book presents far-ranging interviews with twenty-one "second wave" Chicano/a poets, fiction writers, dramatists, documentary filmmakers, and playwrights. Some are mainstream, widely recognized creators, while others work from the margins because of their sexual orientations or their controversial positions. Frederick Luis Aldama draws out the artists and authors on both the aesthetic and the sociopolitical concerns that animate their work. Their conversations delve into such areas as how the artists' or writers' life experiences have molded their work, why they choose to work in certain genres and how they have transformed them, what it means to be Chicano/a in today's pluralistic society, and how Chicano/a identity influences and is influenced by contact with ethnic and racial identities from around the world.




Alfredo Véa’s Narrative Trilogy


Book Description

With the publication of La Maravilla (1993), Alfredo Véa entered the world of letters in full possession of his craft as a novelist, blending narrative fiction and engaging anecdotes with allusions to art (music, paintings, poetry) and autobiography (e.g., his tour of duty in Vietnam), written in the poetry and prose of the world with penetrating reflections on America (as an ideal), and the United States (as a country). Véa’s narrative trilogy was recognized for its attention to language, ingenious conception at the level of plot and theme, and broad reflections on American society, its history (politics, art, religion, the entertainment industry), and its role as a world power in the twentieth century, specifically during the Vietnam war. Although recognized as a writer of great intuition and exceptional creativity, until now, no book-length study has been written on Alfredo Véa as a novelist. In this book, each one of the novels in the trilogy is analyzed and interpreted from an interdisciplinary perspective and with the general reader in mind, as well as college and university professors and students of US and world literatures.




Gods Go Begging


Book Description

“Luminous... a beautiful book.” – Carolyn See For Vietnam veteran Jesse Pasadoble, now a defense attorney living in San Francisco, the battle still rages: in his memories, in the gang wars erupting on Potrero Hill, and in the recent slaying of two women: one black, one Vietnamese. While seeking justice for the young man accused of this brutal double murder, Jesse must walk with the ghosts of men who died on another hill... men who were his comrades and friends in a war that crossed racial divides. Gods Go Begging is a new classic of Latino literature, a literary detective novel that moves seamlessly between the jungles of Vietnam and the streets of modern day San Francisco. Described as “John Steinbeck crossed with Gabriel García Márquez”, Véa weaves a powerful and cathartic story of war and peace, guilt and innocence, suffering and love - and of one man’s climb toward salvation.